Radoslaw Szulc
Conductor

“Here an enthusiastic audience witnessed the emergence of a natural Bruckner conductor in the shape of Radoslaw Szulc ... the results he conjures are magical. This Bruckner was very special.” (Birmingham Post)

Contacts

Lydia Connolly +44 (0)20 3725 9118

Biography

Artistic Director: Kammerorchester des Bayerischen Rundfunks
Artistic Director: Camerata Europeana

 

Artistic Director of the Kammerorchester des Bayerischen Rundfunks and of his own Camerata Europeana in Stuttgart, Radoslaw Szulc has long been renowned as one of Europe's leading concertmasters and is now making his mark as a conductor of exceptional quality. Recent and upcoming engagements include concerts with Deutsche Staatsphiharmonie Rheinland-Pfalz, Münchner Rundfunk Orchester, Stuttgarter Philharmoniker, Südwestdeutsches Kammerorchester Pforzheim, Georgisches Kammerorchester Ingolstadt, Staatskapelle Halle, Symfonieorkest Vlaanderen, Bamberger Symphoniker, Orchestre de Chambre de Lausanne, MDR Sinfonieorchester Leipzig, Orchestre Philharmonique de Liège, Adelaide Symphony, Wroclaw Philharmonic, Auckland Philharmonia and Tasmanian Symphony orchestras.

Artistic Director: Kammerorchester des Bayerischen Rundfunks
Artistic Director: Camerata Europeana

 

Artistic Director of the Kammerorchester des Bayerischen Rundfunks and of his own Camerata Europeana in Stuttgart, Radoslaw Szulc has long been renowned as one of Europe's leading concertmasters and is now making his mark as a conductor of exceptional quality. Recent and upcoming engagements include concerts with Deutsche Staatsphiharmonie Rheinland-Pfalz, Münchner Rundfunk Orchester, Stuttgarter Philharmoniker, Südwestdeutsches Kammerorchester Pforzheim, Georgisches Kammerorchester Ingolstadt, Staatskapelle Halle, Symfonieorkest Vlaanderen, Bamberger Symphoniker, Orchestre de Chambre de Lausanne, MDR Sinfonieorchester Leipzig, Orchestre Philharmonique de Liège, Adelaide Symphony, Wroclaw Philharmonic, Auckland Philharmonia and Tasmanian Symphony orchestras.

Szulc has toured with the Kammerorchester des Bayerischen Rundfunks in Italy, Switzerland, Spain and France with soloists such as Lang Lang, Mischa Maisky, Julian Rachlin and Sabine Meyer. He made an acclaimed debut in the ‘Goldener Saal’ of the Musikverein, Vienna and was reinvited to conduct the City of Birmingham Symphony Orchestra.

In 2011, Szulc recorded Mozart’s Piano Concertos for Deutsche Grammophon, directing the Kammerorchester des Bayerischen Rundfunks with soloist Hélène Grimaud. The disc reached the No.1 position in the U.S. iTunes classical chart.

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Contacts

Lydia Connolly +44 (0)20 3725 9118

Reviews

“Radoslaw Szulc - so eloquent in the Schumann...” (Tim Ashley, The Guardian, March 2014)

“Szulc, who is also a first-class violinist, has one of the best baton techniques amongst today’s young conductors.” (Stuttgarter Zeitung, January 2012)

“Mussorgsky, Poulenc and Rachmaninov turned out to be a delightful combination for the Adelaide Symphony Orchestra and energetic guest conductor, Radoslaw Szulc, who is making his mark in the conducting world...The rich dissonances of the opening phrases on the organ were nicely answered by lush strings, and this conversation continued through a range of emotions and volumes, never losing the tension and under-lying excitement, all masterfully managed by maestro Szulc.” (The Australian Stage, June 2010) 

“Szulc and his musicians held nothing back in this final movement. But we had been well primed for it all from the start; in that great sprawling first movement, the conductor took pains to lay out Tchaikovsky's inner demons and torments through the shifting musical structure.” (NZ Herald, June 2009)

“Radoslaw Szulc - so eloquent in the Schumann...” (Tim Ashley, The Guardian, March 2014)

“Szulc, who is also a first-class violinist, has one of the best baton techniques amongst today’s young conductors.” (Stuttgarter Zeitung, January 2012)

“Mussorgsky, Poulenc and Rachmaninov turned out to be a delightful combination for the Adelaide Symphony Orchestra and energetic guest conductor, Radoslaw Szulc, who is making his mark in the conducting world...The rich dissonances of the opening phrases on the organ were nicely answered by lush strings, and this conversation continued through a range of emotions and volumes, never losing the tension and under-lying excitement, all masterfully managed by maestro Szulc.” (The Australian Stage, June 2010)

“Szulc and his musicians held nothing back in this final movement. But we had been well primed for it all from the start; in that great sprawling first movement, the conductor took pains to lay out Tchaikovsky's inner demons and torments through the shifting musical structure.” (NZ Herald, June 2009)