Masaaki Suzuki
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“An eminent Bach interpreter in his prime”
(Gramophone Magazine, May 2020)
Founder and Music Director: Bach Collegium Japan
Since founding Bach Collegium Japan (BCJ) in 1990, Masaaki Suzuki has established himself as one of the world’s leading authorities on the music of J.S. Bach. As Music Director, he has led the ensemble in performances across Europe, North America, and Asia, and recorded the complete cycle of Bach’s sacred cantatas, an achievement that has earned international acclaim for its expressive depth and stylistic integrity.
In the 2025/26 season, Suzuki continues his work with BCJ, conducting cantata concerts, a performance of Messiah, and subscription series in Japan, as well as appearances at the Chofu International Music Festival. He returns to the Lahti Symphony Orchestra, and makes guest appearances with the Hangzhou Philharmonic, Japan Century Symphony Orchestra, Singapore Symphony Orchestra, and St. Luke’s Orchestra. He also conducts Bach’s St. Matthew Passion with Bach Vereinigen thoughout Netherlands, reaffirming his reputation as a leading interpreter of the composer’s vocal works.
Recent highlights include his debut with the Monteverdi Choir and Orchestra in June 2025, as well as his first appearances with the National Symphony Orchestra (Washington), Philadelphia Orchestra, New Zealand Symphony Orchestra. He also returned to the Orchestre de Chambre de Paris, Kyoto Symphony Orchestra, Lahti Symphony Orchestra, Orquesta Sinfónica de Bilbao, and Orquestra Sinfònica do Estado de São Paulo. In 2023, Suzuki and BCJ were featured at the BBC Proms and Bachfest Leipzig, where they performed Mendelssohn’s Elias and participated in the cantata cycle. Their touring schedule also included Alice Tully Hall in New York, Davies Symphony Hall in San Francisco, and venues across Europe.
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Suzuki has conducted a wide range of repertoire with orchestras such as the New York Philharmonic, San Francisco Symphony, Los Angeles Philharmonic, Orchestre Symphonique de Montréal, hr-Sinfonieorchester, Philharmonia Orchestra, Deutsches Symphonie-Orchester Berlin, Mozarteum Orchester Salzburg, Gewandhausorchester Leipzig, Bavarian Radio Symphony, Danish National Radio Symphony, Gothenburg Symphony, and Orchestre Philharmonique de Radio France.
His extensive discography on the BIS label includes all of Bach’s major choral works and complete harpsichord repertoire. Suzuki’s recordings of St. John Passion and St. Matthew Passion with BCJ have received the Gramophone Award, and The Times praised his interpretations for their “crispness, sobriety and spiritual vigour.”
Suzuki studied composition and organ performance at Tokyo University of Fine Arts and Music and continued his training at the Sweelinck Conservatory in Amsterdam under Ton Koopman and Piet Kee. He is Founder and Professor Emeritus of the early music department at Tokyo University of the Arts and served on the choral conducting faculty at the Yale School of Music and Yale Institute of Sacred Music from 2009 to 2013, where he remains affiliated as Principal Guest Conductor of Yale Schola Cantorum.
He has received numerous honors, including the Leipzig Bach Medal (2012), the Royal Academy of Music Bach Prize (2013), and Germany’s Verdienstkreuz am Bande des Verdienstordens der Bundesrepublik (2001).
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worldwide general management
Season Highlights
New Zealand Symphony Orchestra
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JOHANN SEBASTIAN BACH: Overture to Orchestral Suite No. 3 in D Major, BWV 1068
WOLFGANG AMADEUS MOZART: Symphony No. 25 in G minor, K183
LUDWIG VAN BEETHOVEN: Symphony No. 3 in E-flat major, Op. 55 (Eroica)
Monteverdi Choir and Orchestra
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BWV 1 Wie schön leuchtet der Morgenstern
BWV 127 Herr Jesu Christ, wahr’ Mensch
Sinfonia from BWV 42
BWV 103 Ihr werdet weinen und heulen
BWV 28 Gottlob! Nun geht das Jahr zu Ende
JOHANN SEBASTIAN BACH: Sinfonia from Cantata BWV 42
Orquestra Sinfônica do Estado de São Paulo
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WOLFGANG AMADEUS MOZART: Overture from Don Giovanni, K527
LUDWIG VAN BEETHOVEN: Concerto for Piano No. 4 in G major, Op. 58
FRANZ JOSEPH HAYDN: Missa in Angustiis or Nelson Mass Hob.XXII:11 in D minor
“As is true of any performance marked by genius, Suzuki opened up vistas on the work that had remained previously unseen, reminding us that 15 minutes of music really can contain the whole world.”
“…the sum of these 78 discs punches as high as any major collection of Bach’s oeuvre on record.”
“the secular cantatas must be the most singularly distinguished collection on record … this dazzling oeuvre of kaleidoscopic imagery springs off the page with Suzuki, the choral singing responsive yet disarmingly convivial, and the arias brim with personality.”
“A graceful, stylish Christmas Oratorio from Suzuki and the OAE at the Queen Elizabeth Hall”
“music making of the highest order, vividly bringing Bach’s colourful music to life but also concentrating on the essential narrative”
“Suzuki forged a Christmas Oratorio to remember, fashioning inspirational performances from an exceptional team of musicians.”
“there was tangible elation as well as contemplation and control, and much of it was simply breathtaking” *****
“music making of the highest order, vividly bringing Bach’s colourful music to life but also concentrating on the essential narrative”
“there was tangible elation as well as contemplation and control, and much of it was simply breathtaking”
“Delivering interpretations at once so thoughtful and thought-provoking, all within an aura of spontaneous delight, can only reflect years of the most intimate contact with this music. That Suzuki shares that experience with us unimpeded, along with his seasoned view of Bach’s great humanity, is a gift of no small value.”
“Suzuki’s Bach is a byword for quality”
“An eminent Bach interpreter in his prime”
“Masaaki Suzuki and his Bach Collegium Japan on BIS perform the symphony with the energy that we have come to expect from period instruments. Suzuki’s Beethoven is less volatile than some of his counterparts, but it offers expression and drive in equal measure, while keeping an eye on the big picture. Fifty years on, the period instrument movement still feels fresh and vital.”
“Bach-specialist Masaaki Suzuki’s lithe and re-focused account makes us listen to Mendelssohn’s choral spectacular with new ears”
“Japanese conductor Masaaki Suzuki has become a familiar figure on Singapore stages […] His latest venture, a gala concert with Beethoven’s monumental Missa Solemnis, might just be his greatest achievement here. […] A better or more nuanced symphonic choral evening would be hard to find.”
“Masaaki Suzuki has put Japan on the map as one of the best places to hear Bach performed in the world. ”
“Suzuki brings a very original approach to this work and likely any baroque piece. His contrasts are razor sharp, the moments when the chorus erupts, totally volcanic in energy & precision, but especially in the commitment of every singer & player.”
“An important figure in the world of Bach, Suzuki regularly performs on organ and harpsichord in major venues in Europe and the United States; conducts orchestras across the globe; and directs the Bach Collegium Japan, which he founded in 1990. With a large and diverse discography and list of honors including the Leipzig Bach Medal in 2012, Suzuki is an authority on Bach’s works and cantatas.”

































