Patricia Kopatchinskaja

Patricia Kopatchinskaja
©Ronald Knapp
Patricia Kop ERIC MELZER
Patricia Kop ERIC MELZER
Patricia Kopatchinskaja
Patricia Kopatchinskaja
PATRICIA KOPATCHINSKAJA
Patricia Kopatchinskaja
PATRICIA KOPATCHINSKAJA
Patricia Kopatchinskaja - credit Sasha Muravyeva

Patricia Kopatchinskaja

Violin
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Constantly characterised (and slightly demeaned) as a quirky maverick”, Kopatchinskaja proved here that she’s in a class of her own.”

(Richard Morrison, The Times, September 2019)
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PATRICIA KOPATCHINSKAJA // Death and the Maiden #Schubert // with THE SAINT PAUL CHAMBER ORCHESTRA © Alpha Classics
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Patricia Kopatchinskaja: Pierrot © The Saint Paul Chamber Orchestra
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DEUX // Patricia Kopatchinskaja and Polina Leschenko (Ravel, Poulenc, Bartok) © Alpha Classics
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2018 Ojai Music Director Patricia Kopatchinskaja © Ojai Music Festival
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Patricia Kopatchinskaja - Take Two album trailer © Alpha Classics / Outhere Music France 2015
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Patricia Kopatchinskaja - Kopatchinskaja on Bartók © Naïve Classique
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Patricia Kopatchinskaja - Trailer for SFR documentary © Béla Batthyany/SRF 2012
Patricia Kopatchinskaja
Patricia Kopatchinskaja - Ligeti: Violin Concerto (excerpt) © naïve
Patricia Kopatchinskaja
Patricia Kopatchinskaja - Bartók: Violin Concerto No.2 (excerpt) © naïve
(Richard Morrison, The Times, September 2019)
(Rebecca Franks, The Times, May 2019)
(LA Weekly, May 2019)
(Erica Jeal, The Guardian, April 2019)
(Jim Farber, San Francisco Classical Voice, April 2019)
(Mark Swed, LA Times, April 2019)
(Gramophone, December 2018)
(Andrew Farach-Colton, Gramophone, October 2018)
(New York Times, June 2018)
(About Bye Bye Beethoven at Ojai- Mark Swed, LA TIMES, June 2018)
(About Deux Recording- Erica Jeal, The Guardian, March 2018)
(James Longstaffe, Presto Classical, February 2018)
(Gramophone Magazine, February 2018)
***** (Andrew Clements, The Guardian, May 2018)
(Pamela Espleland, Minnesota Post October 2017)
(Rob Hubbard, Twin Cities Pioneer Press, October 2017)
(Martin Kettle, The Guardian, February 2017)
(Shirley Apthorp, Financial Times, February 2017)
(Mark Swed, Los Angeles Times, November 2015)
(Michael Church, The Independent, October 2015)
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