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Visit HP40, HarrisonParrott's 40th Anniversary Micro Site

Harrison/Parrott Ltd

5-6 Albion Court

Albion Place

London W6 0QT

United Kingdom

T: +44 (0) 20 7229 9166

info@harrisonparrott.co.uk

 

Harrison/Parrott GmbH

Lucile-Grahn-Str. 37

D-81675 Munich

Germany

T: +49 (0) 89 45726 154

info@harrisonparrott.de

 

Harrison/Parrott Ltd (China Office)

Unit 1218, 12/F, No. 288 Chong Hing Finance Center,

Nan Jing Road (W)

200003, Shanghai

China

Tel. +86 21 61337907

info@harrisonparrott.cn

 

Harrison/Parrott Ltd act as agents only and accept no responsibility as principals. Member of the International Artist Managers' Association.

 

UK Company registration no. 2861707. GmBH HRB 156472

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Conductor

Jonathan Nott

Principal Conductor: Bamberger Symphoniker

"I find beauty and joy in new music and I think I can convince the audience of it. I love to relax in a comfortable velvet sofa, but contemporary art does great things for the brain, even if it isn't comfortable to sit in… "

Jonathan Nott took up the post of Principal Conductor of the Bamberger Symphoniker in January 2000. Since his appointment, he has taken the orchestra on tour regularly – to South America, Russia, the Edinburgh and Salzburg Festivals, New York, and most recently the orchestra’s 100th concert in Japan and an appearance at the BBC Proms.

British born, he studied in Cambridge, Manchester and London. Since the mid-nineties he has guest conducted many renowned orchestras including the Berlin Philharmonic, with whom he recorded the complete orchestral works of Gyorgy Ligeti.

Highlights during the current season include return visits to the LA and New York Philharmonic as well as the NHK, and invitations to the Philharmonia and Netherlands Radio. This season also sees a completion of Bamberg’s highly-acclaimed series of recordings of the complete Schubert symphonies and new releases of works by Janacek, Mahler and Stravinsky.

"For some people, contemporary work is put in as a sort of apology. But if I've programmed a John Adams piece before Beethoven's Seventh, it's because people will listen to the Beethoven differently afterwards"

Click for larger photo

Jonathan Nott