Susanne Resmark
Mezzo-soprano

Combining crystal-clear diction with beauty of sound, Susanne Resmark is one of the world’s leading dramatic mezzo-sopranos.

Contacts

Shirley Thomson +44 (0)20 3725 9173
Catherine Znak +44 (0)20 3725 9105

Biography

Susanne Resmark’s 2017/18 features her appearance as Getrude in Stephen Lawless’ staging of Romeo et Juliette at the Gran Teatre del Liceu, conducted by Josep Pons. 

Her impressive vocal range and strong stage presence are just two qualities which have helped her build a career performing on the world’s major stages with roles including Ragonde (Le comte Ory), Mère Marie (Les dialogues des Carmélites) and Mistress Quickly (Falstaff).

Susanne Resmark’s 2017/18 features her appearance as Getrude in Stephen Lawless’ staging of Romeo et Juliette at the Gran Teatre del Liceu, conducted by Josep Pons. 

Her impressive vocal range and strong stage presence are just two qualities which have helped her build a career performing on the world’s major stages with roles including Ragonde (Le comte Ory), Mère Marie (Les dialogues des Carmélites) and Mistress Quickly (Falstaff).

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Contacts

Shirley Thomson +44 (0)20 3725 9173
Catherine Znak +44 (0)20 3725 9105

Reviews

“Susanne Resmark sang a rich, full-voiced Herodias; she remains one of the house’s treasures.” (Opera Magazine, August 2016)

“Susanne Resmark’s Witch of Endor was impressively sung, with Resmark’s impressive lower register being especially prominent.” (Backtrack.com, April 2015)

“Mistress Quickly (Susanne Resmark) had the biggest personality among the women, gleefully playing the go-between and setting the trap for Falstaff (while flirting a little, just for fun). Her lovely dark vocal tone made her stand out.” (Bachtrack, February 2015)

“Susanne Resmark sang a rich, full-voiced Herodias; she remains one of the house’s treasures.” (Opera Magazine, August 2016)

“Susanne Resmark’s Witch of Endor was impressively sung, with Resmark’s impressive lower register being especially prominent.” (Backtrack.com, April 2015)

“Mistress Quickly (Susanne Resmark) had the biggest personality among the women, gleefully playing the go-between and setting the trap for Falstaff (while flirting a little, just for fun). Her lovely dark vocal tone made her stand out.” (Bachtrack, February 2015)

“There are formidable Glyndebourne debuts here too, [including] a basso profundo of a Land Army Mistress Quickly in the stentorian yet agile and nuanced singing of Susanne Resmark.” (Hilary Finch, The Times, May 2013)

"For the first time, Resmark has taken on a dramatic soprano role. She sang the part quite naturally, with a strong high register without shrillness or wobble, a voice capable of rising above the full choir and orchestra in the Easter refrain." (Cavalleria Rusticana, Det Kongelige Theater - ConcertoNet, December 2011)

"The whole cast was strong, including Susanne Resmark, a warm, dark-hued Swedish mezzo-soprano, in her Met debut as Ragonde." (Anthony Tommasini, The New York Times, March 2011)

"Voices of Wagnerian proportions are required in the later scenes – and Susanne Resmark does not fail to hurl her voice over the orchestra pit as if the notes were fiery comets falling on the Earth." (Classical.net)

Discography

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