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BIOGRAPHY

Patricia Bardon’s current season includes Erda in Robert Lepage’s new production of Siegfried at the Metropolitan Opera (under James Levine); Tippett’s A Child of our Time with the Orchestre Philharmonique de Strasbourg (under Carlo Rizzi); a return to the Liceu for Martin y Soler’s Il burbero di buon cuore (under Jordi Savall) and her debut at the Sante Fe Festival as Calbo in Rossini’s Maometto II.

Dublin-born Patricia Bardon studied with Dr Veronica Dunne at the city’s College of Music and came to early prominence as the youngest ever prize-winner in the Cardiff Singer of the World Competition. She is established internationally in opera and concert, having worked with many of today’s pre-eminent conductors including Claudio Abbado, William Christie, Christoph Eschenbach, Bernard Haitink, René Jacobs, James Levine, Zubin Mehta, Antonio Pappano and Carlo Rizzi. 

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REVIEWS

"Mezzo-soprano Patricia Bardon delivered her mournful odes with fierce intelligence." (Roméo et Juliette - OAE - The Times - February 2012)

"The Wanderer’s subsequent exchange with Erda, the voluptuous-voiced Patricia Bardon, in a costume of black mirrors and a long white wig, had a potent, intimate chemistry." (Siegfried - Metropolitan Opera - The Wall Street Journal - November 2011)

"Patricia Bardon has the best physical shape for the damanding and challenging title role, she is the almost lost dream of a true contralto and boasts a powerful level. Simply amazing!" (Rinaldo - Oper Köln - Opernetz.de - April 2011)

"Patricia Bardon once again commands the stage with her impersonation of Baba the Turk..." (Evening Standard, January 2010)

"...in Patricia Bardon's towering performance as Maurya, the sung and the almost spoken are indivisible. One really feels this woman's heroic resistance, the sheer effort of staying strong and upright- so that when she does finally take her last son's lifeless naked body in her arms, the moment is overwhelming...a lamentation of extraordinary beauty which Bardon sings as if finally released from her grief and somehow reborn." (The Independent, December 2008)

"Patricia Bardon’s lush-toned Malcolm Graeme — the heroine’s true love — is the next best thing I’ve heard in this opera to the immortal Marilyn Horne..." (The Times)