Christopher Ventris

Tenor

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“Christopher Ventris produces a fresh, blossoming tenor, a Siegmund at the height of his vocal powers.”
(Die Presse)

Christopher Ventris remains one of the world’s leading Heldentenors and enjoys an unparalleled reputation as the pre-eminent Siegmund and Parsifal of his generation. From his acclaimed Bayreuther Festspiele debut as Parsifal in Stefan Herheim’s new production (Daniele Gatti), he went on to innumerable appearances in the role including at Wiener Staatsoper (under both Franz Welser-Möst and Semyon Bychkov), Bayerische Staatsoper (Kent Nagano), Royal Opera House, Covent Garden (Bernard Haitink), Opéra national de Paris (Hartmut Haenchen), San Francisco Opera (Donald Runnicles) and at Opernhaus Zürich (Haitink), the latter performance immortalised on DVD. As Siegmund (Die Walküre), Ventris has appeared at Wiener Staatsoper (Sir Simon Rattle), Bayreuther Festspiele, (Marek Janowski), Semperoper Dresden (Christian Thielemann), Washington National Opera (Philippe Auguin), Dutch National Opera (Marc Albrecht) and features on a live recording from Wiener Staastoper (Thielemann).

Elsewhere in the Wagner repertory, Ventris joined Philippe Jordan at Salzburger Festspiele in the title role of the lesser-performed Rienzi, made his role debut as Tannhäuser under Sir Mark Elder at Opéra national de Paris, and appeared as Lohengrin at Grand Théâtre de Genève, Teatro Real Madrid and The Dallas Opera. His recent role debut in Tristan und Isolde, at Théâtre de la Monnaie under Music Director Alain Altinoglu, was met with great acclaim: “In the love duet, he sang with honeyed warmth, blending handsomely with Isolde and the orchestra below …” and followed by further concert performances at Royal Danish Opera under Lothar Koenigs.

While Wagner’s music has played a key role in the development of his international career, Ventris’ repertoire flexibility has been pivotal to his enduring success: he has been seen as Peter Grimes at Opernhaus Zürich and Deutsche Oper Berlin, Florestan (Fidelio) at Washington National Opera, Sergei (Lady Macbeth of Mtsensk) in Geneva, Madrid, London and Brussels, and Jimmy Mahoney (Aufstieg und Fall der Stadt Mahagonny) at Berliner Staatsoper, Opernhaus Zürich and Wiener Staatsoper. Števa in Janáček’s Jenůfa marked his debut at the Metropolitan Opera and he more recently sang Laca in Dmitri Tcherniakov’s new production at Opernhaus Zürich. Max (Der Freischütz) marked his debut at Teatro alla Scala, he appeared as Pfitzner’s Palestrina at Bayerische Staatsoper and one of his many roles at the Royal Opera House, Covent Garden was Manolios in Martinu’s The Greek Passion. His role debut as Prince Andrey Khovansky (Khovanshchina) at Wiener Staatsoper conducted by Semyon Bychkov, was subsequently seen at London’s Royal Albert Hall as part of the 2017 BBC Proms and he returned to the Metropolitan opera in the 2019/20 season in his role debut as Tambour-Major (Wozzeck), conducted by Yannick Nézet-Séguin and in William Kentridge’s acclaimed production.

In the current season, Christopher Ventris joins Iceland Symphony Orchestra and Eva Ollikainen for performances of Die Walküre and he reprises his Tambour-Major with both Boston Symphony Orchestra under Andris Nelsons, at Boston Symphony Hall and Carnegie Hall, and at Palau de les Arts Reina Sofía under James Gaffigan.

Gallery

Weill and Brecht- Mahagonny Trailer © Opernhaus Zurich

Der Freischütz - Trailer © Opernhaus Zürich

Britten: Peter Grimes - Deutsche Oper Berlin trailer © Deutsche Oper Berlin

Wagner: Lohengrin Act 3 (extract) © Teatro Real, Madrid

Wagner: Die Walküre (excerpt)

“Christopher Ventris’ Parsifal remains a confident and accomplished piece of dramatic vocalism, convincing on every level.”

(George Hall, Opera Magazine, February 2018)

“Jimmy’s aria (the night song) sung by the impressive Christopher Ventris is a highlight of the evening”

(Zürichsee Zeitung, November 2017)

“Christopher Ventris was best in the cast in dealing with the change between singing and speaking and the demands of [Mahagonny. As Jimmy Mahoney] he demonstrated his tenor’s powerful, steadfast core, and always succeeded in carrying his melodies over the large orchestra.”

(Musik & Theater, November 2017)

“The vocal star, above all, [was] Christopher Ventris with his burnished Wagner/Britten tenor”

(Seen and Heard, November 2017)

“Christopher Ventris sang the rugged lumberjack Jimmy Mahoney with confidence and conviction. His silvery tone around lyrics at his simply-staged trial were as heart-breaking as they were perfectly paced.”

(Bachtrack, November 2017)

“Christopher Ventris’ magnificent Wagnerian tenor makes the haunting night song of Jimmy Mahoney [a highlight of the opera].”

(Neue Zürcher Zeitung, November 2017)

“Christopher Ventris demonstrated great vocal and dramatic mastery of the role [of Jimmy Mahoney], requiring his Heldentenor strength but without showing any heroism or evoking pity…Ventris maintained a slender tone whilst skilfully placing flashes of vocal colour in just the right places.”

(Oper Akutell, November 2017)

“Christopher Ventris’ passionately confused Andrey”

(Opera Magazine, October 2017)

“Christopher Ventris’ brilliantly resonant Prince Andrey”

(Anna Picard, The Times, August 2017)

“Ventris too – and bravely – achieves a perfect unmannered neutrality [as Parsifal], never rushing in voice or face the revelations that come to him from the Act 2 duet onwards.”

(Gramophone Magazine, August 2017)

“Christopher Ventris, one of the most experienced Wagner singers of our time, enchants with his clear tenor.”

(News.at, March 2017)

“Christopher Ventris repeated his convincing portrayal of Parsifal and sang with secure tone.”

(Opera Magazine, April 2017)

“It is easy to understand why Christopher Ventris has become a much sought-after Parsifal: his handsome timbre is both youthful and heroic, and the ease with which he appears to project his voice is admirable.”

(Bachtrack, December 2016)

“Christopher Ventris excelled in the title role.”

(Place de L’Opera, December 2016)

“Ventris has sung the title role all over the world, and remains one of its finest exponents. Never one to shout or bark, he phrases intelligently and still packs a mighty punch vocally, and matched Lang in their second act confrontation splendidly. His redemption of Amfortas brought a lump to the throat.”

(Music OMH, December 2016)

“Christopher Ventris is a passionate Parsifal and probably the best there currently is. With his range of colours he approaches perfection.”

(Opera Gazet, December 2016)

“Christopher Ventris snag an imposing Max, [with] his radiant, brilliantly secure, and powerful heroic tenor”

(Oper Akutell, September 2016)

“Christopher Ventris was the impressive Siegmund, achieving considerable eloquence in Act 2.”

(Opera Magazine, Tim Smith, September 2016)

“Christopher Ventris brought earnest, well-schooled Heldentenor tone to Max”

(Opera Magazine, August 2016)

“Ventris sang with grave elegance and a heroic sound.”

(Anna Picard, The Times, June 2016)

“He sang the role with plenty of lovely, bright tone and sensitivity.”

(Opera Magazine, June 2016)

“Christopher Ventris, highly experienced in the title role, sang vividly and with pure tone”

(Opera Magazine, March 2016)

“Christopher Ventris brings a clear character, and a lyrical interpretation [to the role of Peter Grimes]”

(Altamusica, February 2016)

“Christopher Ventris as Siegmund was vocally impeccable”

(Die Presse, February 2016)

“Christopher Ventris, who gave an exciting performance as Peter Grimes in Berlin two days earlier, is a great actor and sings Siegmund with a bright tone, precise diction, demonstrating great ease with the score”

(Altamusica, February 2016)

“Christopher Ventris is a particularly attractive Siegmund. His voice is beautifully coloured, and he conducted himself with ease”

(Forum Opéra, February 2016)

“Peter Grimes was played by British tenor Christopher Ventris, who gave a remarkable interpretation of this tormented, violent character. His voice suits the role, and he overcame the difficulties of the score”

(Seen & Heard, February 2016)

“The central focus of the soloists was Christopher Ventris’ lyrical, almost bel canto-like Parsifal. He brought a youthful voice and passionate interpretation to the role.”

(Opernwelt, February 2016)

“Christopher Ventris gave an admirable performance as Parsifal: convincing acting, remarkable projection and vocal beauty.”

(Mundo Clásico, December 2015)

“As for Christopher Ventris , who has sung the role of Siegmund in Munich before in 2006, he is still at the peak of his art…his voice had emotional character and made it an amazing evening.”

(ResMusica, March 2015)