Santtu-Matias Rouvali 1 © Marco Borggreve

©Photo: Marco Borggreve

©Photo: Marco Borggreve

Santtu-Matias Rouvali

Conductor

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“… he is the real thing: music unmistakably flows from him.”
(Sunday Times)

Principal Conductor: Philharmonia Orchestra
Chief Conductor: Gothenburg Symphony
Chief Conductor and Artistic Director: Tampere Philharmonic Orchestra

In the 2022/23 season Santtu-Matias Rouvali starts his second year as Principal Conductor of the Philharmonia Orchestra and continues as Chief Conductor of Gothenburg Symphony, alongside his longstanding Chief Conductor and Artistic Director position with Tampere Philharmonic Orchestra close to his home in Finland.

In summer 2022, Rouvali made his BBC Proms debut with the Philharmonia Orchestra, performing the European premiere of a new violin concerto, Procession, by Missy Mazzoli with Jennifer Koh, alongside extracts from Tchaikovsky’s Swan Lake and Prokofiev’s Romeo and Juliet.

Throughout this season, he continues his relationships with top level orchestras across Europe, including Berliner Philharmoniker, Wiener Symphoniker, Royal Concertgebouw Orchestra and Münichner Philharmoniker, as well as returning to the New York Philharmonic for his annual visits. He works with soloists including Víkingur Ólafsson, Nemanja Radulović, Yuja Wang, Nicola Benedetti, Behzod Abduraimov, Patricia Kopatchinskaja, Alice Sara Ott, Sheku Kanneh-Mason, Vadim Gluzman, Randall Goosby, and Vilde Frang.

As well as concerts in London and the rest of the UK, Rouvali and the Philharmonia embark on a tour to Italy in September 2022, with music by Prokofiev and Sibelius. This is the first of many touring highlights this season with the Philharmonia, including trips to Spain, Germany and Hungary.

Rouvali continues to build on his discography, not only adding to Gothenburg Symphony’s impressive legacy, but also with his orchestras in London and at home in Tampere. In January 2019 with Gothenburg, he released a celebrated first disc of an ambitious Sibelius cycle, pairing the Symphony No.1 with the early tone poem En saga. The album won the Gramophone Editor’s Choice award, the Choc de Classica, a prize from the German Record Critics and the prestigious French Diapason d’Or ‘Decouverte’. In February 2020 they released the second volume, which features Sibelius’ Symphony No.2 and King Christian II, which has also been immediately awarded a Choc de Classica award. The Sunday Times commented that “Thanks to conductor Santtu-Matias Rouvali’s overall shaping and a rhythmic precision that nevertheless leaves the composer’s characteristically fluid phrases intact, the Gothenburg players’ performance, beautifully balanced and characterfully coloured, is powerfully cogent.”

In 2020 his first Philharmonia CD, a live recording of excerpts from Tchaikovsky’s Swan Lake, was released by Signum Records, followed by another live recording of Prokofiev No.5, released in early 2021. With Tampere Philharmonic Orchestra and violinist Baiba Skride, he has recorded five concertos on the Orfeo label: Nielsen, Sibelius, Bernstein, Korngold and Rózsa.

HarrisonParrott represents Santtu-Matias Rouvali for worldwide general management.

Santtu-Matias Rouvali - Also sprach Zarathustra © Philharmonia

Santtu-Matias Rouvali - Francesca da Rimini © Philharmonia

Santtu Matias Rouvali - Sibelius trailer © Gothenburg Symphony

Santtu-Matias Rouvali - Strauss De Rosenkavalier Suite © Gothenburg Symphony

Santtu-Matias Rouvali - Sibelius Valse Triste © Gothenburg Symphony

Santtu-Matias Rouvali - Sibelius Symphony No.1 3rd movement © Gothenburg Symphony

“Rouvali proved a fine Straussian, measured in his approach, and careful in his attention to detail and colour. The escalating tension was beautifully controlled, the colossal forces superbly marshalled, the sheer volume of sound always integral to the drama, never an end in itself.”

(Tim Ashley, The Guardian, October 2021)

“In his first concert as the Philharmonia’s Principal Conductor, Santtu-Matias Rouvali brought a glowing string sound and irresistible elan to an all-Strauss programme.”

(Tim Ashley, The Guardian, October 2021)

“The orchestra’s first London outing under the baton of its new maestro was a triumph.”

(Evening Standard, October 2021)

“[…] a young but already compelling artist.“

(Anthony Tommasini, The New York Times, November 2019)

“Rouvali made an impressive start as conductor designate of the Philharmonia, turning this relatively offbeat programme into party time.”

(Neil Fisher, The Times, June 2019)

“This was a deeply engaged and serious interpretation of a complex work, revealing impressive long-term concentration and attention to detail on Rouvali’s part that makes him a natural Straussian.”

(Curtis Rogers, Classical Source, December 2018)

“…he opened his account with the Philharmonia Orchestra as joint Principal Guest Conductor in a colourful all-Russian programme showing amazing physicality as he floated dance-like around the podium with clear, baton direction but with real intent and genuine musicality.”

(Bachtrack, Mark Thomas, October 2017)

“Rouvali was the bard and sage of the hour. He got a standing ovation, deservedly.”

(Classical Source, Ateş Orga, September 2017)

“Rouvali’s imaginative, often spectacular musicality is exceptional even in an era with a number of remarkable young conductors.”

(Los Angeles Times, November 2016)

“No wonder the applause was tremendous and that many afterward danced on light feet into the evening.”

(Göteborgs-Posten, April 2016)

“…he is the real thing: music unmistakably flows from him.”

(Sunday Times, January 2016)

“Rouvali conducts full of energy, and is a craftsman in the truest sense of the word.”

(Erlanger Nachrichten, December 2015)

“The Tampere orchestra sounds clean, supple and boisterous under its young chief conductor Santtu-Matias Rouvali. He, meanwhile, is the latest sit-up-and-listen talent to emerge from the great Finnish conducting tradition.”

(The Guardian, September 2015)

“Rouvali, 29, a product of the renowned Finnish conducting school in Helsinki, left a long-lasting impression on his Bern debut…Rouvali led the orchestra in a striking and gripping interpretation of Sibelius 1, which expressed the brusqueness and ruggedness of the work.”

(Berner Zeitung, January 2015)