Emma Bell
Soprano
“Festival-favourite Emma Bell was superb as Elisabeth, capturing both the divine and vulnerable aspects of her character. Her voice soared effortlessly above the orchestra with a celestial intensity.”
The Guardian, August 2023

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Season Highlights
July 2025
Teatro dell'Opera di Roma
Teatro dell’Opera di Roma Orchestra
Show more about Teatro dell'Opera di Roma
Show more about Teatro dell'Opera di Roma
Repertoire:
Britten's Turn of the Screw (Mrs Grose)
Soloists:
Henrik Nánási, Conductor
May 2025
Estonia Concert Hall
Estonian National Symphony Orchestra
Show more about Estonia Concert Hall
Show more about Estonia Concert Hall
Repertoire:
Andés America
April 2025
Royal Festival Hall
London Philharmonic Orchestra
Show more about Royal Festival Hall
Show more about Royal Festival Hall
Repertoire:
Mahler's Symphony No.8
Kulttuuri-toimitus, April 2025
Concerto Net, January 2025
Kulttuuritoimitus Suomi, April 2025
Opera Magazine, October 2024
Opera, September 2024
The Article, June 2024
The Telegraph, June 2024
The Times, June 2024
Observer, June 2024
Opera Magazine, November 2023
Opera Magazine, November 2023
The Scotsman, August 2023
Opera Magazine, June 2023
The Arts Desk, August 2023
Guardian, April 2023
Evening Standard, April 2023
Opera Online, April 2023
The Telegraph, February 2023
Musical Theatre Review
The Times, August 2022
Operawire, July 2022
Opera Magazine, June 2022
Opera, April 2022
(Opera Today, April 2022)
(The Arts Desk, April 2022)
(Opera Magazine, October 2019)
(All Opera Now, August 2019)
(FORUM OPERA, May 2019)
(Opera Magazine, June 2019)
(Classical Source, January 2019)
(Opera Magazine, John Allison, October 2018)
(The Stage, November 2018)
(Classical music magazine, October 2018)
(Opera Today, July 2018)
(The Guardian, Tim Ashley, July 2018)
(Financial Times, Richard Fairman, July 2018)
(Dallas Morning News, March 2017)
(Guardian, May 2016)
(Anna Picard, The Times, May 2016)
(Richard Morrison, The Times, April 2016)
(Rupert Christiansen, Telegraph, April 2016)
(Opera Magazine, July 2016)
(Tim Ashley, Guardian, April 2016)
(Spectator, May 2016)
(Independent, April 2016)
(Evening Standard, April 2016)
(Anthony Tommasini, New York Times, February 2015)
(The New Yorker, February 2015)
(Opera Magazine, February 2015)