Hannu Lintu
“Lintu conducted with such an impassioned and longsighted grasp of the work’s momentum. A revelatory evening of fierce energies and hallowed spaces.”
(The Times)
Music Director: Singapore Symphony Orchestra
Principal Conductor: Orquestra Gulbenkian
Artistic Partner: Lahti Symphony Orchestra
Artistic Director: International Sibelius Festival
“Dynamic and sharp on the podium” (Bachtrack) and with an “extreme clarity of purpose, every detail worth noting” (Los Angeles Times), Hannu Lintu maintains his reputation as one of the world’s finest conductors.
The 2026/27 season marks Lintu’s inaugural year as Music Director of Singapore Symphony Orchestra. He leads the orchestra in varied programmes across the season, including Mahler, Mozart, Scriabin, Tchaikovsky, Auerbach, Adams and Sibelius. He also conducts the orchestra on tour in China. As well as stepping into this new position, Lintu continues his tenure as Principal Conductor of Orquestra Gulbenkian, Artistic Partner of the Lahti Symphony Orchestra, and Artistic Director of the International Sibelius Festival.
In addition to his titled positions, Lintu returns to the Finnish Radio Symphony Orchestra, the Minnesota Orchestra, Netherlands Philharmonic, Hong Kong Philharmonic, and makes his debuts with the Tonhalle Orchester Zürich and the Orchestre National du Capitole de Toulouse.
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Symphonic highlights of recent years have seen Lintu conduct the Chicago Symphony, New York Philharmonic (including an immediate re-invitation from the orchestra to perform at Bravo! Vail Festival), Berliner Philharmoniker, The Cleveland Orchestra, Bavarian Radio Symphony Orchestra, Orchestre National de Radio France, Boston Symphony Orchestra, Swedish Radio Symphony Orchestra, BBC Symphony, Deutsches Symphonie-Orchester Berlin, Radio Filharmonisch Orkest, London Philharmonic, Atlanta Symphony Orchestra, Konzerthausorchester Berlin, St Louis Symphony, Baltimore Symphony Orchestra and Orchestre Symphonique de Montréal.
Chief Conductor of the Finnish National Opera and Ballet from 2022 until the end of the 2025/26 season, Lintu is an expert in both operatic as well as symphonic repertoire, Lintu’s recent opera highlights have included Enescu’s Œdipe with the Vienna Symphony at Bregenz Festspiele, Wagner’s Der fliegende Holländer at Opera de Paris and Debussy’s Pelléas et Mélisande at Bayerische Staatsoper as a guest conductor, as well as multiple productions at Finnish National Opera and Ballet, including a recent multi-season Ring Cycle, Poulenc’s Dialogues des Carmélites, Mozart’s Don Giovanni, a choregraphed reimagining of Verdi’s Messa da Requiem, Puccini’s Turandot, Richard Strauss’ Salome, and Britten’s Billy Budd.
Lintu has made several recordings for Ondine, BIS Records, Naxos, Avie Records and Hyperion Records. His diverse discography comprises recordings of Magnus Lindberg’s orchestral works, the complete Beethoven Piano Concertos with Stephen Hough, and Lutoslawski’s Symphonies Nos. 1 – 4, all with Finnish Radio Symphony Orchestra. His often-gilded work boasts two International Classical Music Awards and several nominations for Gramophone and GRAMMY awards in recognition of recording projects such as Bartók’s Violin Concertos with Christian Tetzlaff, works by Sibelius featuring Anne Sofie von Otter, Rautavaara’s Kaivos, and the Violin Concertos of Sibelius and Thomas Adès with Augustin Hadelich and Royal Liverpool Philharmonic Orchestra.
Lintu studied cello and piano at the Sibelius Academy, where he also later studied conducting with Jorma Panula. He participated in masterclasses with Myung-Whun Chung at L’Accademia Musicale Chigiana in Siena, Italy, and took first prize at the Nordic Conducting Competition in Bergen in 1994.
Contacts
Jane Brown Senior Director, Co-Head of Artist Management
Worldwide General Management
“Lintu treated [Sibelius’ Symphony No. 7 in C major] like a tone poem, privileging color over narrative progression. Throughout the concert, the 55-year-old maestro seemed to get every stylistics effect he wanted from the Philharmonic’s players, a rare feat for a first outing.”
“This is the kind of both broadly accessible and aesthetically rich program that we need to see more often. The same goes for Lintu’s presence at the podium […] Lintu might be the week’s real highlight.”
“…Lintu, dynamic and sharp on the podium, cultured fine control and well-judged balance across the sections of the orchestra…”
“Lintu and the BBCSO were exemplary partners in this adventure, finding the right level of energy at every turn and mastering the expertly put together orchestral textures with ease.”
“Lintu, making his [Chicago Symphony Orchestra] debut, deserved plaudits for consistently maintaining a delicate sonic balance between soloist and a formidable orchestral accompaniment.”
“Hannu Lintu’s Tapiola isn’t the grey, remote expanse so many make of it […] The textures are wonderfully alive and multi-layered. Yet Lintu has added nothing to the familiar score – just heard things it seems others haven’t heard before.”
“He achieved the subtlest of nuances […] achieved breathtaking crescendos […] A colourful, emotionally attuned and relentless reading.”
“Lintu’s reading fully balanced the Concerto’s kaleidoscopic sound world with Bartók’s innate conception of musical structure. The score’s many delicate gestures – sensitively realized throughout – served larger, dramatic ends. The result was a dazzling Concerto for Orchestra performance: while still a brilliant showpiece, Thursday’s performance also packed a surprising degree of seething emotional power.”
“Lintu is a superstar in the Sibelius world these days. His video recordings of all seven of the composer’s symphonies with the Finnish Radio Symphony Orchestra can be seen and heard on cable television and elsewhere. Still, his rendition of the Symphony No. 2 in D with the NACO demonstrated the truism that even the best recordings pale beside the experience of a good live performance.”
“Lintu’s Tapiola does indeed settle into one of the finest performances on record, reconciling the obvious with the mysterious, casting everything in various shades of darkness until it snaps or roars outwards, and, in the culminating shift to the major, equalling Leif Segerstam’s magical flooding of the soundscape with glistening, sideways forest light.”
“No other conductor – including several distinguished Sibelians – I have heard in this music has been quite so willing to show what makes [Kullervo] so original. Where others have attempted to connect it to the main, canonic body of Sibelius’s output, Lintu shows how it stands apart, and how if the composer had continued in this vein he might have become a sort of Finnish Bartók … A conductor given to big gestures, he drew a performance of gripping sweep, and playing of surging, full-blooded warmth.”
“At an hour long, Shostakovich’s Symphony No. 8 needs an overarching vision to bring it all together. Lintu had no problem providing a clear-eyed sober view. It received an almost flawless performance from Lintu and the orchestra. Lintu handled the Classical beauties of Mozart’s Sinfonia concertante with grace and ease, in a fine prelude to the epic sorrows of the Shostakovich.”
“Guest conducting the Cleveland Orchestra… Lintu made sure his name is one listeners will remember. Leading well-known works by Tchaikovsky and Prokofiev, Lintu seized on elements of drama and excitement to craft truly distinguished performances fuelled by seemingly boundless reserves of vitality.”































































