Recent engagements have included Orphée et Eurydice with Capella Cracoviensis and a baroque programme of works by Lully, Rameau, Handel and Bach with the Calgary Philharmonic Orchestra. Other notable highlights include Purcell’s Dido and Aeneas at Dutch National Opera and Bach’s St John Passion with Orchestre de Chambre de Paris. In summer 2024, she was a resident conductor at Festival d’Aix-en-Provence, working alongside Emmanuelle Haïm.
Delaforge is the founder and artistic director of Ensemble Il Caravaggio, a period ensemble specialising in French and Italian lyrical repertoire. Under her direction, the ensemble has appeared at venues and festivals including Opéra Angers Nantes, La Seine Musicale, Festival de Saint-Denis, Festival International de Beaune, Festival de Pâques Aix-en-Provence, Festival de Sablé, Festival La Folia (Switzerland), Théâtre-Sénart, Musikfest Bremen, De Bijloke, Festival de Bilbao and the Stockholm Early Music Festival.
Prior to establishing her conducting career, Delaforge performed extensively as a harpsichordist with ensembles including Le Poème Harmonique, Le Concert de la Loge and Orfeo 55. Her performances have taken her to venues including the Philipszaal in The Hague, Wigmore Hall in London, the Salzburger Festspiele and Victoria Hall in Geneva. Her work with vocal repertoire has included collaborations with opera singers at Festival Radio France (Montpellier), the Potager du Roi in Versailles, the Oude Muziek Festival (Utrecht), Rosa Bonheur Festival and Agapé Festival (Geneva). She has maintained a longstanding collaboration with French bass-baritone Guilhem Worms, with whom she has developed a number of chamber music programmes, including Mozart and Salieri for piano four hands with Karolos Zouganelis, La Dame de mes Songes, devoted to Franco-Spanish repertoire of the 20th century, and Near My Heart, a programme of French mélodies.
Alongside her performing career, Delaforge has developed a number of educational and cultural initiatives, with a particular focus on widening access to music. Projects include teaching underprivileged children in Ecuador and, with Ensemble Il Caravaggio, leading cultural mediation projects in schools and for disadvantaged communities in Val‑d’Oise, Essonne and Plaine Saint-Denis.
Delaforge has recorded for Alpha Classics, Warner, Klarthe and Château de Versailles Spectacles.
