Ain Anger
Bass
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“One of the great Wagner basses of our time.”
(Tim Ashley, The Guardian)

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Season Highlights
February 2025
Salzburg Easter Festival
Show more about Salzburg Easter Festival
Show more about Salzburg Easter Festival
Repertoire:
Khovanshchina (Dosifei)
May 2025
Teatro alla Scala
Show more about Teatro alla Scala
Show more about Teatro alla Scala
Repertoire:
Siegfried (Fafner)
Der Standard, April 2025
Opera Online, April 2025
Opera, May 2025
Opera Actual, February 2025
Olyrix, February 2025
Scherzo, February 2025
Il Giornale della Musica, February 2025
Gramophone, October 2024
Opera Magazine, October 2024
Platea Magazine, July 2024
Das Opernmagazin, May 2024
Der Standard, April 2024
Opera Magazine, November 2023
Helmut Christian Mayer, Opera Gazette Online, June 2023
George Jahn, bachtrack, June 2023
Stephano Balbiani, Conessi all’Opera, May 2023
Mark Berry, Seen and Heard International, February 2023
Opera Magazine, June 2022
(New York Classical Review, March 2022)
(Ôlyrix, December 2021)
(Opera Wire, September 2021)
(NY Times, September 2021)
(Bachtrack, July 2021)
(Das Opernmagazin, July 2021)
(Toute La Culture, December 2020)
(George Hall, OperaMag, Feb 2020)
(Opera Magazine, November 2019)
(5*, The Times, August 2019)
(5*, The Telegraph, August 2019)
(5*, Guardian, August 2019)
(Opera Magazine, January 2019)
(Rupert Christiansen, The Telegraph, September 2018)
(Limelight, August 2018)
(Bachtrack, August 2018)
(Arts Desk, February 2018)
(Bachtrack, November 2017)
(Opera Magazine, December 2017)
(Roger Pines, International Record Review, January 2015)
(Opera Magazine, October 2017)
(Opera Magazine, October 2017)
(Seen and Heard, September 2017)
(Der Standard, September 2017)
(The Financial Times, August 2017)
(The Independent, August 2017)
(The Telegraph, August 2017)
(Anaclase, July 2017)
(Mundo Clasico, July 2017)
(Neue Musikzeitung, July 2017)
(Der Tagesspiegel, June 2017)
(NMZ online, June 2017)
(Hugo Shirley, Opera magazine, February 2017)
(Opera magazine, October 2016)
(Seen and Heard International, July 2016)
(Opernnetz, July 2016)
(Seen and Heard, April 2016)
(Bachtrack, March 2016)
(The Guardian, March 2016)
(Evening Standard, March 2016)
(The Independent)
(Boston Classical Review, September 2015)
(New York Times, July 2015)
(George Loomis, Financial Times, June 2015)
(Hugo Shirley, Opera Magazine, February 2015)