Károly Szemerédy
‘His artistry in phrasing, with a flexibility that never falters, delights throughout, as does his harmonious timbre.’
– ConcertoNet
Károly Szemerédy started his career at Madrid’s Teatro Real, making his professional debut in performances of Mussorgsky’s Boris Godunov, going on to build a wide repertory of roles including works by Verdi, Janáček, Dvořák, Puccini, Strauss and Wagner among many others. Since his debut in Bartok’s Bluebeard’s Castle in 2021, this has become a signature role for the Hungarian bass-baritone with appearances at Hungarian State Opera, in Andriy Zholdak’s provocative staging at Opéra national de Lyon conducted by Titus Engel, at the iconic Teatro Colón in Buenos Aires, at Teatro Comunale di Bologna under the baton of Juraj Valčuha and, marking his UK debut, with Royal Liverpool Philharmonic Orchestra conducted by Domingo Hindoyan.
Noted for his warm timbre, powerful projection, and commanding stage presence, Károly Szemerédy’s performances during the 2026/27 season include as Šiškov in From the House of the Dead at Janáček Festival Brno conducted by Robert Kružík. At Hungarian State Opera, where Károly is a resident artist, his appearances this season include as Jochanaan in a new production of Salome under the baton of Martin Rajna, as Scarpia in Tosca under István Dénes, as Richard Nixon in Nixon in China conducted by Gregory Vajda, as Sharpless in Madama Butterfly conducted by Cornelius Meister and as Klingsor in Parsifal under Péter Halász.
See More
Károly Szemerédy made his house debut at Opéra national de Paris as Dr Kolenatý in Krzysztof Warlikowski’s staging of The Makropulos Affair under the baton of Susanna Mälkki and gave further performances in the role at Grand Théâtre de Genève under Tomáš Netopil, and in a new production by Richard Brunel for Opéra national de Lyon, conducted by Alexander Joel. As Orest in Elektra, appearances include at Bayerische Staatsoper under Vladimir Jurowski, at Grand Théâtre de Genève conducted by Jonathan Nott, at the Concertgebouw as part of the NTR Zaterdag Matinee series under Markus Stenz and at Teatro Real conducted by Semyon Bychkov, and as Šiškov he appeared at Opéra national de Lyon under Alejo Pérez. Most recently, he debuted in the roles of Sacristan, Lunobor and Domšík in The Excursions of Mr Brouček at Bregenzer Festspiele, in a new staging by Yuval Sharon, and conducted by Robert Jindra.
Awarded the Hungarian Gold Cross of Merit in 2023 in recognition of his dedication to the promotion of Hungarian music and culture, Károly Szemerédy is a regular guest on the stage of Hungarian State Opera. His performances there include as Telramund in Lohengrin and Gunther in Götterdämmerung under Adam Fischer, as Don Pizarro in Tobias Kratzer’s staging of Fidelio, as Renato in Un ballo in maschera, Michele in Il tabarro and Scarpia in Tosca under Gergely Kesselyák, as Vodník in Rusalka under Péter Halász, as Yeletsky in Pique Dame under Balázs Kocsár, and as Don Giovanni, Conte Almaviva in Le Nozze di Figaro and Escamillo in Carmen.
Contacts
Catherine Znak Artist Relations Manager, VOICE
Worldwide General Management
Catherine Znak Artist Relations Manager, VOICE
Catherine Znak Artist Relations Manager, VOICE
Worldwide General Management
Gallery




“Similarly, her father in each scene (the Sacristan, Lunobor the lunar art critic, Domšik), baritone Karoly Szemeredy, provided a gravitas that commanded authority.”
“a wonderfully idiomatic cast, from which the imposing baritone of Károly Szemerédy stands out as the Sacristan.”
“Karoly Szemeredy (Dr Kolenatý) aptly embodies his role, poised between playfulness and seriousness, delivers a flawless portrait of the jaded, deadpan lawyer.“
“The baritone Károly Szemerédy is also a very well-portrayed Kolenatý, voluble, hurried, sure of his business, he gives a beautiful vocal lighting to the stage.”
“As Rusalka’s father, the water goblin Vodník, baritone Károly Szemerédy projected rich tone even into the role’s higher reaches and was a sympathetic support to his cursed daughter throughout.”
“His fine bass-baritone gave his Vodník the gravitas needed for his warnings to his daughter to reconsider her decision or bring doom upon herself and the man she loves.”
“The other low voice in the cast, Károly Szemerédy, as Doctor Kolenatý (the lawyer trying to uncover the truth), also demonstrates a generous projection with a dark and flattering timbre.”
“Károly Szemerédy as Thoas, King of Scythia, gave dramatic life to his character.”
“To tackle this provocative adaptation, a performer of the calibre of Károly Szemerédy (Bluebeard) was required – someone capable of transforming himself in the formidable second act. His artistry in phrasing, with a flexibility that never falters, delights throughout, as does his harmonious timbre.”
“Both soloists sang smoothly and expressively throughout, and they seemed utterly committed to their roles, communicating the intensity of the drama with glorious singing.”
“Károly Szemerédy’s Klingsor was a sorcerer straight out of the story books, complete with evil cackle”
“Károly Szemerédy ‘s dark timbre imbues Orestes with an almost frightening virility”
“while the figure of Orestes is brought to life by a dark and utterly convincing Károly Szemerédy, a powerful voice and an embodiment imbued with mystery.”
“The same is true of Károly Szemerédy [Bluebeard], whose superb timbre is impressively cruel in the first part and despairing in the second”
“Jochanaan’s part sounded beautifully in Károly Szemerédy’s reading.”
