Axelle Saint-Cirel
Mezzo-soprano Axelle Saint-Cirel first captivated a global audience with her breathtaking rendition of la Marseillaise from the rooftop of the Grand Palais during the opening ceremony of the 2024 Olympic Games in Paris. Hailed by France 2 as “a truly groundbreaking discovery” her performance became one of the defining images of this landmark international event. More than a spectacular debut on the world stage, it marked the beginning of a solo career that has since gathered impressive momentum.
Already during her studies at the Conservatoire National Supérieure de Musique et de Danse de Paris, Saint-Cirel attracted significant attention in an acclaimed trilogy of Bernstein’s musicals, as Dinah in Trouble in Tahiti, Anita in West Side Story, and Ruth in Wonderful Town. She was subsequently selected for the prestigious Salzburger Festspiele Young Singers Project in 2025, and has swiftly emerged as one of the most compelling young voices of the new generation.
See More
Axelle Saint-Cirel has recently made a series of acclaimed debuts, from Watawa in Delius’ The Magic Fountain at Wexford Festival to Zweite Dame in Julien Duval’s production of Die Zauberflöte at Opéra national de Bordeaux under Joseph Swensen and Maria in Gershwin’s Porgy and Bess at Théâtre des Champs-Elysées with Les Voix d’Outre mer. Naturally at home in the French repertoire, she has also enjoyed success as Maman, La tasse chinoise, and La libellule in Jean-Louis Grinda’s production of Ravel’s L’Enfant et les Sortilèges at Opéra de Monte-Carlo, conducted by Kazuki Yamada, as Carmen at Opéra d’Avignon and as Nicklausse in Les Contes d’Hoffmann, she toured the French overseas territories with Les Voix d’Outre mer to great acclaim.
As part of her 2026/27 season, Saint-Cirel sings Tisbe in Mirabelle Ordinaire’s new production of La Cenerentola at Opéra di Dijon under Nil Venditti, embarks on a major French tour as Junon in Rameau’s Platée with Ensemble Il Caravaggio and Camille Delaforge and joins Opéra de Monte-Carlo and conductor Marc Leroy-Calatayud, as Mercédès in a semi-staged Carmen. On the concert platform, she appears as part of the annual Ruhr Triennale as in Tournemire’s La douloureuse passion du Christ with Bochumer Symphoniker and Florian Hegalth, and is soloist in a tribute concert to Josephine Baker and Martin Luther King at Opéra Grand Avignon. In the recital hall, Axelle is joined by pianist Susan Manoff for a programme of Barber, Britten and Bernstein at Opéra national du Rhin and she returns to Théâtre du Vesinet for a night of jazz and musical theatre.
Axelle Saint-Cirel has honed her craft through masterclasses with esteemed artists such as Anne Sofie Von Otter, Barbara Frittoli, Stéphane Fuget, Brian Jagde, Sumi Jo and Sophie Koch and, by special invitation of Sabine Devieilhe, joined her for a programme of Mozart concert arias at Salle Gaveau. A distinguished competitor, she has won the international Gordes Melody, the Nuits Lyriques de Marmande and Voix des Outre-mer Competitions and was a finalist of the 2023 Génération Opéra programme.
Axelle Saint-Cirel represented France at Opera for Peace’s Academy in 2023, and was named an Emerging Artist of the 2024 – 2025 season. Under the auspices of Opera for Peace, she has performed in recital at Opéra national de Bordeaux, Festival International de Musique Saint-Georges and with Stuttgart Philharmoniker.
A multi-faceted performer, Saint-Cirel has experience in both jazz and musical theatre alongside her core opera training and her dynamic presence has made her a sought-after performer for large-scale public events, fashion shows, and exclusive private engagements.
Contacts
Peppie Johnson Associate Artist Manager, VOICE
Worldwide General Management
Peppie Johnson Associate Artist Manager, VOICE
Peppie Johnson Associate Artist Manager, VOICE
Worldwide General Management
“Another striking presence was Axelle Saint-Cirel, who endowed Maria with an irresistible temperament. Her firmly grounded mezzo, ease in the lower register, and strong sense of theatre gave remarkable presence. With each of her appearances, she asserted a vocal personality that was immediately recognisable.”
“Axelle Saint-Cirel is a splendid Maria, full of character, her agile and beautifully resonant mezzo-soprano making a strong impression.”
“Visually, vocally and in terms of dramatic characterisation, it is hard to imagine a performer more ideally suited to the role of Watawa than Axelle; another stunning mezzo with flawless messa di voce.”
“Axelle Saint-Cirel was impressive in the role of Watawa and she sang with great beauty of tone and clarity throughout.”
“Bacchis is portrayed by mezzo-soprano Axelle Saint-Cirel, who gives the character a warm voice with a broad, velvety vibrato. Her performance is confident, committed, and entirely assured”







