Lilli Paasikivi

Mezzo-soprano

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“Lilli Paasikivi practically stole the show. She was well-nigh perfect.”
(The New York Sun)

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Lilli Paasikivi is one of the world’s leading interpreters of the Mahler song-cycles and symphonies. She has performed Das Lied von der Erde and Des Knaben Wunderhorn with Los Angeles Philharmonic (Esa-Pekka Salonen), Symphony No.2 with Royal Stockholm Philharmonic Orchestra (Sakari Oramo), Symphony No.3 with London Symphony Orchestra (Paavo Järvi), Symphony No.8 with Berliner Philharmoniker (Sir Simon Rattle), Kindertotenlieder with New World Symphony (Michael Tilson Thomas), and Das Lied von der Erde with the London Philharmonic Orchestra (Sir Mark Elder).

Paasikivi made her debut with the New York Philharmonic in the world premiere of Rodion Shchedrin’s The Enchanted Wanderer under Lorin Maazel and returned for Mahler’s Symphony No.2 and Verdi’s Messa da Requiem both conducted by Alan Gilbert. This season she sings Fricka in Der Ring des Nibelungen at Finnish National under the baton of Esa-Pekka Salonen.

Mahler: Symphony No. 2 (excerpt) © Unitel Classica

Performed by the Queensland Symphony Orchestra, recorded on 24 Nov 2018 under the baton of Music Director Alondra de la Parra © Recording kindly provided by ABC Classic FM

Alma Mahler: Die stille Stadt (excerpt) © Ondine

Silbelius: Kullervo (excerpt) © BIS

“Lilli Paasikivi is one of the leading interpreters of the Mahler song-cycles and symphonies, and it was a delight to witness her performance with QSO – she directed her gaze across the entire hall, enunciating clearly and engaging the audience with her movements and gestures.”

(Backstreet Brisbane, November 2018)

“Lilli Paasikivi, singing with burnished warmth as [Kullervo’s] Sister.”

(John Allison, Opera Magazine, July 2017)

“… the mezzo soloist in the central scena for Kullervo and his sister/lover is the thrilling Lilli Paasikivi”

(The Guardian, Feb 2017)

“In the final, monumental song, Der Abschied (the farewell), her performance rose gradually in intensity, weaving in and out of the complex yet transparent orchestration, until the extraordinary peroration, Allüberall und ewig blauen licht die Fernen!; that passage which famously Kathleen Ferrier couldn’t sing without breaking down in tears. Well, Paasikivi didn’t break down, but there wasn’t a dry eye in the audience at the end of the concert. It was unspeakably moving, one of the finest performances of this wonderful piece that I have ever heard.”

(Australian Stage, July 2016)

“Lilli Paasikivi as the Finnish Farmer’s wife threatened, with crunching consonants — “Rämäksi reen rekutan!” – to chop up Kullervo’s sleigh; but then flexed the giant wind sail that is her warm mezzo-soprano voice in the farewell song.”

(Jan Brachmann, Berliner Zeitung, March 2014)

“Lilli Paasikivi was the breathtaking mezzo, beautiful in tone and infinitely noble of utterance.”

(Tim Ashley, The Guardian, January 2013)

“On retrouve le mezzo Lilli Paasikivi, dont la ligne vocale somptueusement menée bénéficie d’une riche expressivité.”

(Anaclase.com, February 2010)