Valentin Thill
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“This emerging French tenor is a talent to watch.”
- Opera, June 2025
With his bright timbre and expressive musicianship, Valentin Thill is rapidly establishing himself as one of the most compelling young French tenors of his generation. Equally admired for his instinctive dramatic presence and the clarity and precision of his singing, in recent seasons he has built a strong presence in France, alongside growing international recognition with a succession of notable debuts at leading opera houses across Europe.
While French repertoire naturally occupies a central place in Thill’s career, his versatility extends from Mozart, Gluck, and Beethoven through to Puccini and Wagner. He has excelled as Chevalier de la Force in Dialogues des Carmélites, a role that has taken him from his debut at Glyndebourne Festival Opera and the BBC Proms in Barrie Kosky’s new staging under Robin Ticciati, to performances at Palau de les Arts Reina Sofía under Riccardo Minasi and Teatro Regio Torino under Yves Abel, both in Robert Carsen’s iconic production. A closeartistic relationship with Opéra national du Capitole de Toulouse has seen Thill become aregular presence in the company’s major new productions, where he has debuted as Tamino in Die Zauberflöte, Don Ottavio in Don Giovanni, Steuermann in Der fliegende Holländer, and as Ein Hirt and Junger Seemann in Tristan und Isolde.
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Highlights elsewhere have included his debut at La Monnaie as Tavannes in Les Huguenots, directed by Olivier Py and conducted by Evelino Pidò, followed by a return as Pong in Christophe Coppens’ Turandot; his debut at Opéra national de Lyon as Joe in Tatjana Gürbaca’s La Fanciulla del West under Daniele Rustioni; and appearances at Opéra de Nice, Opéra national de Montpellier and Opéra Royal de Wallonie-Liège as Jaquino in Fidelio, Pylade in Iphigénie en Tauride and Spalanzani in Les Contes d’Hoffmann, respectively.
The coming season sees Thill continue to broaden both his repertoire and his international profile. He makes his role debut as Nicias in Massenet’s Thaïs at Opéra Royal de Wallonie-Liège under Pierre Dumoussaud in Olivier Lepelletier’s new production, as well as his house debut at Opéra national de Lorraine as Gobbler and Peiper in Daan Janssens’ haunting Brodeck, conducted by Sora Elisabeth Lee and directed by Fabrice Murgia. He returns to Opéra national du Capitole de Toulouse as Lyonnel in Chausson’s Le Roi Arthus, under Victorien Vanoosten in Aurélien Bory’s new staging, and to Opéra de Toulon to reprise Don Ottavio. Valentin also sings the role of Pierre Bernier in Henry Février’s rarely performed opera La Femme nue with Orchestre de Chambre de Genève under Guillaume Tourniaire, in concert and recorded for future release.
On the concert platform, Valentin Thill has recently appeared with Symphonieorchester des Bayerischen Rundfunks in Berlioz’s Roméo et Juliette under Robin Ticciati, in Puccini’s Messa di Gloria with Opéra de Limoges, Bach’s Christmas Oratorio with Orchestre National du Capitole de Toulouse under Jordi Savall, Beethoven’s Symphony No.9 with Orchestre national de Lyon under Ben Glassberg, and Dvořák’s Stabat Mater with Lahti Symphony Orchestra under Anja Bihlmaier. His concert-opera appearances include Barbarigo in Verdi’s I due Foscari at Festival d’Aix-en-Provence under Daniele Rustioni, Nadir in Bizet’s Les Pêcheurs de Perles at Opéra Royal de Wallonie-Liège, Gonzalve in L’heure espagnole with both Orchestre Philharmonique de Radio France under Kazuki Yamada and Barcelona Symphony Orchestra under Ludovic Morlot, and Roggiero in Rossini’s Tancredi under Jérémie Rhorer at Festival de Beaune.
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“Valentin Thill, possessing a supple timbre and ringing high notes, effectively captured the youthful impetuosity of the Chevalier de la Force.”
“Valentin Thill is a lyrical tenor with a soft and bright timbre and easy and ringing high notes, perfect for rendering the youthful impetuosity of Blanche’s brother.”
“Tenor Valentin Thill was truly excellent as Chevalier de la Force, with a clear, youthful timbre that stands out for his absolute mastery of the declamation and his beautiful French diction, which was careful to convey all the psychological nuances and accents of the
text, up to an exceptional scene in the convent’s parlor, where he tries in vain to convince his sister to flee.”
“In Arturo, we are delighted to see Valentin Thill, who once more demonstrates vocal flexibility and a splendid legato. Here, in his brief cavatina “Per poco fra le tenebre” and then in the sextet and the final allegro of Act II, the young French tenor’s voice seemed even more assured in the high register and displayed an artful, perfectly controlled, and finely articulated singing style.”
“In his brief appearance, Valentin Thill presented a valiant Arturo, confidently projected and vocally secure.”
“Valentin Thill is a very elegant Arturo, the husband that Lucia is forced to marry, with a beautiful vocal and scenic ease.”
“Don Ottavio allows Valentin Thill, seen and heard at the Capitole regularly, to emphasise his luminous timbre and the quality of the singing line. As a virile and firm fiancé, he erases in our memories many pale and bland gallants.”
“Valentin Thill has in his phrasing a softness and agility that suit the elegiac mood of Ottavio’s two arias.”
“Valentin Thill.. show a radiant, solid tenor.”
“the flexibility and skilful management of the mixed and head voice allow Valentin Thill to flourish his singing to his heart’s content. Elegant ornamentation, spun notes and other melismas draw a poet less precious than refined, less conceited than sensitive.”
“Fortunately, Valentin Thill comes to set the record straight, portraying a Gonzalve of great quality and with a sustained vocal approach switching between registers with art and ease.”
“Valentin Thill’s impulsive Chevalier de la Force suggested that this emerging French tenor is a talent to watch.”
“Valentin Thill gives character to the role of the Steuermann with his clear and direct tenor voice.”
“As his Steuermann, the French tenor Valentin Thill has a passionate and fresh voice, along with a welcome touch of wildness in his presentation”
“The tenor Valentin Thill…a young, impulsive and finely sung Chevalier de La Force.”
“Chevallier de La Force, Blanche’s brother and who was played with undoubted strength and enthusiasm but also a little coarseness the French tenor Valentin Thill”
“As Prunier, Valentin Thill’s pronunciation is a delight for the listener and his projection is wonderful. The high notes are brilliant (especially in his sentences in Act I) and the low notes, which have grown even more, are impressive; no doubt revealing, after his recent performances of the young sailor and the shepherd in Tristan in Toulouse, a potential Wagnerian…”
“His tenor colleague Valentin Thill, the third councillor Pong, presents a fuller, broader, and deeper voice.”
“and the trio Ping/Pang/Pong of Alexander Marev, Leon Kosavic and Valentin Thill alternate between shared comic pleasure and exquisite lyricism.”
“Excerpts from the Pearl Fishers open the evening where the voices of tenor Valentin Thill and baritone Jérôme Boutillier combine with passion and determination…Valentin’s commitment and desire to achieve excellence is obvious. He is currently rehearsing the role of Pong in the Turandot which will be presented next month in Brussels under the baton of Kazushi Ono, but bigger roles now await him, that’s for sure.”
“But the great musical success of the show is also largely based on a meticulous cast, even in the smallest roles, in which we note the presence of Léo Vermot-Desroches and Valentin Thill, two young tenors recently noticed at the Voix Nouvelles Competition.”
“Valentin Thill’s Alfred, a newcomer to this cast, is absorbed brilliantly into it : the sincere lover and just suitor who wins Rosalinde’s heart…with full-bodied voice and panache”
“In Alfred, the tenor Valentin Thill, Rosalinde’s singing master, sticks to the skin of his character like glue: constantly singing, vibrant… with his homogeneous and well-projected voice”
“The young French tenor Valentin Thill gives a certain depth to the “father” Of Olympia, the inventor Spalanzani. The voice rises with fervour and energy.”
“The supporting roles are well cast, especially the superlative Valentin Thill (Spalanzani), who we would like to hear in an even more extensive performance.”
“Sung with style and vigour, Valentin Thill’s superb Spalanzani left an impression.”
“Valentin Thill’s Spalanzani deserves special mention – his beautiful timbre is supported by powerful projection and impeccable diction.”
“A resonant timbre, with a welcome cutting-through sound used to tackle difficult and lesser-known excerpts from Benvenuto Cellini (Berlioz) and from Gianni Schicchi (Puccini). [These were] ambitious repertoire choices, showing evidence of [an artist with] an engaged musical personality and who masters French repertoire.”
“The role of Pylade falls to tenor Valentin Thill whose career is currently flourishing. The tone of his voice, tender and pure, is naturally full of emotion and his diction is consistently perfect […] his voice is radiant in the moving aria ‘Unis dès la plus tendre enfance’, in which he superbly conveys tenderness and lyricism.”
“Valentin Thill has the perfect style and timbre for this noble tenor role. He makes Pylade a hero as tender as he is resolute.”
“Fortunately, Valentin Thill’s very beautiful Pylade brings some sensitivity to this brutal world.”
“His Pylade demonstrates crystal clear high notes and clear, precise vocal lines.”
“We admire most of all the extraordinary Pylade of Valentin Thill: the beauty of the timbre, the refinement of the line, the expressiveness of the voice, the truth of the character.”
“Tenor Valentin Thill made a big impression as the Shepherd as well as the voice of the Sailor that begins the opera.”
“Tenor Valentin Thill’s purity of singing is seductive and convincing in the roles of the Young Sailor and the Shepherd.”
“Valentin Thill is always seductive. He demonstrates a fresh, easy and assured lyric tenor voice in the roles of the Young Sailor and the Shepherd.”
“Valentin Thill is as assertive as he is a fine singer.”
“In the cast we are blessed with two sumptuous supporting roles: Valentin Thill and Mikhael Piccone. The first, a tenor of superlative diction, is an imposing presence of poetic clarity and precise phrasing.”
“Valentin Thill makes a beautiful Piféar, the fisherman friend of Zéphoris, a naive and cowardly character. His voice is ample, well placed and his acting convincing.”
“Valentin Thill delivers a radiant singing lesson in Nadir and his luminous interpretation of the aria “Je crois entendre encore” crowned by trebles close to the impalpable and perfectly mastered, earning him a well-deserved ovation from the public”
“Despite the relative brevity of the role and only one aria to his credit, the French tenor Valentin Thill (Roggiero) stands out for the plasticity of his luminous voice, attention to the vocal line and his commitment.”
“Valentin Thill…carries out this task with happiness, and even with brilliance in his air “S’avverassero pure i detti suoi!”.
“Refined and haughty, the French tenor Valentin Thill personifies Tavannes as a scandalous Bacchus, demonstrating an ease of play and a mastery of his voice perfectly matched with the character. Direct, frank and honest, this singer’s voice fits beautifully into a very masculine cast.”
“Valentin Thill’s Tamino never fails.”
“Valentin Thill’s Tamino balances youth and fullness of intonation, with a sensitive affinity with Mozartian writing.”
“Valentin Thill as Barbarigo, what luxury!”
“The young French tenor dazzles with his silvery tone and charming stage presence.”
“Quality of tone, musicality, and sensitivity are his strengths.”









