



Christoph Koncz
Music Director: Orchestre symphonique de Mulhouse
Chief Conductor: Deutsche Kammerakademie Neuss am Rhein
Principal Guest Conductor: Les Musiciens du Louvre
The Austrian conductor Christoph Koncz has already established himself as one of the outstanding musicians of his generation, performing worldwide with orchestras such as the London Symphony Orchestra, Orchestre de Paris, Sächsische Staatskapelle Dresden, Orchester der Wiener Staatsoper, Israel Philharmonic Orchestra, Mahler Chamber Orchestra, Orchestre de la Suisse Romande, hr‑Sinfonieorchester Frankfurt, Orchestre Métropolitain de Montréal and Hong Kong Philharmonic as well as at opera houses such as the Opernhaus Zürich, National Theatre Prague, Teatro Real Madrid and Wiener Staatsoper.
During the upcoming season, Christoph Koncz will among others return to the Philharmonia Orchestra London, Swedish Radio Symphony Orchestra and Deutsches Symphonie‑Orchester Berlin. He will also appear for the first time with the Cleveland Orchestra at their famed Severance Music Center. He will conduct a new production of Hänsel und Gretel at the Opéra national du Rhin Strasbourg and a performance series of Don Giovanni at the Wiener Staatsoper.

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Christoph Koncz has been Music Director of the Orchestre National de Mulhouse since 2023 and Chief Conductor of the Deutsche Kammerakademie Neuss am Rhein since 2019. He has also been appointed Principal Guest Conductor of the renowned French period instrument ensemble Les Musiciens du Louvre and enjoys a close partnership with the Verbier Festival Chamber Orchestra. His conducting debut at the 2013 Salzburg Mozartwoche was followed by concerts at such prestigious venues as the Berlin, Cologne, Hamburg and Munich Philharmonie, Vienna Musikverein and Konzerthaus, KKL Lucerne and Concertgebouw Amsterdam as well as at the Salzburg Festival.
Born 1987 in Konstanz into an Austrian‑Hungarian family of musicians, Christoph Koncz received his first violin lessons at the age of four. Only two years later he entered the Vienna University of Music, where he also enrolled in the conducting class of Mark Stringer in 2005. Master classes with Daniel Barenboim, Daniel Harding and David Zinman further enriched his musical education. At the age of just nine, he received worldwide acclaim for starring as child prodigy Kaspar Weiss in the Canadian feature film The Red Violin, which won an Academy Award for Best Original Score. In 2008, at the age of twenty, Christoph Koncz was appointed principal second violin of the Vienna Philharmonic, a position he has held until 2023.
Christoph Koncz is particularly noted for his interpretation of the works by Wolfgang Amadeus Mozart. His recording of the Complete Violin Concertos as soloist and conductor with Les Musiciens du Louvre was released by Sony Classical in 2020 under the title Mozart’s Violin and caused an international sensation for being the first recording of these famous works on the composer’s original Baroque violin.
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“The exemplary conducting, attentive to each and everyone, impresses with its energy and its ability to consolidate the best in the service of the work.”
“Koncz is a unique phenomenon to be admired as one of the greatest.”
“The symphony […]: precisely structured and with verve, excitingly carried by a conductor who is bursting with inspiration.”
“A brilliant, full-throttle performance displayed conductor and orchestra at their best.”
“It was above all a beautiful ensemble work by the Deutsche Kammerakademie Neuss am Rhein, under the dexterous baton of Christoph Koncz, with playful perfection”
“Koncz’s luxurious and engaging interpretation of Johannes Brahms’ masterful and expansive Symphony No.1 in C minor saw the Hong Kong Philharmonic hit all the right buttons and more.”
“Conducted by heart and delivered with conviction and enthusiasm by the musicians, Brahms’ 2nd Symphony unfolded in beautiful sound clarity.”
“If I could own only one set of the Mozart violin concertos, this would be it.”
“In the second part, Brahms’ Second Symphony impresses more thanks to the young Christian Koncz…a conductor to follow!”
“The Neussers love their orchestra and are already worshiping the charming young man…who elicited some beautiful phrases, filigree structures and a wonderfully silvery string tone from the Viennese classics with a very organic approach.”
“Christoph Koncz’s conducting can be described as “breathtaking” without exaggeration.”
“His extremely precise conducting could be admired right from the start of Beethoven’s overture to his only opera ‘Fidelio’: He carried the intimate opening theme all the way up to the crisp ending of the stormy victory anthem.”
“Christoph Koncz, the smile of music. The conductor’s temperament burst out in Schumann’s little symphony, which does not bear the title correctly. Koncz’s gestures are clear, enthusiastic; he supports and encourages the musicians, stimulating by example the lyricism of the Opening and the energy of the Final. […] In this piece as on stage, and
probably in life, Koncz smiles at the music. […] With a lot of common sense, Koncz operates by accumulation of energy, almost placing the Second Symphony of Brahms in an extension of the First, in a great movement of “post-Beethoven symphonic liberation” culminating in a radiant finish. Christoph Koncz will return to Montreal. That’s for sure!”
“Rapturous applause. Christoph Koncz was a sensitive and stylistically confident conductor in both concerts. With Mozart’s Parisian symphony (KV 297), the young Viennese conductor showed how transparent a Mozart symphony can sound. He had all the wind players mix their colours into the overall sound and made all the string parts audible in a distinct way. In Schubert’s 3rd Symphony in D major, he was completely in his element and his joy in conducting was transferred to the whole orchestra. Consequently, he succeeded in delivering an interpretation full of youthful freshness, liveliness and lightness, a real celebration of music. Huge applause for this captivating conducting. We can only hope to see Christoph Koncz on the podium in Jena again soon.”
“Simply brilliant. Christoph Koncz fascinates with an incredible presence, sends impulses in all directions, communicates perfectly with the Academy of St Martin in the Fields, and combines virtuosity with enormous expressive potential.”