Anne Sofie von Otter

Anne Sofie von Otter
Anne Sofie von Otter
Anne Sofie von Otter
Anne Sofie von Otter © OHM.LV
Anne Sofie von Otter
Anne Sofie von Otter

Anne Sofie von Otter

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von Otter’s generous personality is reflected in the way she puts over every item, with care for text and a honeyed sweetness of tone.”

(BBC Music Magazine, March 2019)
Anne Sofie von Otter
©Ewa-Marie Rundquist
‘Abendempfindung’ in Le nozze di Figaro © Bayerische Staatsoper
©Ewa-Marie Rundquist
Sibelius: Men min fågel märks dock icke © Finnish Radio Symphony Orchestra
A Simple Song promotional video © BIS
Anne Sofie von Otter
Norbert Glanzberg: Padam Padam from Douce France © Naïve
Ljusa kvällar om våren © Karl Thorson, Staffan Engwall, Svenska Kyrkan
Handel: Priva son d’ogni conforto (Cornelia) - Giulio Cesare © Salzburger Festspiele, Decca
Douce France promotional video © Naïve
Mahler: Das Lied von der Erde (excerpt)
Opera, August 2024
Hamburger Abendblatt, September 2023
The Times, Aug 2022
(Schwabmünchner Allgemeine, Apr 2022)
(Mannheimer Morgen, Apr 2022)
(BZ Basel, Jan 2022)
(Diapason, November 2021)
(Opera Magazine, November 2021)
(ResMusica, October 2021)
(Olyrix, September 2021)
(The Financial Times, September 2021)
(Frankfurter Rundschau, October 2021)
(ResMusica, July 2021)
(Opera Magazine, January 2021)
(BBC Music Magazine, Jul 2020)
(San Francisco Classical Voice, March 2020)
(LA Times, September 2019)
(Neue Zürcher Zeitung, August 2019)
(Der Tagesspiegel, August 2019)
(Frankfurter Allgemeine Zeitung, August 2019)
(Der Standard, August 2019)
(Süddeutsche Zeitung, July 2019)
(BBC Music Magazine, March 2019)
(SF Chronicle, Joshua Kosman, March 2019)
(Opera Magazine, March 2019)
(Gramophone, Hugo Shirley, February 2019)
(Opera Magazine, February 2019)
(BBC Music Magazine, Christmas 2018)
(Financial Times, Richard Fairman, December 2018)
(Telegraph, John Allison, December 2018 )
(Opera Magazine, March 2018)
(Financial Times, Shirley Apthorp, February 2018)
(Bachtrack, February 2018)
(BBC Music Magazine, January 2018)
(Gramophone, November 2017)
(The Guardian, November 2017)
(Opera Magazine, November 2017)
(Financial Times, September 2017)
(Fiona Maddocks, Guardian, May 2017)
(Hugo Shirley, Opera Magazine, May 2017)
(Rupert Christiansen, Telegraph, April 2017)
(The Stage, April 2017)
(Bachtrack, February 2017)
(The Arts Desk, November 2016)
(Washington Post, October 2016)
(Opera Magazine, October 2016)
(New York Times, August 2016)
(Frankfurter Rundschau, August 2016)
(Opernnetz, August 2016)
(Die Presse, June 2016)
(Kurier, June 2016)
(Opera Critic, January 2016)
(Opera Magazine, December 2015)
(Opera Magazine, May 2015)
(Backtrack, March 2015)
(Londonist, March 2015)
(Express, March 2015)
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