





Maxime Pascal
Maxime Pascal is the Music Director of Paris-based orchestra Le Balcon
Music Director: Le Balcon
Chief Conductor of Helsingborg Symphony Orchestra (from 2024/2025)
Maxime Pascal has quickly established himself as one of the most brilliant interpreters of 20th-century and contemporary music of his generation. Pascal’s musical journey has been driven by a passionate exploration of sound: upon entering the Paris Conservatory, he relentlessly explored a vast repertoire, from classical works to pieces by 20th-century composers such as Morton Feldman, Gérard Grisey, and Pierre Boulez.
In 2008, together with five other students from the Conservatory, he founded the ensemble Le Balcon, an innovative collective known for its amplified concerts that allow the audience to immerse themselves “inside the sound.” Le Balcon takes its name from the play by Jean Genet of the same name, echoing the playwright’s deep exploration of representation and embodiment. The ensemble has become a key player in the contemporary music scene, engaged in ambitious projects like Karlheinz Stockhausen’s monumental Licht cycle, Messiaen’s Saint François d’Assise as well as works by Gérard Grisey. Pascal considers the Licht cycle his life’s work, with plans to present the full cycle for the composer’s centenary in 2028.
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A commanding presence on the operatic scene, in the 2025/26 season Pascal will return to Teatro alla Scala to conduct a new production of Pelléas et Mélisande, he will visit Opera di Roma for Ariadne auf Naxos and will return to the Tokyo Nikikai Opera for The Damnation of Faust. Previous appearances at La Scala include Ti vedo, ti sento, mi perdo by Salvatore Sciarrino in 2017, which he subsequently directed at the Berlin Staatsoper, and Quartet by Luca Francesconi (2019). In the summer of 2023, he made his debut at the Aix-en-Provence Festival with Le Balcon and the Comédie-Française in a highly anticipated production of The Threepenny Opera by Bertolt Brecht and Kurt Weill, subsequently revived in the Richelieu Hall. Other operatic highlights include Lulu at the Vienna Festival and The Greek Passion by Bohuslav Martinů at the Salzburg Festival, named “Best Show of the Year 2023” by the Oper! Awards, and, most recently, a new production of Péter Eötvös’ Tri Sestri at the 2025 Salzburg Festival.
Pascal will continue his tenure as Chief Conductor of the Helsingborg Symphony Orchestra in 2025/26, leading the orchestra in two Berlioz-centered programs, Beethoven’s Missa Solemnis, symphonies by Mendelssohn, Beethoven and Strauss, as well as works by Kaija Saariaho and Joe Hisaishi. He will return to the London Symphony Orchestra, with whom he made his debut in January 2025 in a Boulez centenary concert, as well as the Hallé orchestra, Norrköping Symphony Orchestra and ORF Radio-Symphonieorchester Wien.
Contacts
Ariane Levy-Künstler EOT Director | Director, Artist Management Jasper Parrott Executive Chairman HP Group & Associated Companies Isabella Thorneycroft Artist Coordinator
worldwide general management
Jasper Parrott Executive Chairman HP Group & Associated Companies Isabella Thorneycroft Artist Coordinator
Isabella Thorneycroft Artist Coordinator
worldwide general management
Gallery




Season Highlights
Sächsische Staatsoper Dresden
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KAIJA SAARIAHO: Innocence
Helsingborg Symphony Orchestra
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CAMILLE PEPIN: Laniakea
IGOR STRAVINSKY: Symphony in C (1938-1940)
SERGEI PROKOFIEV: Sinfonia Concertante for Cello and Orchestra in E minor, Op. 125
Teatro alla Scala
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Aureliano Cattaneo (1974)
Not alone we fly per violino e orchestra (2021-2023, 27’)
Prima esecuzione in Italia
Helsingborg Symphony Orchestra
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CLAUDE DEBUSSY: Prélude à L’Apres-midi d’un faune
MAURICE RAVEL: Shéhérazade: Three Poems for voice and orchestra
IGOR STRAVINSKY: Petrushka ballet (1947 version)
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WDR Sinfonieorchester Köln
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SERGEJ NEWSKI: The Goddess of History
CHAYA CZERNOWIN: NO!
KARLHEINZ STOCKHAUSEN: Hymnen (Nr. 22)
Tokyo Bunka Kaikan
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“it’s hard to imagine a better presentation than this one [referring to Le Balcon’s Jakob Lenz Salzburg Festival], conducted with ferocity by Maxime Pascal and starring the Lenz of our time, Georg Nigl”
“Conductor Maxime Pascal is a phenomenon, a mover and shaker in the world of contemporary music who uses that knowledge to inform his interpretations of past maters (very fine in a Proms performance of Berlioz’s L’enfance du Christ). There is drive and subtlety here, while all the players sound fine when in full focus…”
“We had a chance to gauge the extraordinary talent of conductor Maxime Pascal […] He’s singular to watch, with swooping seabird movements with both arms – no baton – and a certain invertebrate quality which certainly doesn’t transfer to the music, beautifully shaped but with nodal points punched home.”
“Pascal is an individual conductor, tall, thin, almost insectile. Batonless, his hands are remarkably expressive, as is almost every other bit of his body […] The thing is, each gesture, or indeed non-gesture, had a point, and the orchestra responded magnificently”
“This 30 year old young conductor on the rise is above all a free artist who blows a breath of fresh air on the world of classical and contemporary music”
“We like this ensemble of musicians and their conductor for their cheek”
“The Balcon ensemble, under the baton of Maxime Pascal, is itself a frenetic centipede, going from stroking harps to panting percussions and from hissing strings to creaking brass”
“This young artist revolutionises the French musical world”