Beatrice Rana
Marie Strubé
Romain Blondel
Maarja Saue
“Rana’s playing has a kind of Orphic seductiveness, a transcendent lightness of touch. A supremely intelligent reading.”
The Times, October 2021
Beatrice Rana has been shaking the international classical music world, arousing admiration and interest from concert presenters, conductors, critics and audiences internationally.
Beatrice performs at the world’s most esteemed concert halls and festivals including the Berlin Philharmonie, Amsterdam’s Concertgebouw, New York’s Carnegie Hall and David Geffen Hall, Barbican Centre, Boston’s Symphony Hall and Celebrity Series, Walt Disney Hall and Hollywood Bowl, Washington D.C.’s Kennedy Center, Wigmore Hall, Royal Albert Hall and Royal Festival Hall in London, Philharmonie de Paris, Théâtre des Champs-Elysées, Vienna’s Konzerthaus and Musikverein, KKL Lucerne, Cologne Philharmonie, Munich’s Isarphilharmonie, Prinzregententheater and Herkulessaal, Frankfurt’s Alte Oper, Hamburg’s Elbphilharmonie and Laeiszhalle, Liederhalle Stuttgart, Tonhalle Zurich, Philharmonie de Luxembourg, Lugano’s LAC, Teatro alla Scala, Rome’s Parco della Musica, Teatro San Carlo in Naples, Palau de la Musica Catalana, Auditorio Nacional in Madrid, Festspielhaus Baden Baden, Lucerne Festival, BBC Proms, Gstaad Menuhin Festival, Rencontres Musicales d’Evian, Festival de Pâques d’Aix en Provence, Ferrara Musica, Verbier Festival, Rheingau Festival, Bad Kissinger Sommer, Klavier Festival Ruhr, Stresa Festival, La Roque d’Anthéron Festival, Bucarest Enescu Festival. MiTo Festival, Saratoga Festival, and Festival de Lanaudière.
She collaborates with conductors such as Yannick Nézet-Séguin, Antonio Pappano, Klaus Mäkelä, Lahav Shani, Manfred Honeck, Riccardo Chailly, Gianandrea Noseda, Jaap van Zweden, Jakub Hrusa, Paavo Järvi, Elim Chan, Gustavo Gimeno, Fabio Luisi, Vladimir Jurowski, Dima Slobodeniouk, James Gaffigan, Mirga Gražinytė-Tyla, Ryan Bancroft, Susanna Mälkki and Zubin Mehta.
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Beatrice is the guest of orchestras including Berliner Philharmoniker, Royal Concertgebouw Orchestra, London Symphony Orchestra, Bayerische Rundfunk Sinfonieorchester, New York Philharmonic, The Cleveland, Chicago Symphony, Boston Symphony Orchestra, Philadelphia orchestras, Los Angeles Philharmonic, NHK Symphony, Münchner Philharmoniker, Chamber Orchestra of Europe, Academy of St Martin in the Fields, Orchestre de Paris, Lucerne Festival Orchestra, Orchestra dell’ Accademia Nazionale di Santa Cecilia, Orchestra Sinfonica della RAI, Filarmonica della Scala, Wiener Symphoniker, Pittsburgh Symphony Orchestra, National Symphony Orchestra, San Francisco Symphony, Toronto Symphony Orchestra, Orchestre National de France, London Philharmonic, Royal Stockholm Philharmonic, Danish National Symphony, City of Birmingham Symphony, BBC Symphony, Royal Liverpool Philharmonic, Helsinki Philharmonic orchestras, Orchestre Philharmonique du Luxembourg, Lucerne Symphony, Antwerp Symphony orchestras, Amsterdam Sinfonietta, Detroit Symphony Orchestra, Dallas Symphony Orchestra, and Seoul Philharmonic.
In the 2024/25 season, Beatrice will be artist in residence at Paris’ Radio-France. The residency will involve a recital at the Auditorium de Radio France and several concerts and tours with both in-house orchestras, the Orchestre National de France and Orchestre Philharmonique de Radio France and their music directors Cristian Macelaru and Mikko Frank. She will also return to the New York Philharmonic with Marek Janowski, Sinfonieorchester des Bayerischen Rundfunks under Gianandrea Noseda, Pittsburgh Symphony Orchestra with Manfred Honeck, and debut with Czech Philharmonic Orchestra and Alain Altinoglu.
Beatrice Rana records exclusively for Warner Classics. In 2015, her first album featuring Prokofiev Piano Concerto No.2 and Tchaikovsky Piano Concerto No.1 with Antonio Pappano and the Accademia Nazionale Santa Cecilia di Roma, received international acclaim including the prestigious Gramophone Magazine’s Editor’s Choice and BBC Music Magazine’s Newcomer of the Year Award. The year 2017 will remain a milestone in her career with the release of Bach’s Goldberg Variations. The recording was praised by reviewers worldwide and was crowned by two major awards: Young Artist of the Year at the Gramophone Awards and Discovery of the year at the Edison Awards. In June 2018, she was chosen as Female Artist of the Year at the Classic BRIT Awards at the Royal Albert Hall for her recording of the Bach. Beatrice also recorded Bernstein Symphony No.2 ‘Age of Anxiety’ as part of Antonio Pappano’s recording of the composer’s complete symphonies, which also garnered her high critical acclaim. Her latest solo album was released in October 2019, featuring works by Stravinsky and Ravel and was awarded several top prizes including Diapason d’Or de l’Année and Choc de l’Année Classica in France. A Chopin album was released in September 2021 and also received many awards. In 2023 Beatrice presented her 5th album featuring Clara and Robert Schumann’s concertos with the Chamber Orchestra of Europe and Yannick Nézet-Séguin. Her latest album, released in 2024, is dedicated to two monuments of the 19th century repertoire, Beethoven’s Hammerklavier sonata and Chopin’s sonata No.2 ‘Funeral March’.
In 2017, Beatrice started her own chamber music festival ‘Classiche Forme’ in her native town of Lecce, Puglia. The festival has become one of Italy’s major summer events.
In June 2013, Beatrice Rana won Silver (2nd Prize) and the Audience Award at the prestigious Van Cliburn competition. She had attracted international attention at 18, winning 1st Prize and all special prizes at the Montreal International Competition in 2011. Born into a family of musicians Beatrice began her musical studies at four and achieved her Piano Degree under the guidance of Benedetto Lupo at the Nino Rota Conservatory of Music in Monopoli, where she also studied composition with Marco della Sciucca. She then studied with Arie Vardi in Hannover and again with Benedetto Lupo at the Accademia di Santa Cecilia.
HarrisonParrott represents Beatrice Rana for worldwide general management.
Beatrice Rana’s playing shows perfect control, clarity of sound and simple lyricism.
How can a pianist manage to be assertive and hushed in the same stroke? Beatrice Rana does. Imbuing the music with contradictory sounds is her art.
All the virtuosic flair that you’d expect, but never for its own sake.
Beatrice Rana possesses an old soul that belies her twenty years, and more than a touch of genius.
A compelling storyteller.
There is in her playing a free-flowing virtuosity that is allied to a richly nuanced sonority and an uncanny sense of atmosphere that make her interpretations both intriguing and memorable