“Three centuries of music, excellently assembled, conducted and staged……The result is fascinating and fully convincing.”

“Under the Brazilian conductor Eduardo Strausser, the Adelaide Symphony Orchestra got it exactly right…And what a humdinger of a performance this was….Possessing much expertise and impeccable judgement…”

“…a performance of pure musical brilliance.”

“In his ethereal, mercurial way, he seems to be part of the music itself, a kind of other-worldly creature, nimbly alighting from desk to desk, urging more from one, less from another. He was everywhere and nowhere at once, a conductor of the spirit.”

“But the nicest compliment that needs to be made to the production: the scene enables the music to fly, we can hear how this wonderful score is so inspiring and playful. Eduardo Strausser conducts a lightly accentuated Rossini enriched with generous pianissimi. On the hammer piano, Francesco Greco lets the precisely worked recitatives sparkle with his improvisational free spirit. Great!”

“Strausser had the moment of his life, the best Jupiter Sinfonie in a long time!” ****

“Maestro Strausser is unquestionably one of the new faces in the music world, and part of its exciting future”

“The conductor Eduardo Strausser strikes, and the first three chords, solemn, threatening, sound different. Livelier, faster, or more intense. Immediately, everything … electrifies, pardon the pun. (…) Strausser conducts with precision, spirit, energy. The Orquestra Sinfônica Municipal responds magnificently.”

“On the podium, the young Brazilian conductor Eduardo Strausser [conducting the Orchestra Filarmonica della Fenice] proves himself a sensitive musician … Strausser has a beautiful gesture that translates into a very organic performance…”

“Everything changed on the second evening [this time under conductor Eduardo Strausser]. The orchestra seemed more confident, and Eduardo Strausser, lyrical and narrative, adjusting the intensity so as to bring out the voices, immediately captured the audience’s attention.”

”… the conductor expresses profound and passionate perception [of the opera Eugene Onegin], presenting the inner turmoil of the protagonists and the passions at stake.”