Leia Zhu
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Celebrated for her exceptional musical maturity and praised by The Guardian for her “poise and musical intelligence beyond her years”, 19-year-old British violinist Leia Zhu has performed on international stages in more than 20 countries since making her debut at the age of four. In the 2026/27 season, Zhu embarks on a Central American tour, performing Brahms’ Violin Concerto with the Orquesta Sinfónica Nacional de Costa Rica at the Teatro Nacional in San José, before travelling to Mexico City for two performances of Bruch’s Violin Concerto with Orquesta Filarmónica de la UNAM. Further highlights include performances of Britten’s Violin Concerto with the Orquesta Filarmónica de Málaga.
This follows a busy 2025/26 season which saw Zhu return to the London Philharmonic Orchestra for performances of Prokofiev’s Second Violin Concerto and rejoin Festival Strings Lucerne for tours to Munich, Würzburg and Rheingau Musik Festival. She also made her debuts with the Shanghai Philharmonic, Beijing Symphony, Arctic Philharmonic and Macao orchestras, performing concertos by Glazunov, Prokofiev and Sibelius.
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As a concerto soloist, Zhu has appeared with the Tonhalle-Orchester Zürich under Paavo Järvi, London Symphony Orchestra and Sir Simon Rattle, London Philharmonic Orchestra, Luzerner Sinfonieorchester, Festival Strings Lucerne, Armenian Philharmonic Orchestra and London Mozart Players, with whom she served as Artist-in-Residence from 2021 to 2023. She has appeared at the BBC Proms at the Royal Albert Hall, and joined the Philharmonia Orchestra also at the Royal Albert Hall for a special live event with the acclaimed podcast The Rest Is History. Additional orchestral collaborations include Royal Northern Sinfonia, Oxford Philharmonic Orchestra, National Orchestra of Belgium under Maxim Vengerov, National Symphony Orchestra of Ireland, Pomeranian Philharmonic, Orquestra Simfònica de les Illes Balears and Orquesta de Extremadura. In 2021, she shared the stage with Irish band Westlife in a livestreamed performance of You Raise Me Up, viewed by more than 27 million people worldwide.
Zhu has performed in many of Europe’s leading concert halls, including London’s Royal Festival Hall, Wigmore Hall and Barbican Centre, BOZAR in Brussels, the Mozarteum Grosser Saal in Salzburg, KKL Luzern, Tonhalle Zürich Grosser Saal and Berliner Philharmonie. Festival appearances include the Lucerne Festival, Mozartfest Würzburg, Interlaken Classics, White Nights and Musical Olympus in St Petersburg, and Vadim Repin’s Trans-Siberian Art Festival. Recent recital highlights include appearances at Bechstein Hall in London, Fundación Juan March in Madrid, Sociedad Filarmónica de Bilbao, Wimbledon International Music Festival and Festival Flâneries de Reims. Selected performances have been broadcast on BR Radio and BBC Radio 3.
In 2022, Zhu became the youngest musician to be included in Classic FM’s “30 Brilliant Young Musicians Under 30”, published as part of the broadcaster’s 30th anniversary celebrations, and in 2021 she was named a Rising Star by BBC Music Magazine.
Zhu is a passionate advocate for education and the arts. Since 2022 she has been a Patron of the HarrisonParrott Foundation, focusing on expanding access to and engagement with classical music across generations. She has been featured on Classic FM, BBC News, ITV, Sky News, The Strad, The Violin Channel and Violinist.com, as well as in media outlets across Austria, Bulgaria, Germany, Greece, Israel, Italy, Russia, Spain, Switzerland and the USA. Through her popular YouTube and social media channels, she shares her enthusiasm for music, composers and creativity with a growing international audience.
Contacts
Jasper Parrott Executive Chairman HP Group & Associated Companies Federico Hernandez General Manager HarrisonParrott Madrid & Latin American Business Lucía Camacho Acevedo Associate Artist Relations Manager
worldwide general management
Federico Hernandez General Manager HarrisonParrott Madrid & Latin American Business Lucía Camacho Acevedo Associate Artist Relations Manager
Lucía Camacho Acevedo Associate Artist Relations Manager
worldwide general management
“A dazzling album debut from Leia Zhu”
“Spirited and gripping, characterized by verve and dynamism; […] powerful and sonorous”
“One can hardly believe that Leia Zhu was only 17 when she recorded [this album].”
“Astonishing control”
“Effortless mastery”
“She played with breath-taking ease. Zhu not only mastered the parts of the score that required high virtuosity and bravura, but also managed to give lyrical passages in the second movement the necessary emotional intensity. There was a well-deserved round of applause.”
“She seized on the thrust provided by the orchestra with a tone that she pulled out of the depths and out of the movement of her whole body, so to speak, and carried it up to finely polished, virtuoso dancing heights. This performance also led the instrument expressively beyond brilliance and its limits and confirmed that this star has risen.”
“We confess that we were expecting the usual enfant prodigy, all astounding technical skill and zero interpretative and expressive ability. Our surprise in listening to her was great: Leia has already matured her own sound, her ability to make technical acrobatics not a spectacular end, but a means to give voice to a feeling, an emotion, a spiritual world evoked by sound. Her faring is intense, above all a crystalline sound, even in the upper register or in the very rapid scales and trills. But what struck us most is her excellent ability to vary dynamics with mature knowledge, colouring and returning a sound that is always rich in nuances and chiaroscuro.”
“Colorful, expressive, powerful. (…) She communicates with the eyes (…) She looks very relaxed, smiles even in the most difficult passages, whether double stops, highest sounds or ludicrously fast runs, everything seems effortless. And as in the slow movement, the melodies breathe, long cantilenas bloom in dense legato, this is great art. The dialogues with clarinet and Flute are particularly intimate.”
“Leia is fourteen (…) I have never heard a violin give such rich, luscious low notes. (…) I repeat, Leia is only fourteen. Yet she misses not one iota of the strained passion of the [Tchaikovsky Violin] concerto. I am obliged to entertain the concept of reincarnation. Or something like that. Other violinists we have heard make the demanding cadenza sound difficult. It undoubtedly is. However, in Leia’s performance the difficult is made to sound easy. Who was it who said that a virtuoso is one who makes the difficult sound easy? The girl is startlingly at home in this.”
“Aged 14, with a poise and musical intelligence beyond her years, she is making that difficult transition from prodigy to star with apparent ease. She was perfectly at home in this virtuosic showpiece [Saint-Saëns’ Introduction and Rondo Capriccioso]. Watch out for her.”
“At the age of 13, mature like a veteran and yet when you look at this young lady (…) your eyes could not believe what your ears hear. Leia’s presentation and performance are astounding not simply because she is “young”, but because it is convincing.”
“Eleven-year-old British violinist Leia Zhu demonstrated a disarming security in the pyrotechnics that followed, with lightning-fast shifts, cut-glass harmonics and an obvious familiarity with the choreography of concerto performance.”












