Lauren Fagan

Lauren Fagan © Monika Rittershaus
Lauren Fagan
Lauren Fagan
Lauren Fagan
Lauren Fagan

Lauren Fagan

Soprano
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The voice of Lauren Fagan was thrilling, displaying remarkable control, enthralling the full-house audience.”

Bachtrack, August 2022
Lauren Fagan
‘Casta Diva’ (7 Deaths of Maria Callas) © Opéra de Paris
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Stravinsky: The Rake’s Progress ‘No Word from Tom’ © BBC
Puccini: ‘Senza Mamma’ (Suor Angelica)
Puccini: ‘Senza Mamma’ (Suor Angelica) © BBC
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Mozart: ‘Ah, chi mi dice mai’ (Don Giovanni) © NHK Symphony Orchestra Tokyo
Lauren Fagan
‘Roxana’s Song’ (Krol Roger) with Pappano © Accademia Nazionale di Santa Cecilia
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Benjamin: Written on Skin © Melos Sinfonia
The Spectator Australia, November 2022
Bachtrack, October 2022
The Telegraph, October 2022
The Times, October 2022
The Herald, October 2022
Bachtrack, August 2022
Bachtrack, August 2022
Bachtrack, August 2022
Limelight Arts Magazine, August 2022
(The Guardian, May 2022)
(The Independent, May 2022)
(The Stage, May 2022)
(The Times, May 2022)
(The New Statesman, May 2022)
(John Allison for Opera Magazine, August 2021)
(Hugh Canning, The Times, June 2021)
(The Stage, June 2021)
(Boyd Tonkin, The Arts Desk, June 2021)
(Boyd Tonkin, The Arts Desk, June 2021)
(Rainer Zerbst, Bachtrack, April 2021)
(Angus McPherson, February 2021)
(Angus McPherson, February 2021)
(Angus McPherson, February 2021)
(Steve Moffatt, The Daily Telegraph, February 2021)
(Chris Reid, The Advertiser, February 2021)
(The Stage, October 2019)
(Bachtrack, October 2019)
(Opera Magazine, July 2019)
(David Truslove, Classical Source, March 2019)
(Forum Opera, March 2019)
(Bachtrack, March 2019)
(Badische Neue Nachrichten, March 2019)
(Financial Times, September 2018)
(Arts Desk, September 2018)
(The Guardian, September 2018)
(The Guardian, June 2018)
(The Times, June 2018)
(Independent, June 2018)
(Bachtrack, June 2018)
(Opera Magazine, August 2018)
(Opera Magazine, March 2018)
(Opera Magazine, January 2018)
(The Times, October 2017)
(The Guardian, October 2017)
(Classical Source, October 2017)
(Mainichi, September 2017)
(Giornale della musica, October 2017)
(Hugh Canning, Opera Magazine, August 2017)
(Classical Source, June 2017)
(Bachtrack, June 2017)
(Opera Magazine, May 2017)
(Seen and Heard, January 2017)
(Bachtrack, January 2017)
(Classical Source, January 2017)
(The Arts Desk, September 2016)
(Opera Today, July 2016)
(Bachtrack, July 2016)
(Opernwelt, July 2016)
(Arts Desk, February 2016)
(Anna Picard, The Spectator, March 2016)
(Financial Times, December 2015)
(The Independent, December 2015)
(Bachtrack, December 2015)
(Opera Today, November 2015)
(Yehuda Shapiro, Opera Magazine, August 2015)
(Seen and Heard, July 2015)
(Opera Today, July 2015)
(Classical Source, July 2015)
(Bachtrack, July 2015)
(Opera Magazine, May 2015)
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