“Valentin Thill.. show a radiant, solid tenor.”

“Fortunately, Valentin Thill comes to set the record straight, portraying a Gonzalve of great quality and with a sustained vocal approach switching between registers with art and ease.”

“Valentin Thill gives character to the role of the Steuermann with his clear and direct tenor voice.”

“The tenor Valentin Thill…a young, impulsive and finely sung Chevalier de La Force.”

“As Prunier, Valentin Thill’s pronunciation is a delight for the listener and his projection is wonderful. The high notes are brilliant (especially in his sentences in Act I) and the low notes, which have grown even more, are impressive; no doubt revealing, after his recent performances of the young sailor and the shepherd in Tristan in Toulouse, a potential Wagnerian…”

“and the trio Ping/​Pang/​Pong of Alexander Marev, Leon Kosavic and Valentin Thill alternate between shared comic pleasure and exquisite lyricism.”

“But the great musical success of the show is also largely based on a meticulous cast, even in the smallest roles, in which we note the presence of Léo Vermot-Desroches and Valentin Thill, two young tenors recently noticed at the Voix Nouvelles Competition.”

“In Alfred, the tenor Valentin Thill, Rosalinde’s singing master, sticks to the skin of his character like glue: constantly singing, vibrant… with his homogeneous and well-projected voice”

“The supporting roles are well cast, especially the superlative Valentin Thill (Spalanzani), who we would like to hear in an even more extensive performance.”

“Valentin Thill’s Spalanzani deserves special mention – his beautiful timbre is supported by powerful projection and impeccable diction.”

“The role of Pylade falls to tenor Valentin Thill whose career is currently flourishing. The tone of his voice, tender and pure, is naturally full of emotion and his diction is consistently perfect […] his voice is radiant in the moving aria ​‘Unis dès la plus tendre enfance’, in which he superbly conveys tenderness and lyricism.”

“Fortunately, Valentin Thill’s very beautiful Pylade brings some sensitivity to this brutal world.”

“We admire most of all the extraordinary Pylade of Valentin Thill: the beauty of the timbre, the refinement of the line, the expressiveness of the voice, the truth of the character.”

“Tenor Valentin Thill’s purity of singing is seductive and convincing in the roles of the Young Sailor and the Shepherd.”

“Valentin Thill is as assertive as he is a fine singer.”

“Valentin Thill makes a beautiful Piféar, the fisherman friend of Zéphoris, a naive and cowardly character. His voice is ample, well placed and his acting convincing.”

“Despite the relative brevity of the role and only one aria to his credit, the French tenor Valentin Thill (Roggiero) stands out for the plasticity of his luminous voice, attention to the vocal line and his commitment.”

“Refined and haughty, the French tenor Valentin Thill personifies Tavannes as a scandalous Bacchus, demonstrating an ease of play and a mastery of his voice perfectly matched with the character. Direct, frank and honest, this singer’s voice fits beautifully into a very masculine cast.”

“Valentin Thill’s Tamino balances youth and fullness of intonation, with a sensitive affinity with Mozartian writing.”

“The young French tenor dazzles with his silvery tone and charming stage presence.”