Virtual Circle is an online concert and event live-streaming platform where you can watch classical music concerts, album launches, performances and workshops from across the music and arts world.
Sacrifice: Peking Opera
Sacrifice is a classic Peking opera adapted from The Orphan of Zhao, the first Chinese opera to become known in Europe. The live recording of Wang’s Sacrifice not only focuses on the heritage and performance of this classic Peking opera for a new era but also includes recordings from the rehearsals, and interviews with Wang Peiyu, as well as Peking opera artists and masters. Performed in Mandarin, with English subtitles.
During the Spring and Autumn Period in ancient China, Minister Zhao Dun and General Tu’an Gu were two of Duke Ling’s most influential subordinates. Tu’an set up a poisonous scheme and Zhao’s entire family is destroyed. Only Zhao’s daughter-in-law, Princess Zhuang Ji, is left to give birth to a son. The Princess instructs Cheng Ying, a physician, to bring the child to Gongsun Chujiu, a friend of the Zhao family, before Tu’an orders to kill the newborn infant. When Tu’an Gu learns that the orphan had escaped, he issues an order to kill all newborn babies in the city. With no other option, Cheng Ying and Gongsun made a plan to save babies in the state and Zhao’s orphan by sacrificing Cheng Ying’s own newborn son and Gongsun’s life…
Sacrifice is a classic Peking opera title adapted from The Orphan of Zhao, the first Chinese opera to become known in Europe. On 8 of September 1947, the legendary Chinese opera diva Meng Xiaodong performed Sacrifice in the Great Theatre of China. This was the last performance of the “Empress” Meng, and the performance has been hailed as a miracle in the history of Peking Opera and even in the history of Chinese theatre. 71 years later, the contemporary Peking Opera master Wang Peiyu, who is also known as the “Little Empress”, performed the same play on the same stage, with the acting, singing and staging being identical to Meng’s performance.
The live recording of Wang’s Sacrifice not only focuses on the heritage and performance of this classic Peking opera in a new era, but also records the rehearsals and interviews with Wang Peiyu, the cultural figure of Peking opera in contemporary China, as well as Peking opera artists and masters. By unearthing, restoring, passing on and innovating the art of traditional Peking opera, the audience of today and even future generations will be able to see this elegant art form that transcends time and space in all its richness and diversity.
Running time: 1h 25mins In Chinese with English subtitles Broadcast date and time coming soon
Writing in Water is a play that follows the extraordinary journey of He Shi, who’s a Happyology instructor who doesn’t really believe what he teaches. Directed by one of the most important directors in Chinese theatre, Stan Lai, with a cast featuring the renowned TV host He Jiong (Happy Camp) and Huang Yici, who makes her stage debut in this production, prepare to be transported on a spiritual journey experiencing life on a new level.
Originally commissioned and produced by Hong Kong Repertory Theatre in 2009 and revived in 2016, Writing in Water follows the extraordinary journey of He Shi, who’s a Happyology instructor who doesn’t really believe what he teaches. By sheer chance, He Shi comes across a mysterious little girl when he’s about to inherit an old beach house from his late mother. Together with the little girl, He Shi embarks on a spiritual journey that enables him to experience life on a far more essential and rewarding level.
Directed by one of the most important directors in Chinese theatre, Stan Lai, with a cast featuring the renowned TV host He Jiong (Happy Camp) and Huang Yici who makes her stage debut in this production, Writing in Water is the first production of commercial Chinese theatre to be broadcast in cinemas worldwide. Captured for film by Serpent Productions (Les Miserables 25th Anniversary Concert) from Theatre Above in Shanghai, Writing in Water received critically acclaimed reviews from the audience who were not able to see the live production, and could potentially transform the way that they experience the arts.
Running time: 1h 55mins In Chinese with English subtitles Broadcast date and time coming soon
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