Golda Schultz

Dario Acosta

Golda Schultz

Soprano
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Really outstanding is Golda Schultz as Agathe. Her voice is warm, natural, focused, it glows – a voice whose emotional power and beauty no one can resist. This was world class.”

(BR Klassik, February 2021)
'Leise, leise, fromme Weise' from Der Freischütz © Bayerishe Staatsoper
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'Sul fil d’un soffio etesio' extract from Falstaff © Metropolitan Opera
Morgen! © Livewire, BBC Proms
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Summertime from Porgy & Bess © Metropolitan Opera
Nacht und Traume D827 © Bayerische Staatsoper
The Glamorous Life by Sondheim ©  Livewire, BBC Proms
(Main-Post, Jun 2021)
(Die Welt, February 2021)
(BR-Klassik, February 2021)
(Deutschlandfunk Kultur, February 2021)
(Münchner Merkur, February 2021)
(Frankfurter Rundschau, February 2021)
(Neue Württembergische Zeitung, February 2021)
(The Times, Neil Fisher, February 2021)
(Frankfurter Allgemeine Zeitung, February 2021)
(Abendzeitung München, February 2021)
(Klassik begeistert, February 2021)
(Neue Musik Zeitung, February 2021)
(Opera Magazine, September 2020)
(Anita Singh, Sunday Telegraph, September 2020)
(Spectator, September 2020)
(George Hall, BBC Music Magazine, June 2020)
(The Times, March 2020)
(Opera Magazine, December 2019)
(Anthony Tommasini, New York Times, Dec 2019)
(FT, December 2019)
(Anthony Tommasini, New York, Times, September 2019)
(Anne Midgette, Washington Post, September 2019)
(Der Tagesspiegel, June 2019)
(Opera Magazine, May 2019)
(New York Times, Anthony Tommasini February 2019)
(Opera magazine, March 2019)
(San Francisco Chronicle, November 2018)
(San Francisco Examiner, November 2018)
(Wiener Zeitung, November 2018)
(Der Tagesspiegel, Sep 2018)
(Times, August 2018)
(Opera Today, August 2018)
(Seen & Heard, August 2018)
(Gramophone, February 2018)
(New York Times, January 2018)
(New York Classical Review, January 2018)
(Bachtrack, January 2018)
(Opera Magazine, November 2017)
(New York Times, Zachary Woolfe, September 2017)
(Opera News, September 2017)
(Huffington Post, September 2017)
(Financial Times, Shirley Apthorp, August 2017)
(Opera Online, August 2017)
(Wiener Zeitung, July 2017)
(Frankfurter Rundschau, July 2017)
(Seen and Heard, February 2017)
(Hugh Canning, Opera Magazine, February 2017)
(Seen & Heard, December 2016)
(Seen and Heard, November 2016)
(Connessi’all Opera, November 2016)
(Bachtrack, October 2016)
(Operaclick, October 2016)
(Neue Zürcher Zeitung, October 2016)
(The Times, Richard Morrison, July 2016)
(The Guardian, Stephen Pritchard, July 2016)
(Geoff Brown, The Times, July 2016)
(George Hall, The Guardian, July 2016)
(Ivan Hewett, The Telegraph, July 2016)
(Bachtrack, July 2016)
(Bachtrack, April 2016)
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