“The COE deserves to be renamed “The Best Orchestra in Europe.”
The Chamber Orchestra of Europe (COE) was founded in 1981 by a group of young musicians who became acquainted as part of the European Community Youth Orchestra (now EUYO). There are now about 60 members of the COE, who pursue parallel careers as principals or section leaders of nationally-based orchestras, as eminent chamber musicians, and as tutors of music.
The COE has strong links with the Lucerne Festival and with many of the major concert halls in Europe including the Cologne Philharmonie, the Philharmonie Luxembourg, Paris Philharmonie, the Concertgebouw in Amsterdam, and the Alte Oper in Frankfurt. In partnership with the Kronberg Academy, the COE will become the first-ever orchestra-inresidence at the future Casals Forum in Kronberg from 2021.
HarrisonParrott work with the COE management on their international touring profile including several visits to Spain together with Yannick Nézet-Séguin and Janine Jansen, and Semyon Bychkov and Lisa Batiashvili. They have also done several performances in Europe in collaboration with Pierre-Laurent Aimard directing from the keyboard as well as major residencies at the Mostly Mozart Festival, New York and Japan, where they were accompanied by pianist Nobuyuki Tsujii for a ten concert tour.
In 2009, the COE Academy was created in order to give a select group of exceptional students the chance to study with the principal players of COE and, importantly, to give the students the opportunity to travel “on tour” with the orchestra.
“Splendidly led by Lorenza Borrani, whose committed edge-of-the-seat body language is always so involving, the members of the Chamber Orchestra of Europe – violins antiphonal, cellos and double-basses left of centre, timpani played with hard sticks – glowed with warmth, relishing their phrase endings, articulating the poetry of the Andante like so many great actors on a grand stage.”
“The Chamber Orchestra of Europe sings like a string quartet in this operatic symphony — its characters are as vivid as those in Don Giovanni.”
“the celebrated Chamber Orchestra of Europe forged a consistent approach by bringing out much of the inner detail of the music and also distilling the unique character of each.”