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OVERVIEW

Rambert Dance Company is Britain’s flagship contemporary dance company. Under the artistic direction of Mark Baldwin it tours throughout the UK and overseas, producing an unrivalled quantity of new work on the large-scale. Established in 1926 by Polish dance teacher Marie Rambert, Rambert continues to build on its rich heritage to deliver performances full of ideas and passion. Exciting and innovative programming is born through bold collaborations with composers, designers and visual artists. The Company believes in the power of live music to enrich the senses, and works with Rambert Orchestra to present a variety of musical styles. Rambert’s 22 dancers are considered to be some of the finest and most versatile in the world, meeting the challenge of performing a range of styles with precision and flair. Committed to creating dance for future generations, the Company seeks out and nurtures new and exciting choreographers.

The Company provides a vibrant and accessible dance experience and is committed to engaging people of all ages through learning and participation. Commissioning four new dance productions every year, Rambert’s repertoire is rich and markedly eclectic. Recent work includes the prestigious Oliver Award winning The Art of Touch, which was performed to Scarlatti’s sonatas with dazzlingly fast and intricate footwork set to Baroque music. Declared by Merce Cunningham himself to be one of the world’s finest performers of his work, Rambert produced Rainforest where the dancers move majestically and ethereally in a set designed by Andy Warhol. By contrast A Linha Curva featured all Rambert’s 22 dancers exploding on to the stage as they performed a fusion of samba and contemporary dance to joyful Brazilian percussion music.

 

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The short biography displayed on this page is for information only. For concert programmes and promotional materials please use the downloadable versions.

REVIEWS

"When a role has been made famous by Vaslav Nijinsky, you don’t let just anyone get their hands on it. Astutely, current Rambert Artistic Director, Mark Baldwin, chose Dane Hurst for the job, a dancer who compels the eye almost as much as Nijinsky must have done. Watching Hurst move like a human statue….there was a definite sense of living history." (L’Après-midi d’un faune - The Scotsman, February 2012)

"an evening of dance as diverse and technically proficient as the company itself" (The Scotsman, February 2012)

"Now in its 85th year, Rambert’s place at the top of the UK’s contemporary dance ladder remains secure. This is thanks in no small part to the sheer excellence of its dancers. Is there nothing they can’t do?" (The Times, November 2011)

"Rambert has always, throughout its 85-year history, been a daring company…in the Baldwin era, it has become a pre-eminent artistic force, nurturing the growing popularity of dance" (Daily Telegraph, September 2011)

"Rambert, which celebrates its 85th birthday this year, is in very good shape for its birthday… the dancing is splendid...Rambert’s dancers are terrific; intelligent and stylish across a range of repertory." (The Independent, June 2011)

“Cardoon Club is the perfect title for a work that is surreal, spiky and lush… while the piece revels in its own high-jinks pastiche, its shimmies and high kicks
are all pinned to an austere, structural logic, with the moves sometimes stripped back to pure form and pattern. It's like minimalism dressed up to party. Sly, rigorous and fun.” (The Guardian, November 2010)

“A company replete with sharp, cool and inventive talent… Awakenings is both disturbing and moving to watch, and shows to perfection how dance can sometimes do things that other art forms simply cannot.” (The Daily Telegraph, September 2010)