



Valentin Thill
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“This emerging French tenor is a talent to watch.”
- Opera, June 2025
Noted for his robust and virile timbre, French tenor Valentin Thill is emerging as a distinctive presence on the international opera stage. Praised for the expressive quality of his voice and instinctive dramatic presence, Thill has made a series of significant debuts at houses including Glyndebourne Festival Opera, Palau de les Arts Reina Sofía, and Opéra National de Lyon, swiftly earning recognition as a rising interpreter of both French and broader lyric repertoire.
A natural exponent of French repertoire, Chevalier de la Force (Dialogues des Carmélites) has become a signature role for Thill, marking his company debuts for both Glyndebourne Festival Opera and the BBC Proms in Barrie Kosky’s new production under Robin Ticciati, and for Palau de les Arts Reina Sofía in Robert Carsen’s iconic production under Riccardo Minasi. In the upcoming season he returns to the role for his debut with Teatro Regio Torino under the baton of Yves Abel. As Gonzalve (L’heure espagnole) Thill makes his debut with Orchestre Philharmonique de Radio France under Pablo Heras-Casado, following highly successful performances and a forthcoming recording of the piece with Barcelona Symphony Orchestra under Ludovic Morlot. This season also marks Thill’s debut with the Symphonieorchester des Bayerischen Rundfunks in Berlioz’s Roméo et Juliette under Robin Ticciati. Elsewhere, Valentin returns to Théâtre du Capitole de Toulouse as Don Ottavio (Don Giovanni) under Tarmo Peltokoski and as Arturo (Lucia di Lammermoor) under José Miguel Pérez-Sierra.
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Key debuts to date include Tamino in Pierre Rigal’s new production of Die Zauberflöte and as Steuermann in Michel Fau’s new production of Der fliegende Holländer for Théâtre du Capitole de Toulouse under Frank Beermann, Pong in Christophe Coppens’ new production of Turandot for La monnaie under Ouri Bronchti, and Joe in Tatjana Gürbaca’s new production of La Fanciulla del West for Opéra National de Lyon under Daniele Rustioni. Consistently highlighted for the beauty of his timbre and nuanced characterisations, Thill’s critically acclaimed debuts elsewhere have included Jaquino (Fidelio) at Opéra de Nice conducted by Marko Letonja, Pylade (Iphigénie en Tauride) at Opéra national de Montpellier under Pierre Dumoussaud, Spalanzani (Les contes d’Hoffmann) at Opéra Royal de Wallonie-Liège under Giampaolo Bisanti, Tavannes (Meyerbeer’s Les Huguenots) for La Monnaie conducted by Evelino Pidò, and Alfred (Die Fledermaus) for Opéra de Toulon.
On the concert platform, Valentin Thill has recently appeared in Puccini Messa di Gloria with Opéra de Limoges, Bach Christmas Oratorio with Orchestre National du Capitole de Toulouse under Jordi Savall, Beethoven Symphony No.9 with Orchestre national de Lyon under Ben Glassberg and Dvořák Stabat Mater with Lahti Symphony Orchestra under Anja Bihlmaier. In opera in concert performance, Thill has performed at Festival d’Aix-en-Provence as Barbarigo in Verdi’s I due Foscari conducted by Daniele Rustioni, as Nadir in Bizet’s Les Pêcheurs des Perles at Opéra Royal de Wallonie, and as Roggiero in Rossini’s Tancredi under Jérémie Rhorer at Festival de Beaune.
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“Valentin Thill’s impulsive Chevalier de la Force suggested that this emerging French tenor is a talent to watch.”
“Valentin Thill gives character to the role of the Steuermann with his clear and direct tenor voice.”
“As his Steuermann, the French tenor Valentin Thill has a passionate and fresh voice, along with a welcome touch of wildness in his presentation”
“The tenor Valentin Thill…a young, impulsive and finely sung Chevalier de La Force.”
“Chevallier de La Force, Blanche’s brother and who was played with undoubted strength and enthusiasm but also a little coarseness the French tenor Valentin Thill”
“As Prunier, Valentin Thill’s pronunciation is a delight for the listener and his projection is wonderful. The high notes are brilliant (especially in his sentences in Act I) and the low notes, which have grown even more, are impressive; no doubt revealing, after his recent performances of the young sailor and the shepherd in Tristan in Toulouse, a potential Wagnerian…”
“His tenor colleague Valentin Thill, the third councillor Pong, presents a fuller, broader, and deeper voice.”
“and the trio Ping/Pang/Pong of Alexander Marev, Leon Kosavic and Valentin Thill alternate between shared comic pleasure and exquisite lyricism.”
“Excerpts from the Pearl Fishers open the evening where the voices of tenor Valentin Thill and baritone Jérôme Boutillier combine with passion and determination…Valentin’s commitment and desire to achieve excellence is obvious. He is currently rehearsing the role of Pong in the Turandot which will be presented next month in Brussels under the baton of Kazushi Ono, but bigger roles now await him, that’s for sure.”
“But the great musical success of the show is also largely based on a meticulous cast, even in the smallest roles, in which we note the presence of Léo Vermot-Desroches and Valentin Thill, two young tenors recently noticed at the Voix Nouvelles Competition.”
“Valentin Thill’s Alfred, a newcomer to this cast, is absorbed brilliantly into it : the sincere lover and just suitor who wins Rosalinde’s heart…with full-bodied voice and panache”
“In Alfred, the tenor Valentin Thill, Rosalinde’s singing master, sticks to the skin of his character like glue: constantly singing, vibrant… with his homogeneous and well-projected voice”
“The young French tenor Valentin Thill gives a certain depth to the “father” Of Olympia, the inventor Spalanzani. The voice rises with fervour and energy.”
“The supporting roles are well cast, especially the superlative Valentin Thill (Spalanzani), who we would like to hear in an even more extensive performance.”
“Sung with style and vigour, Valentin Thill’s superb Spalanzani left an impression.”
“Valentin Thill’s Spalanzani deserves special mention – his beautiful timbre is supported by powerful projection and impeccable diction.”
“A resonant timbre, with a welcome cutting-through sound used to tackle difficult and lesser-known excerpts from Benvenuto Cellini (Berlioz) and from Gianni Schicchi (Puccini). [These were] ambitious repertoire choices, showing evidence of [an artist with] an engaged musical personality and who masters French repertoire.”
“The role of Pylade falls to tenor Valentin Thill whose career is currently flourishing. The tone of his voice, tender and pure, is naturally full of emotion and his diction is consistently perfect […] his voice is radiant in the moving aria ‘Unis dès la plus tendre enfance’, in which he superbly conveys tenderness and lyricism.”
“Valentin Thill has the perfect style and timbre for this noble tenor role. He makes Pylade a hero as tender as he is resolute.”
“Fortunately, Valentin Thill’s very beautiful Pylade brings some sensitivity to this brutal world.”
“His Pylade demonstrates crystal clear high notes and clear, precise vocal lines.”
“We admire most of all the extraordinary Pylade of Valentin Thill: the beauty of the timbre, the refinement of the line, the expressiveness of the voice, the truth of the character.”
“Tenor Valentin Thill made a big impression as the Shepherd as well as the voice of the Sailor that begins the opera.”
“Tenor Valentin Thill’s purity of singing is seductive and convincing in the roles of the Young Sailor and the Shepherd.”
“Valentin Thill is always seductive. He demonstrates a fresh, easy and assured lyric tenor voice in the roles of the Young Sailor and the Shepherd.”
“Valentin Thill is as assertive as he is a fine singer.”
“In the cast we are blessed with two sumptuous supporting roles: Valentin Thill and Mikhael Piccone. The first, a tenor of superlative diction, is an imposing presence of poetic clarity and precise phrasing.”
“Valentin Thill makes a beautiful Piféar, the fisherman friend of Zéphoris, a naive and cowardly character. His voice is ample, well placed and his acting convincing.”
“Valentin Thill delivers a radiant singing lesson in Nadir and his luminous interpretation of the aria “Je crois entendre encore” crowned by trebles close to the impalpable and perfectly mastered, earning him a well-deserved ovation from the public”
“Despite the relative brevity of the role and only one aria to his credit, the French tenor Valentin Thill (Roggiero) stands out for the plasticity of his luminous voice, attention to the vocal line and his commitment.”
“Valentin Thill…carries out this task with happiness, and even with brilliance in his air “S’avverassero pure i detti suoi!”.
“Refined and haughty, the French tenor Valentin Thill personifies Tavannes as a scandalous Bacchus, demonstrating an ease of play and a mastery of his voice perfectly matched with the character. Direct, frank and honest, this singer’s voice fits beautifully into a very masculine cast.”
“Valentin Thill’s Tamino never fails.”
“Valentin Thill’s Tamino balances youth and fullness of intonation, with a sensitive affinity with Mozartian writing.”
“Valentin Thill as Barbarigo, what luxury!”
“The young French tenor dazzles with his silvery tone and charming stage presence.”
“Quality of tone, musicality, and sensitivity are his strengths.”