




Pablo Heras-Casado
Lydia Connolly
Teodora Masi
Márcio Bugalho Domingues
“Heras-Casado came roaring in like a lion. There was a thunderous physicality to his conducting that I don’t recall having witnessed before, a readiness to unleash the full sonic resources of the orchestra and to marshal them in the service of full-blooded accounts of music both old and new.”
(SFGate)
Principal Guest Conductor: Teatro Real, Madrid
Pablo Heras-Casado enjoys an unusually varied and broad-ranging career, encompassing the great symphonic and operatic repertoire, historically informed performances, and contemporary scores. A musical character best reflected by the quality of the long-term relationships nurtured with prestigious orchestras around the world, he continues to develop new connections and exciting programming each year.
In great demand as guest conductor, he regularly appears in Europe with the Philharmonia and London Symphony orchestras, Orchestre de Paris, Münchner Philharmoniker, Symphonieorchester des Bayerischen Rundfunks, Staatskapelle Berlin, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tonhalle-Orchester Zürich and Israel Philharmonic Orchestra, amongst numerous others. He has also conducted the Berliner and Wiener Philharmoniker, The Mariinsky Theatre Orchestra; while in North America he is seen with the symphony orchestras of San Francisco, Chicago, Pittsburgh, Minnesota, Philadelphia, the Los Angeles Philharmonic the Orchestre symphonique de Montréal. Heras-Casado was Principal Conductor of Orchestra of St. Luke’s in New York between 2011 and 2017, having performed at Carnegie Hall and recorded together with it.
In the operatic field, he currently leads Wagner’s complete Ring Cycle at Teatro Real in Madrid, where he is Principal Guest Conductor, over four consecutive seasons, until 2022, while in the 2020/21 season he debuts at the Wiener Staatsoper, presenting Monteverdi L’Incoronazione di Poppea, with a revival planned for the following season. He has also previously appeared at the Staatsoper Unter den Linden and Deutsche Oper in Berlin, The Metropolitan Opera in New York, Festival d’Aix-en-Provence and Festspiel Baden-Baden.

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He enjoys a fruitful collaboration with Freiburger Barockorchester, featuring extensive touring and recording projects, including appearances at Mostly Mozart Festival at Lincoln Center, Festival d’Aix-en-Provence, BBC Proms and Het Concertgebouw in Amsterdam, as part of a residency as Spotlight Artist of the NTR Matinee series of the historic hall. Recently he developed a close partnership with Verbier Festival and was Director of the Granada Festival since 2017.
In celebration of Beethoven’s anniversary in 2020, Heras-Casado releases several recordings, including Symphony No.9, the complete Piano Concerti and Choral Fantasy, featuring Kristian Bezuidenhout on fortepiano, or the Triple Concerto, with Isabelle Faust, Jean-Guihen Queyras and Alexander Melnikov, amongst other smaller orchestral works. His extensive discography for harmonia mundi, recognized as 2018’s Label of the Year at the Gramophone Awards, includes a developing series entitled ‘Die Neue Romantik’, with music by Mendelssohn, Schumann and Schubert. Other discs on the label include albums dedicated to Manuel de Falla, with Mahler Chamber Orchestra; Debussy, with Philharmonia Orchestra; Bartók with Münchner Philharmoniker and Javier Perianes; a DVD release of Wagner’s Der Fliegende Holländer at Teatro Real; and Monteverdi’s Selva morale e spirituale with Balthasar-Neumann-Chor & Ensemble. A recipient of numerous awards, including two Preis der Deutschen Schallplattenkritik, two Diapason d’Or, and a Latin Grammy, he also recorded for Deutsche Grammophon, Decca and Sony Classical.
A dedicated educator, Heras-Casado makes a personal commitment to work with young musicians all over the world, regularly leading youth ensembles and projects, such as the Karajan Akademie der Berliner Philharmoniker, Juilliard School of Music Orchestra and Juilliard415 ensemble, RCO Young, Escuela de Música Reina Sofia, Fundación Barenboim-Said, Orquesta Joven de Andalucía, Pan-Caucasian Youth Orchestra or Gustav Mahler Academy.
Musical America’s 2014 Conductor of the Year, Pablo Heras-Casado holds the Medalla de Honor of the Rodriguez Acosta Foundation, Medalla de Andalucia 2019 and Ambassador Award of this region. He is Honorary Ambassador and recipient of the Golden Medal of Merit by the Council of Granada, as well as Honorary Citizen of the Province of Granada, his hometown. In 2018 he was awarded the title Chevalier de l’ordre des Arts et des Lettres of the French Republic.
Highly committed to the Spanish charity Ayuda en Acción as a Global Ambassador, Heras-Casado supports and promotes the charity’s work internationally, and conducts an annual charity concert at Teatro Real in Madrid.












“Gripping from start to finish: that was Thursday night’s Dallas Symphony Orchestra concert. One of the most impressive guest conductors in the 2017 – 18 season, the Spaniard Pablo Heras-Casado was back on the podium. Again, he impressed with deeply musical performances, but they were exciting, too. (…) It was good to have Heras-Casado back on the Meyerson podium. I hope he becomes a regular.”
“The beautiful interpretation of Berlioz’s Requiem that made the Philharmonie of Paris vibrate last week is rich in lessons. The first merit of Casado [was that he] remembered that the thunderous bursts that made Berlioz’s Requiem famous represent only about ten minutes out of the ninety of a work whose general tone is rather of a collected fervor. The conductor does not take advantage of the more than 200 executants he has on hand to delve into the colossal or the grandiloquent. His reading remains transparent and developed, with a clarity to which contribute the strings playing with little vibrato.”
“Several elements combine to make this reading of Pablo Heras-Casado [of Berlioz’s Requiem], one of the highlights of this year Berlioz. The great hall of the Philharmonie, first of all (…). To this is added all the science of the Spanish leader in the field of opera, constantly concerned with balance; he proposes in this interpretation a vision in total adequacy with the wishes of the composer, mixing a theatricality without excess to a science of orchestral colours, magnified by his precise and committed clear direction.”
“The most impressive work emerged in Tchaikovsky’s Symphony No. 1 (…) Guest conductor Pablo Heras-Casado conceived an interpretation that made about as strong a case for this disarming composition as one might imagine (…) Thanks to the driving force and urgency of Heras-Casado’s reading, the motifs of the first movement made coherent sense. (…) Shaping a gorgeous Tchaikovsky melody can be more challenging than is apparent, and Heras-Casado showed how it’s done in the second movement. The grace and tenderness he brought to lyric themes made a nocturne of the piece.”
“The musical results were more successful than the program would indicate, with (…) conductor Pablo Heras-Casado making his most impressive CSO podium appearance to date. Relaxed yet in control, the Spanish conductor drew impassioned playing throughout yet skillfully tempered balances and refused to go over the top with volume or speed.”
“A key role was Pablo Heras-Casado, which is becoming more and more a formidable conductor who seems to be able to perform every style period. The Radio Philharmonic Orchestra played under his expressive gestures with great feeling, found the Russian soul and hit the score.”
“From beginning to end, Heras-Casado had Mussorgsky’s colossal score in a firm grasp, delivering a deeply passionate performance underpinned by the cleanest of rhythms.”
“Heras-Casado brings Boulezian analytical textures to the Saint Sébastien fragments and La Mer, but his emotional engagement in this music is far less restrained. The playing is magical.”
“As guest conductor Pablo Heras-Casado raised his long arms to cue the first downbeat of the Brahms Symphony No. 1 on Friday night at Davies Hall, the entire San Francisco Symphony ensemble seemed to take and hold a collective breath. Then, in a kind of ferocious exhalation, the musicians entered the timpani-studded thicket at the outset of the piece. That opening Allegro — indeed the entire symphony — drove on with an oxygen-infused, organic inevitability.”
“At its best, the Philharmonia, guided by the esteemed Pablo Heras-Casado, certainly delivered superb performances. […] Heras-Casado just went with the flow, conjuring up one of the most refreshing, convincing and wettest interpretations [of Debussy’s La Mer] I’ve heard for some time. He was equally on the ball in Ravel’s lovely Mother Goose suite, shaping the miniature sonorities with such exquisite poise that I curled up in bliss.” ****
“Pablo Heras-Casado and Pierre-Laurent Aimard were captivating in an outstanding programme of late 19th- and early 20th-century French music […] The playing was ravishing throughout” ****
“Freiburg’s all-Mendelssohn programme had the translucency and energy of a Turner watercolour. Heras-Casado’s spacious reading of The Hebrides was sensitive to the stillness in Mendelssohn’s writing (…)” *****
“Pablo Heras-Casado (…) led the ensemble with a consistently sophisticated vision.”
“With the gentlest of rhythmic swells in the violins, (…) a subtly revisionist account formed in the quietly authoritative hands of Pablo Heras-Casado. (…) Conductor and orchestra have recorded the symphonies together – the CD of this programme is newly available on Harmonia Mundi – and their account of the “Reformation” was no less illuminated than the Concerto by mutual trust and understanding.”
“Pablo Heras-Casado whips the Orchestre de Paris (…) into a frenzy; his attention to detail, and the thrilling level of excellence, mirror what we see on the stage.” *****
“Pablo Heras-Casado chose a delicate gesture to imprint a new breath on this music, displaying a strong knowledge of the style and spirit of Monteverdi’s music.”
“Heras-Casado, beaming throughout, did not need a score and the orchestra dutifully followed his every gesture. Heras-Casado injected the piece with infectious humour and conducted with verve. (…) His fiery temperament blends with an amiable countenance, sound technique, a broad repertoire and plenty of charisma – could this be the perfect mix to ignite staid Zurichers?”
“The rest of the program was just the latest reminder of what a vivid and resourceful conductor Heras-Casado is. (…) the first major American orchestra to snap him up as music director will have hit the jackpot. … This was exactly the kind of performance that makes a conductor sound like a wizard.”
“One of the most versatile conductors of his generation … Heras-Casado sustained the narrative through slow, quiet sections that otherwise would have had dancers to help carry them. Seamlessly navigating the work’s many transitions, the conductor’s conjuring of orchestral mood and color was so pictorially communicative, one could almost see Prince Ivan encountering the enchanting Firebird for the first time.”
“In his Caramoor debut, maestro Pablo Heras-Casado led a vigorous, forward-moving performance that coaxed taut, nuanced playing from the ever-splendid Orchestra of St. Luke’s and committed singing from the principals and chorus.”
“Heras-Casado is a vigorous, expressive podium artist, and his command of rhythm and dynamics was apparent throughout the evening’s lineup of works by Beethoven, Biber, Haydn and Rameau. Wednesday’s performance in Davies Symphony Hall found the conductor in top form, with especially persuasive results in the second half’s superb reading of Beethoven’s Symphony No. 2 in D major.”
Lydia Connolly
Teodora Masi
Márcio Bugalho Domingues
