





Kahchun Wong
“Though this was Wong’s Proms debut, he also demonstrated impressive control of the Albert Hall’s vast spaces and tricky acoustic. Phrasing, shaping, dynamic contrasts, instrumental colouring, ensemble unity: these were almost beyond perfection.”
The Times, August 2025
Chief Conductor: Japan Philharmonic Orchestra (from 2023/24)
Principal Conductor and Artistic Advisor: The Hallé (from 2024/25)
Internationally acclaimed for his electrifying stage presence and thoughtful exploration of Eastern and Western legacies, Singaporean-born Kahchun Wong is Principal Conductor and Artistic Advisor of The Hallé, succeeding Sir Mark Elder from the 2024/25 season. In addition to leading one of the UK’s most prestigious orchestras, he also serves as Chief Conductor of the Japan Philharmonic Orchestra, while maintaining close artistic partnerships with leading ensembles across Europe and the United States.
Wong’s first season with The Hallé has won widespread acclaim in the English press, marked by recordings of Britten’s Prince of the Pagodas and Bruckner’s Symphony No.9 — hailed by Gramophone as a “must-hear for all Brucknerians” (June 2025). Their forthcoming release of Mahler’s Symphony No.2 from Bridgewater Hall follows his BBC Proms debut of the same work, memorably described by The Times as worthy of “six stars.”

Show more
Since winning the Mahler Competition in 2016, Wong has appeared with leading orchestras including The Cleveland Orchestra, New York Philharmonic, BBC Symphony, Czech Philharmonic, Tokyo Metropolitan Symphony and Yomiuri Nippon Symphony. In 2025/26, he returns to the London Philharmonic, Seattle Symphony, National Centre for the Performing Arts Orchestra in Beijing, Hong Kong Philharmonic, Osaka Philharmonic and Singapore Symphony, while also making debuts with hr-Sinfonieorchester Frankfurt, San Diego Symphony, Bergen Philharmonic, Melbourne Symphony and the Orquestra Sinfônica do Estado de São Paulo (OSESP). The season further includes a major tour of China with The Hallé, culminating in Mahler’s Symphony No.8 at Suntory Hall to celebrate the Japan Philharmonic’s 70th anniversary.
Wong is a leading advocate for contemporary composers and cross-cultural dialogue. He has premiered Tan Dun’s Fire Ritual (New York Philharmonic), Toshio Hosokawa’s Prayer (BBC Symphony) and Reena Esmail’s Concerto for Hindustani Violin (Seattle Symphony). He commissioned Narong Prangcharoen’s Reflection of Shadow during his tenure as Principal Guest Conductor of the Dresden Philharmonic, and in his final concert as Chief Conductor of the Nuremberg Symphony he unveiled his orchestration of Mussorgsky’s Pictures at an Exhibition, reimagined for five Chinese folk instruments and orchestra, performed before 75,000 at the Klassik Open Air and broadcast internationally on 3SAT and BR-Klassik. His second season with The Hallé features a landmark Max Richter co-commission with Anna Lapwood and the world premiere of Unsuk Chin’s newly revised Le Chant des Enfants des Étoiles.
Wong has collaborated with distinguished soloists including Nelson Freire, Thomas Hampson, Barbara Hannigan, Gerhard Oppitz, Christian Tetzlaff, Gautier Capuçon, Daniel Lozakovich, Mao Fujita, Sergei Nakariakov and Vilde Frang.
In December 2019, Wong became the first Singaporean artist awarded the Order of Merit of the Federal Republic of Germany, recognising his role in strengthening Singapore – German cultural ties and bringing German music to audiences worldwide.
Contacts
Jasper Parrott Executive Chairman HP Group & Associated Companies Ariane Levy-Künstler EOT Director | Director, Artist Management Gemma Chester Administrator, Artist Relations
worldwide general management
Ariane Levy-Künstler EOT Director | Director, Artist Management Gemma Chester Administrator, Artist Relations
worldwide general management
Gemma Chester Administrator, Artist Relations
Gemma Chester Administrator, Artist Relations
worldwide general management
Season Highlights
Singapore Symphony Orchestra
Show more about Singapore Symphony Orchestra
JOHANNES BRAHMS: Concerto for Piano No. 2 in B-flat major, Op. 83
DMITRI SHOSTAKOVICH: Symphony No. 5 in D minor, Op. 47
MALCOLM ARNOLD: Four Scottish Dances, Op. 59
ANTONIN DVORAK: Concerto for Violin in A minor, Op. 53
EDWARD ELGAR: Enigma Variations, Op. 36
Hallé
Show more about Hallé
SERGEI PROKOFIEV: Symphony No. 1 in D major, Op. 25 (Classical)
ALEXANDER ARUTIUNIAN: Concerto for Trumpet in A-flat major
DMITRI SHOSTAKOVICH: Symphony No. 5 in D minor, Op. 47
China National Symphony Orchestra
Show more about China National Symphony Orchestra
DMITRI SHOSTAKOVICH: Festive Ouverture, Op. 96
DMITRI SHOSTAKOVICH: Concerto for Piano No. 2, Op. 102
DMITRI SHOSTAKOVICH: Symphony No. 5 in D minor, Op. 47
Dresdner Philharmonie
Show more about Dresdner Philharmonie
Akira Ifukube „Tanz der sieben Schleier“ aus dem Balett „Salome“ (1948/87)
AKIRA IFUKUBE: Salome – Dance of the Seven Veils
TAN DUN: Concerto for Violin ‘Fire Ritual’
IGOR STRAVINSKY: Firebird Suite (1945 version)
“Here, Wong’s pacing and mode of attack were masterly, with notes crisp and lilting enough to charm, while also suggesting fragility. This was music skating on thin ice.” (
“Conducting without a score, Kahchun Wong beguiled as he maintained ultra-precise coordination and built to a powerful, cosmic-scale finale.”
“Making his Proms debut, the Singaporean-born conductor Kahchun Wong proved he is guiding Manchester’s Halle Orchestra (as well as its Choir and Youth Choir here) expertly through a period of transition…Wong had big shoes to fill, but this performance proved that, under his aegis, the Halle can remain at the top of its game.”
“Kahchun Wong, the new principal conductor of the Halle, gave the finest performance I have ever heard in concert of Gustav Mahler’s Symphony No 2 in C Minor, ‘Ressurection’: and I have heard dozens.”
“Wong’s style combines exactitude with an almost balletic grace; every gesture — from a twitching baton for tremulousness to a sweeping hand movement for grandeur — part of his overall shaping of the sound…”
“It’s just a pity that I can’t give this concert six stars. Right from those impassioned opening bars, it was clear that the Halle players and their new principal conductor Kahchun Wong had Mahler’s Second Symphony, the ‘Resurrection’ completely in their grip.”
“This is a primary recommendation for the Ninth Symphony in its four-movement form, and a must-hear for all Brucknerians.”
“Kahchun Wong conducted from memory, illuminating the Overture’s structure, highlighting detail and drawing vivid instrumental colour from his players.”
“All credit to Wong and the players for so carefully pacing and graduating this exceptionally well-played and carefully prepared performance.”
“Wong made it as clear as possible, every nuance painstakingly, lovingly observed and, dancing on the podium like a latter-day Rozhdestvensky, brought this extraordinary, ensuring masterpiece,(too often misleadingly described as “a Soviet artist’s reply to just criticism”) so vividly to life. It was close to hearing it for the first time.”
“Kahchun Wong caught every drop of emotional anguish and defiant charge”
“Wong was a sensitive and sympathetic accompanist, revealing more of his undoubted skills as orchestra maestro as he explores relatively novel ground in his first Halle season as principal conductor.”
“Kahchun Wong shaped everything with insight and attention to fine detail. His pacing and control of the final climax had a superb sense of inevitability and brought a huge ovation from the audience. The Halle is clearly in very good hands.”
“The balanced sound of muted trumpets and trombones united with soft woodwind was magical here in Wong’s hands …”
“The Hallé, under its new principal conductor Kahchun Wong, plays superbly and the recording … brilliantly captures Britten’s coruscating sounds”
“There is something spacious in Wong’s direction … which seems to conjure a tangible sense of theatrical presence while bringing a visceral physical brilliance to Britten’s kaleidoscopic invention.”
“…its interpretation, conducted entirely from memory, also provided an intensely illuminating experience of Wong’s approach and skills as a musician.”
“Wong especially impressed in the scherzo, weighting down the thrusting chords in the music’s diabolic dance, underlining the contrast with the trio section’s weirdly scurrying, disembodied notes.”
“The sound throughout was magnificent, as was Wong’s control of those Bruckner peculiarities … that require conductors, orchestras and listeners to show sympathy and patience.”
“Any competent maestro can whip up a big noise, but it’s a lot harder to make meaning out of silence. Wong has the knack: he’s one to watch.”
“The Halle has struck gold with this new appointment. Wong is a hugely gifted, properly serious maestro, who is bound to grow and grow.”
“His [Kahchun’s] path is one audiences and music-lovers will continue to watch with rapt attention, each gesture of his baton promising a future as thrilling and transformative as the music he commands from the podium today.”
“He will no doubt set Manchester alight when he succeeds Sir Mark Elder at the Hallé. Indeed, he will turn heads and move hearts wherever he goes.”
“…this rich smorgasbord of sound and colour led by Wong could be described in two words: Absolutely brilliant.”
We use cookies to offer a better website experience.