“Nobuyuki’s Tsujii’s performance will be long remembered.”

“Extraordinary” ★★★★

“One of the most unique classical pianists performing today.”

“Tsujii’s interpretation was particularly convincing due to his brilliant musicality and a stupendous sense of style that achieved almost perfect balance and tonal transparency.”

“Nobu (as he is known) gives this music a gorgeous sense of flow. In his first solo passage, his sensitivity and attention to detail were in abundant evidence. […] Nobu regaled us with sumptuous tone and shining dexterity.”

“Marine romanticism [of David Matthews’ ​‘A Vision of the Sea’] was followed by the unparalleled excitement of hearing the 24-year-old Japanese pianist Nobuyuki Tsujii. … It was one of those rare performances where player and music seem one – a definition of virtuosity…it was hard not to think that being unable to see had allowed Tsujii to ​‘see’ the music with unmediated intensity.”

“His opening chords were spectral wisps but they swelled to a ripe fullness, after which he was off in an interpretation of notable restraint and refinement… he dominated the Adagio with easy grace, giving its lyrical lines a sweet sincerity, and avoiding all temptation to milk the music for emotional effect. His way with the Scherzo was beautifully judged, with brilliant passage-work and exuberant power. His encore – Liszt’s ​‘La campanella’ – was exquisite.”

“Tsujii took the Moderato at a fairly leisurely pace with some lovely rubato and great clarity of sound. He had a delicacy in certain passages that was very appealing. … In the adagio sostenuto, Tsujii and the orchestra never let pace drag, allowing the music and its emotion speak for itself. The apparent simplicity that Tsujii brought to the central section was quite affecting. It was difficult not to hear his phenomenal technique in the latter stages of this movement. … In the Allegro Scherzando finale, there was playing of breadth and freedom with Mena and the BBC Philharmonic showing restraint, allowing the more dynamic moments to become all the more telling. The coda, nevertheless, was scintillating. This was a memorable performance by a pianist of maturity and fine musicianship. … ​“As an encore, Tsujii gave the audience Liszt’s La Campanella, in a performance that was both dazzling and entertaining.”

“Tsujii’s method of navigating around the piano and trusting muscle memory, sound and touch made his performance all the more impressive… The middle movement was particularly beautiful and emotive, but the final movement was positively rich and sumptuous. … His performance of Liszt’s ​‘La Campanella’ was a great choice as an encore: it was light and sweet, but still with the emotional edge of Tsujii’s playing. He made the trills sound so easy and performed a fantastic climax at the end of the piece.”