

Roderick Cox
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“Performances of this symphony are not rare; memorable performances of it are, and Cox showed his finesse with taut but unstrained pianissimos and consistently unflagging energy.”
Boston Symphony, Boston Globe
Music Director: Opéra Orchestre National de Montpellier Occitanie (from 2024/25)
Praised as “a conductor of the first artistic league… leading with clarity, emotional charge, and an unshakable sense of purpose” (Klassik Begeistert), Roderick Cox has built a reputation for thoughtful artistry and a diverse repertoire that encompasses symphonic, operatic, and contemporary works.
As of the 2024/25 season, Cox serves as Music Director of the Opéra Orchestre National de Montpellier Occitanie, making him the youngest in the orchestra’s history. In Montpellier, he conducts both opera and symphonic repertoire, including a new production of Verdi’s La Traviata, Brahms’ Ein deutsches Reqiuem, Stravinsky’s Rite of Spring, Debussy’s La Mer, Bruckner’s Symphony No.4, and Shostakovich’s Symphony No.10, to name a few.
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Highlights of the 2025/26 season include his debuts with the Frankfurt Radio Symphony, MDR Leipzig, Orchestre National de Belgique and Kansas City Symphony as well as return engagements with the Rundfunk-Sinfonieorchester Berlin and the Cincinnati Symphony. He will also conduct the Chineke! Orchestra on a major European tour, including performances in London, Paris, Dublin, Dortmund, and Antwerp — underscoring his commitment to presenting music with a spirit of inclusivity and fresh perspectives.
On the opera stage, Cox debuted with the English National Opera in 2024, conducting Rossini’s The Barber of Seville. He has also led productions at the San Francisco Opera, Houston Grand Opera, Washington National Opera, Finnish National Opera, and Opéra National de Montpellier, including works such as Rigoletto, La Bohème, La forza del Destino, and Jeanine Tesori’s Blue.
Cox’s recording projects have garnered significant attention. The New York Times named his release of William Dawson’s Negro Folk Symphony with the Seattle Symphony one of the top five classical recordings to hear in 2023, and BBC Music Magazine awarded it five stars. His recording of Tesori’s Blue with the Washington National Opera Orchestra was nominated for the BBC Music Magazine Opera Award.
In 2019, Cox founded the Roderick Cox Music Initiative, a program dedicated to nurturing young musicians of colour and expanding access to classical music education. Through scholarships, mentorship, and performance opportunities, RCMI empowers the next generation of artists and works to make classical music more inclusive and representative of today’s world. A native of Georgia, Cox studied at the Schwob School of Music and Northwestern University before undertaking early career fellowships at Aspen, Chautauqua, and the Chicago Sinfonietta. He served as Associate Conductor of the Minnesota Orchestra under Osmo Vänskä from 2016 to 2019 and is a recipient of the 2018 Sir Georg Solti Conducting Award.
Contacts
Katie Cardell-Oliver Director, Artist Management Jane Brown Senior Director, Co-Head of Artist Management Elliot Samphier Associate Artist Relations Manager
worldwide general management
Jane Brown Senior Director, Co-Head of Artist Management Elliot Samphier Associate Artist Relations Manager
Elliot Samphier Associate Artist Relations Manager
worldwide general management
Season Highlights
Forum am Schlosspark Ludwigsburg
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ANTONIN DVORAK: Concerto for Cello in B minor, Op. 104
IGOR STRAVINSKY: The Rite of Spring
Sydney Opera House
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CLAUDE DEBUSSY: Prélude à L’Apres-midi d’un faune
SAMUEL BARBER: Concerto for Cello Op.22
PYOTR ILYICH TCHAIKOVSKY: Symphony No. 6 in B minor, Op. 74 (Pathétique)
Opéra et Orchestre National de Montpellier Languedoc-Roussillon
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GS Arts Center
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DMITRI SHOSTAKOVICH: Symphony No. 10 in E minor, Op. 93
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Le Corum - Opera Berlioz
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CLAUDE DEBUSSY: Prélude à L’Apres-midi d’un faune
MAURICE RAVEL: Concerto for Piano in D major (for left hand)
MAURICE RAVEL: Concerto for Piano in G major
ALEXANDER SCRIABIN: The Poem of Ecstasy
Le Corum - Opera Berlioz
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JOHANNES BRAHMS: Schicksalslied, Op.54 (Song of Destiny)
ROBERT SCHUMANN: Concerto for Piano in A minor, Op. 54
ANTONIN DVORAK: Symphony No. 9 in E minor, Op. 95 (From the New World)
“More impressive, though, is Roderick Cox’s spirited take on William L. Dawson’s ‘Negro Folk Symphony,’ a piece that — like the symphonies of his contemporaries, Florence Price and William Grant Still — deserves better than the scant attention major ensembles have paid it since Leopold Stokowski led the premiere in 1934 […. ] Cox and the Seattle players give it great dignity.”
“Cox injected a real sense of propulsion into this reading of the score, and the orchestra responded with clean, focused playing. The young American conductor, currently living in Berlin, accomplished much across a wide range of music, and this introduction certainly warrants a return engagement.”
“Cox then worked more wonders with Dvořák’s ‘New World’ Symphony. It was certainly a lean and muscular performance, but it never sounded driven, while the folk elements came across with unforced authenticity. It became the aural equivalent of one of those American Sublime paintings, huge river-deep, mountain-high panoramas side-by-side with a wealth of finessed detail, upon which Cox and his players lavished a palette of rich colours.”
“Performances of this symphony are not rare; memorable performances of it are, and Cox showed his finesse with taut but unstrained pianissimos and consistently unflagging energy.”
“… His gestures, even when dramatic, were efficient and tightly controlled, with riveting intensity and focus as a result…”
“… The colossal event was greeted with deservedly roaring accolades from the crowd. Welcome to the limelight, Maestro Cox…”