Nils Wanderer
Links
Download Assets
Nils Wanderer, Germany’s countertenor sensation, boasts a voice of stunning beauty and has redefined the boundaries of what a male voice can express. Melding technical precision, purity, and virtuosity in Baroque repertoire to fearless artistry and creative vision in contemporary music, Diapason described him as “a countertenor with perfectly unified registers and a supernatural ease of phrasing”.
Since being awarded Second Prize at Operalia in 2022, Wanderer has made impressive debuts on the opera stage, including Oberon in Britten’s A Midsummer Night’s Dream in Laurent Pelly’s celebrated production at the Seiji Ozawa Matsumoto Festival, Opéra de Lille and in Peter Hall’s iconic production at Glyndebourne. He also made his Metropolitan Opera debut as Leonardo in Deborah Colker’s new production of El Último Sueño de Frida y Diego, conducted by Yannick Nézet-Séguin, for which Opera Magazine praised his “fluid, substantial tone”.
See More
Further highlights include Ottone in Monteverdi’s L’incoronazione di Poppea for Mecklenburgisches Staatstheater and his debut as Prince Go-Go in Ligeti’s Le Grand Macabre at Theater Bielefeld. Other notable role debuts include the title role in Giulio Cesare in Damiano Michieletto’s production at Théâtre du Capitole de Toulouse, Mary Sunshine in Barrie Kosky’s production of Chicago at Komische Oper Berlin, and the Death Angel (Todesengel) as part of the original cast of Peter Plate and Ulf Leo Sommer’s hit German musical Romeo & Julia.
The 2026/27 season brings Wanderer’s debut at Komische Oper Berlin as Athamas in Barrie Kosky’s production of Semele under George Petrou and a return to the role of Oberon in Nadja Lodschky’s production of A Midsummer Night’s Dream at Theater Bielefeld under Robin Davis. On the concert stage, he reunites with Orchestre symphonique de Québec for an interdisciplinary concert featuring original arrangements of music by Monteverdi, Purcell, Brahms, Sting and Bronski Beat with electro-pop artist Frithjof Rödel and dancers performing choreography created by Wanderer himself. The season also marks his appointment as Artist in Residence with Thüringen Philharmonie Gotha-Eisenach, encompassing a series of performances across the season spanning an eclectic variety of repertoire from Baroque to Broadway and beyond.
Wanderer’s concert and oratorio repertoire spans more than four centuries, from Purcell, Vivaldi, the Bach family, Handel and Pergolesi through Berlioz, Wagner and Elgar to Bernstein and Cage. He has collaborated with conductors including Christian Thielemann, Kent Nagano, Jordi Savall, Christoph Rousset, David Bates, Clemens Schuldt andPatrick Lange. His concerts have been recorded for broadcast by the BBC, Bayerischer Rundfunk, SWR, Arte, Mezzo and Medici.tv.
Recent concert highlights include a performance at Brucknerhaus Linz with pianist Daniel Heide in ‘Wanderer Between the Worlds’, a programme spanning a wide range of genres, including his collaborative single “St. Petersburg”, and his debut performance with l’Orchestre Symphonique de Québec for his genre-defying programme, ‘L’expérience Nils Wanderer’, featuring music from Bach to Leonard Cohen.
Contacts
Peppie Johnson Associate Artist Manager, VOICE Szymon Cyganski Artist Coordinator/Administrator, VOICE
Worldwide General Management
Peppie Johnson Associate Artist Manager, VOICE Szymon Cyganski Artist Coordinator/Administrator, VOICE
Szymon Cyganski Artist Coordinator/Administrator, VOICE
Worldwide General Management
“The accomplished German countertenor Nils Wanderer made his Metropolitan Opera debut as Leonardo, a dead actor revisiting the world in the persona of Greta Garbo. Wanderer’s fluid, substantial tone gratefully served his atmospheric music.”
“Nils Wanderer’s performance proved nothing short of mesmerizing. From the first delicate Baroque aria to his cabaret-infused finale, Wanderer captivated the audience with a voice that is both powerful and exquisitely nuanced, and with a stage presence that is magnetic and utterly compelling.”
“Nils Wanderer’s Oberon was a study in poise and control. His countertenor glowed with unearthly calm; vibrato was sparingly used, and tone frequently pointed inward in suspended messa di voce phrases that seemed to breathe. His timbre shifted like light through leaves — sometimes flute-like, then string-like, sometimes catching the glockenspiel or celesta’s cool glitter.”
“Nils Wanderer certainly had the stature of a king — his voice, supple and sinuous through Britten’s serpentine vocal lines.”
“Nils Wanderer is an ethereal Oberon, dreamy and sinuous with his vocal phrasing. His lovely countertenor creates a real, otherworldly presence, just as Britten intended.”
“German countertenor Nils Wanderer makes his debut at Glyndebourne in his signature role of the fairy King Oberon. An ex-Guildhall student, Wanderer’s English diction is perfect, and his voice, with its darker lower register, weaves a hypnotic spell over the proceedings.”
“Particularly noteworthy was Nils Wanderer as Oberon, who excelled in the leading role.”
“Among the soloists, Nils Wanderer’s Oberon stood out, projecting a resonant countertenor that underscored his supernatural presence.”
“The way the countertenor Nils Wanderer, as Edgar (Reimann’s Lear), mastered the extremely difficult vocalizations with seamless register changes was of outstanding quality.”
“Portraying a lunar and disturbing character full of magnetic presence, the countertenor Nils Wanderer displays a seductive line and long, flexible voice.”
“Nils Wanderer, countertenor with perfectly aligned registers and a phrasing that is almost supernaturally flexible.”
“It was like hearing Oberon’s monologues for the first time through the quality of diction, of musicality, in the way he declaims this text. It was extraordinary.”
“Countertenor Nils Wanderer lends to Oberon his beautiful voice; dark, velvet, artfully used, rich in subtle nuance. He displays a broad palette of colours throughout the evening, with irony, tenderness, resentment, authority, magnanimity, all with a remarkable pronunciation and a magnetic theatrical presence.”
“Nils Wanderer’s Oberon, a countertenor with a rich timbre and ample voice which he deploys with delicacy.”
“Never before have we listened to Oberon’s monologues so intently, hanging on the character’s every word, with Nils Wanderer delivering an unforgettable portrayal.”









