Mari Kodama

Mari Kodama No. 15 c Lyodoh Kaneko

Mari Kodama

Piano

Mari Kodama impressed with her noble touch, carefully measured use of the pedal, and meticulous attention to detail. The Adagio [from Beethoven’s Second Piano Concerto, op.19] was particularly striking: dreamy yet incisive, noble in character, and shaped with great sensitivity for delicate, quiet sounds. Für Elise, familiar to everyone, was played with such finesse in the Hall of Mirrors that one felt as though they had never before heard such musical beauty.”

– Oberbayerisches Volksblatt
Mari Kodama © Lyodoh Kaneko

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Mari Kodama plays Stenhammar piano concerto in Gothenburg (excerpt)
Mari Kodama plays Ravel Sonatine on Erard (1880)
Mari Kodama, Kent Nagano, DSO Berlin - Beethoven: Piano Concertos 0-5 (Official Trailer)
Mari Kodama & Momo Kodama: Tchaikovsky Ballet Suites for Piano Duo