Taavi Oramo

Conductor

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“The multi-talented Taavi Oramo is only taking his first steps as a conductor but it’s immediately clear that another Finnish conductor is on his way to an international career”
(Helsingin Sanomat)

Artist in Residence: Tapiola Sinfonietta (2019/20)
Artistic Director: VocalEspoo Festival (from 2020)

Taavi Oramo is fast gaining a reputation for his forward-thinking approach to music-making. Artist-in-Residence with Tapiola Sinfonietta in 2019/20 and Artistic Director of VocalEspoo in 2020, he specialises in cultivating programmes which have an innate dramatic or thematic structure, and is equally at home in mainstream repertoire as he is in conducting cutting-edge, contemporary works.

Oramo is an accomplished tenor, and the double role of conducting-singing is an increasingly important feature of his programming; Mahler’s Lieder eines fahrenden Gesellen (Kymi Sinfonietta, Joensuu City Orchestra) and Heta Aho’s Three Songs to Poems by Edith Södergran (world orchestral premiere, Pori Sinfonietta) are among recent/upcoming performances. “Two things that excite me most about conducting-singing are that it’s a thoroughly visceral way to perform music and that it allows for a nuanced relationship between text and music in an orchestral setting. Pieces that I know inside and out help me craft programmes with strong dramatic arcs that have deep meaning for me.”(Taavi Oramo)

Oramo’s skills as a clarinetist and electronic musician further influence his repertoire choices, from improvisatory elements to multi-disciplinary collaborations. With his experimental electroacoustic group Tölöläb, which combines woodwinds with live electronics, recent performances include interspersing live improvised interludes within movements of Webern’s Symphony Op.21 and Magnus Lindberg’s Jubilees (Tapiola Sinfonietta, with Oramo conducting) and collaborating with internationally renowned jazz trumpeter Verneri Pohjola and dream-pop duo Karina to produce an hour-long TV concert for the Finnish Broadcasting Company.

taavi-oramo-6261-07-photo-tero-ahonen-hires — Taavi Oramo ©Tero Ahonen

Other recent conducting highlights include Finnish Radio Symphony Orchestra, Orchestra of the Finnish National Opera, Lahti and Oulu Symphony orchestras, Munich Chamber Orchestra, BIT20 Ensemble Bergen, Helsinki Baroque Orchestra, Kymi Sinfonietta and Lemanic Modern Ensemble, and returns to the Helsinki Philharmonic (BOZAR Nordic Festival, with legendary bass Matti Salminen), Norrköping Symphony and Turku Philharmonic orchestras. In 2020/21 Oramo debuts with the Latvian National Symphony Orchestra, Tampere Philharmonic Orchestra and Pori Sinfonietta and returns to the Tapiola Sinfonietta and Kymi Sinfonietta, among others.

Oramo studied conducting at the Panula Academy under Jorma Panula and at Sibelius Academy under Atso Almila and Hannu Lintu. His conducting career was launched in 2017/18 with two short-notice jump-ins with the Finnish Radio Symphony Orchestra and Tapiola Sinfonietta, for which he received glowing reviews – “The multi-talented Taavi Oramo is only taking his first steps as a conductor, but it’s immediately clear that another Finnish conductor is on his way to an international career” (Helsingin Sanomat). He is a founding member, former executive director and Chairman of the Board at Eloa Culture Company, which produces multidisciplinary chamber music events.

Three Songs to Poems by Edith Södergran © Music by Heta Aho performed by Taavi Oramo and Matleena Nyman. Cinematography by Perttu Inkilä

Schönberg: Chamber Symphony No.1 excerpts, Tapiola Sinfonietta © Taavi Oramo

Schönberg: Chamber Symphony No.1, Tapiola Sinfonietta © Taavi Oramo

Mahler: Lieder eines fahrenden Gesellen (1st mvt), Kymi Sinfonietta © Taavi Oramo

Mahler: Lieder eines fahrenden Gesellen (2nd mvt excerpt), Kymi Sinfonietta © Taavi Oramo

“The recreation of Beethoven’s famous concert was a great victory for Taavi Oramo.”

(Helsingin Sanomat, November 2019)

“The four hour concert was twice the length of a normal one. It was a great challenge for Oramo and an even greater success. Oramo, extremely musical, conducted calmly and securely and created an intimate and sensitive connection with the players and singers. (…) [In Beethoven’s Mass in C Major] Oramo united the soloists, choir and orchestra into a colourful symphonic whole. ”

(Hannu-Ilari Lampila, Helsingin Sanomat, November 2019)

“Taavi Oramo could have had a distinguished career as a clarinetist or at least as well as a singer but clearly a career as a conducted seemed like a more attractive option. And why not? His voice and his clarinet will be useful in the future and Oramo is so obviously gifted as a conductor that it would have been a real pity if that path had not been explored seriously. (…) From Friday’s concert in Tapiola it appeared clear that the technical side is one of Oramo’s greatest strengths. If I were an orchestral musician I would love to play under his extremely clear, mannerism-free and altogether natural lead.”

(Mats Liljeroos, Hufvudstadsbladet, September 2019)

“There are many reasons to predict that Taavi Oramo will be the next young Finnish conductor to rise to international acclaim. (…) Although his gestures are generally soft, when necessary he is more assertive and gets fantastic rises from the orchestra. (…) [In Scriabin’s piano concerto] in addition to being a conductor Oramo is a clarinetist and a singer and he has the skill to make an orchesta sing with passion. (…) [In Arnold Schönberg’s Chamber Symphony] Oramo’s work in the complex structures of the piece was precise and strict but at the same time breathing and lively. ”

(Hannu-Ilari Lampila, Helsingin Sanomat, September 2019)

“The multi-talented Taavi Oramo is only taking his first steps as a conductor but it’s immediately clear that another Finnish conductor is on his way to an international career. Oramo was invited on just a few days’ notice to jump in for Mario Venzago. Even so the repertoire including the challenging Wennäkoski was perfectly under control. (…) The strings of the Tapiola Sinfonietta were a perfect ensemble to interpret Oramo’s visions of Verklärte Nacht by Schönberg. Romantic conventions were broken for a challengingly fresh interpretation.”

(Annamari Salmela, Helsingin Sanomat, November 2018)

“Jubilees by Magnus Lindberg sounded more full-blooded, flowing and dynamic than the recording conducted by the composer himself. Oramo’s interpretation had graphicness, accurately directed crispness and lush sensualness. With the warm support of Tapiola Sinfonietta’s players Taavi Oramo proved that his talent carries.”

(Jukka Isopuro, Helsingin Sanomat, October 2018)

“[Jumping in for James Gaffigan] Taavi Oramo conducted Finnish Radio Symphony Orchestra calmly and firmly. [Oramo] got to prove his versatility in the three completely different works performed. (…) The collaboration between Conrad Tao and Finnish Radio Symphony Orchestra conducted by Oramo went well. In Oramo a firm calmness is combined with accuracy and suppleness. Gestures are economical.”

(Hannu-Ilari Lampila, Helsingin Sanomat, April 2018)