Dalia Stasevska

Conductor

Home
Reviews
Features

“The star of the evening was conductor Dalia Stasevska”
(Aamulehti)

This season Dalia will celebrate a number of debuts, including Philharmonia Orchestra, Orchestre National de Lyon at the Variations Classiques Festival in Annecy, Helsinki Philharmonic Orchestra, Swedish Chamber Orchestra, Stavanger Symphony Orchestra and Adelaide Symphony Orchestra. She will also return to BBC Symphony Orchestra, Trondheim Symfoniorkester, Gävle Symphony Orchestra and the Orchestra of Opera North.

2017/18 saw her giving debuts with BBC Symphony Orchestra, BBC National Orchestra of Wales, Gürzenich-Orchester Köln, Swedish Radio Symphony Orchestra, Orchestra of Opera North and Aalborg Symphony Orchestra. Dalia also returned to Oslo Philharmonic Orchestra and Gothenburg Symphony, where she celebrated the Finnish 100^th Independence Anniversary, and has continued her relationship with the Trondheim Symfoniorkester. She also returned to Finnish Opera, conducting Höstsonaten at the Baltic Sea Festival in Stockholm, featuring Anne Sofie von Otter.

A passionate opera conductor, Dalia will make her debuts with Malmö Opera to conduct La Traviata in a production by Olivier Py and with Kungliga Opera Stockholm for Don Giovanni, directed by Ole Anders Tandberg. She will also visit Opéra de Toulon for her debut with Eugene Onegin. This follows engagaments with Finnish National Opera where she conducted The Cunning Little Vixen and with Norwegian Opera, where she could be seen on the podium of Lucia di Lammermoor.

Dalia Stasevska – Sibelius: Symphony No.7 (excerpt) © Trondheim Symphony

Dalia Stasevska - Magnus Lindberg: Two Episodes © Finnish Radio SO (2016 Helsinki Festival)

Kodaly: Dances of Galanta (excerpt) © Gothenburg Symphony

“She’s a real find, making her UK debut with an orchestra clearly having a ball”

(Arts Desk, April 2018)

“Stasevska knows how to shout and to whisper. […] From the very beginning it was clear that her approach never sees classical music as a ‘charming entertainment’. Instead she comes across as a fully mature artist whose interpretations have real power and vision. She conducts with immense intensity and control, but at the same time has understanding for small nuances. […] Let us follow Stasevska’s career very attentively and hopefully for a long time!”

(Etelä-Suomen Sanomat, 2015)

“The star of the evening was conductor Dalia Stasevska. She made Finnish National Opera’s orchestra sound full with rich colours.”

(Aamulehti, 2015)

“Dalia Stasevska conducted with dedication. From the very beginning, she almost seemed to be an inseparable part of Janáček’s music, its freshness and naturalness.”

(Etelä-Suomen Sanomat, 2015)

“A young, creative and energetic Dalia Stasevska created a fresh and alive, but at the same time very sensitive interpretation. Her grip to the music was rhythmic, insightful and fresh. Many details emerged from the orchestra which often remain unheard in the overall texture of other interpretations. […] From the very opening bars, the music sounded soft and sweet, the piani in the Lacrimosa were touchingly quiet, like a soft comforting touch of fingertips. She showed the same delicacy in the handling of the choir. Stasevska lets fortes ring out for a moment, only to quickly pull them back, to give space to the next one. Mozart’s rich tapestry sparkled and lived like in a kaleidoscope.”

(Itä-Savo, 2015)