Home > Artists > Zach Borichevsky


Current season highlights for Zach Borichevsky include his European operatic debut as Rodolfo in La bohème with the Finnish National Opera under Michael Güttler, a role he later reprises with Arizona Opera under Joel Revzen, his role debut as Tamino in Die Zauberflöte with Boston Lyric Opera under David Angus and Alfredo in La traviata with Michigan Opera. Further ahead Zach makes his UK debut as Alfredo for Glyndebourne Opera.

Last season Zach made his role debut as Roméo in Gounod’s Roméo et Juliette with Arizona Opera - a role he reprised at the Teatro Municipal de Santiago under Yves Abel - and his role debut as Jonathan Dale in the East Coast premiere of Kevin Puts’ opera Silent Night for Opera Philadelphia. In concert he joined the Netherlands Radio Philharmonic Orchestra as Lazarus in the Dutch premiere of John Adams' The Gospel According to the Other Mary conducted by Markuz Stenz at Amsterdam’s Concertgebouw, made his debut at the Aspen Music Festival with Britten’s Nocturne under Nicholas McGegan and sang his first performances of the War Requiem with the National Taiwan Symphony Orchestra under Lan Shui.

The short biography displayed on this page is for information only. For concert programmes and promotional materials please use the downloadable versions.


"Zach Borichevsky - tall, lean, good-looking - was a Rodolfo of one’s dreams, equipped with a flexible, bright voice that has already made him one of the most sought-after singers of his generation. His pianissimos should teach many a 'can belto' tenor a lesson." (Göran Forsling, Seen and Heard International, April 2014)

"Borichevsky was the star of the premiere - a grander and more romantic-looking Rodolfo would be hard to find. The tall young man has a clear natural tenor voice, which rises high with unforced buoyancy. His beautiful lyric sound is a sleek metallic splendour. He will soon rise to the top of the international opera world ." (Helsingin Sanomat, March 2014)

“Zach Borichevsky sings stirringly as Jonathan Dale, a young soldier who cannot stomach this strange truce." (Tim Smith, The Baltimore Sun, February 2013, on Silent Night at Opera Philadelphia)

“Zach Borichevsky and Corinne Winters sang Roméo and Juliette most convincingly. Tall and slim with an exciting sound to his tenor voice, Borichevsky was perfect for his part… Both these singers can act, too, and that added measurably to this performance. Borichevsky sang a small part in Richard Strauss’ Arabella last summer in Santa Fe but even that few minutes onstage were enough to alert the audience to his significant talent.” (Opera Today, 2012)

“Tenor Zach Borichevsky, as the confused Matteo, showed an impressive tenor that is perfectly suited to the German repertoire.” (TheaterJones,  2012)

“Zach Borichevsky was equally robust vocally and cut a tall, dashing figure as the tortured Matteo.” (The Classical Review, 2012)