Most recent experience on the opera stage for Alyona Abramova includes her role debut as Maddalena in Rigoletto for Opera North, Mercédѐs at Staatsoper Berlin conducted by Daniel Barenboim, Christof Loy’s new production of Rusalka for Teatro Real, led by Ivor Bolton, and back in Munich she gave performances of Rachmaninov’s Anna Karenina with the ballet of Bayerische Staatsoper and reprised Third Nymph in a revival of Martin Kušej’s production of Rusalka, conducted by James Gaffigan.

On the concert platform, Abramova recently added to her repertoire with first performances of Verdi’s Requiem at the Sage Gateshead with Royal Northern Sinfonia under Dinis Sousa, she’s performed Mozart’s Requiem with both Opéra et Orchestre National de Montpellier and Kyoto Symphony Orchestra and enjoyed performances of both Mahler’s Symphony No.3 and Beethoven’s Symphony No.9. With Deutsches Symphonie-Orchester Berlin, under Music Director Robin Ticciati, Alyona debuted in concert performances of Rusalka.

Trained at Moscow’s Maimonides State Classical Academy with Nina Fomina, and at the Galina Vishnevskaya Opera Centre under the guidance of Elena Zaremba, Abramova has built a diverse repertoire with performances such as Dunyasha in The Tsar​’s Bride as part of the Third International Mstislav Rostropovich Festival in Orenburg, Lyubasha in The Tsar​’s Bride, the Innkeeper in Boris Godunov, Hänsel in Hänsel und Gretel, the Page in Salome and Suzuki in Madama Butterfly.