Leila Josefowicz
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“In short, a fantastic talent”
(Gramophone)
Leila Josefowicz’s passionate advocacy of contemporary music for the violin is reflected in her diverse programmes and enthusiasm for performing new works. A favourite of living composers, Josefowicz has premiered many concertos, including those by John Adams, Luca Francesconi, Colin Matthews, Matthias Pintscher, Juri Reinvere, and Esa-Pekka Salonen, all written especially for her.
Josefowicz’s 2026/27 season includes National Symphony Orchestra in Washington D.C, Royal Stockholm Philharmonic Orchestra, Taipei Symphony Orchestra, Opéra de Paris, Montreal Symphony Orchestra, Cincinnati Symphony Orchestra, and WDR Sinfonieorchester Köln, and the world premiere of Charlotte Bray’s Violin Concerto with the BBC Symphony Orchestra and Sakari Oramo. She will tour Spain with Philharmonia Orchestra and Esa-Pekka Salonen, and the Netherlands with Munich Chamber Orchestra. Josefowicz will be the Hallé’s Featured Artist in the 2026/27 season, performing the violin concertos by Thomas Adès and Ligeti, featuring her own highly acclaimed cadenza in the Ligeti concerto.

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Highlights of Leila Josefowicz’s past seasons include appearances with Berliner Philharmoniker, Royal Concertgebouw Orchestra, New York, Los Angeles, London, and Munich philharmonics; Cleveland, Minnesota and Philadelphia orchestras; Chicago, London, San Francisco, Houston, Pittsburgh, City of Birmingham and KBS symphony orchestras; Tonhalle-Orchester Zürich, NDR Elbphilharmonie Orchestra, and Rundfunk-Sinfonieorchester Berlin. Across these engagements, she has worked with conductors including Paavo Järvi, Hannu Lintu, Cristian Măcelaru, Franz Welser-Möst, Tarmo Peltokoski, Thomas Søndergård, Dalia Stasevska and John Storgårds.
A champion of modern and contemporary music, Josefowicz enjoyed a close working relationship with the late Oliver Knussen, performing various concerti, including his violin concerto, together over 30 times. Other premieres have included John Adams’ Scheherazade.2 with New York Philharmonic, Luca Francesconi’s Duende – The Dark Notes with Swedish Radio Symphony Orchestra, Matthias Pintscher’s Assonanza with Cincinnati Symphony Orchestra, and Esa-Pekka Salonen’s Violin Concerto with Los Angeles Philharmonic Orchestra.
Together with John Novacek, with whom she has enjoyed a close collaboration since 1985, Josefowicz has performed recitals at world-renowned venues such as New York’s Zankel Hall and Park Avenue Armory, Washington DC’s Kennedy Center and Library of Congress, as well as in Reykjavik, Trento, Bilbao and Chicago. During the summer of 2026, they embarked on a highly successful duo tour to seven cities across Australia, giving recitals featuring works by Debussy, Szymanowski, Bray and Stravinsky.
Josefowicz has released several recordings, notably for Deutsche Grammophon, Philips/Universal and Warner Classics and was featured on Touch Press’s acclaimed iPad app, The Orchestra. Her latest recordings, released in 2026, feature Thomas Adès’s Violin Concerto with the Minnesota Orchestra conducted by Thomas Søndergård, and Francesconi’s Duende – The Dark Notes with the Filarmonica della Scala and Brad Lubman. She has previously received nominations for Grammy Awards for her recordings of Adam’s Scheherazade.2 with St Louis Symphony conducted by David Robertson, and Esa-Pekka Salonen’s Violin Concerto with Finnish Radio Symphony Orchestra conducted by the composer.
In recognition of her outstanding achievement and excellence in music, she won the 2018 Avery Fisher Prize and was awarded a prestigious MacArthur Fellowship in 2008, joining prominent scientists, writers and musicians who have made unique contributions to contemporary life.
Contacts
Jane Brown Senior Director, Co-Head of Artist Management
worldwide general management
Jane Brown Senior Director, Co-Head of Artist Management
worldwide general management
“Josefowicz, in her decathlon of a performance, brought Ligeti’s savage discontinuities to the surface…… Most stupendous of all was her cadenza in the fifth movement — a tour de force of disciplined chaos that she composed herself, responding to an invitation that Ligeti extends to the soloist.”
‘…it was relentlessly compelling performance. At the end, Josefowicz grinned broadly as Adams bowed deeply to her alone’
“Leila Josefowicz delivered a dazzling rendition of the rugged, astoundingly difficult solo part.”
“Francesconi makes superhuman demands on the violin… Josefowicz, stunningly, made it all look so doable, even when the music suggests anything but. There hasn’t been a better contemporary music outing at the Philharmonic so far this season.”
“Josefowicz shifted seamlessly from the artful, contemplative mode of the Chaconne to the precision-geared fury of 16th notes for the final Toccare movement, the most categorically minimalist section of the work.”
“One could only marvel at Josefowicz’s technical prowess and expressive depth.”
“Josefowicz whipped up into a storm, the violin line — with its determined, tenacious double stops and aggressive glissando skips — acting as lone voice in a cluttered, cosmopolitan landscape.”
“Josefowicz became Adams’ “dream,” easily navigating the concerto’s difficulties, flowing through and floating above the orchestra.”
“Josefowicz brought ferociously raw expression to the opening “Recitative” and a poignant lyricism to a too-moving-for-words central “Aria.” Then she turned the “Gigue” into a gripping dance of life and death.”
“Josefowicz’s fierce commitment to a solo part that never parades virtuosity for its own sake, but also because its challenges always serve a searching and rewardingly complex musical argument.”
“Josefowicz, who played with stunning brilliance, (…) her high-voltage presence being as striking as dance.”
“Josefowicz is magnificent throughout, whether negotiating ferocious technical challenges or playing with gentle lyrical wonder”
“Leila Josefowicz is just the right kind of violinist: tough, uncompromising, always ready to do battle with the band and to soar, exhilaratingly, above it.”
“This must be one of the 20th century’s most challenging violin and piano works [Zimmermann’s 1950 Sonata], and these two dispatched it with terrific verve.”
“Ms. Josefowicz seized on every phrase of the violin part to bring out its character and musical content. She made the most of each moment, playing with brightness, mystery, eagerness”
“From breathless pyrotechnic explosions to the episodes of expressive (but still steely) lyricism, [Leila Josefowicz] brought every corner of the work to light like a majestic tragedian.”
“Josefowicz’s musicianship is one of a kind — completely in tune with the shifting emotional landscape of Adams’ harmonic musical language, which is complex, but not in the over-intellectualized, 20th-century avant-garde way. Its complexity reflects first and foremost the emotional complexity of the musical content. Josefowicz brought all these layers to life.”
“Duende: The Dark Notes revealed itself to be a richly imagined score in this performance by the violinist Leila Josefowicz under the baton of Susanna Mälkki. Playing with wonderful virtuosity, Josefowicz commanded a part that scarcely rests and forms an almost constant aspect of the soundscape.”
“What would a Scheherazade for our own time be like? This work offers John Adams’ answer in the portrait of a beautiful, empowered and fearless woman confronting oppression. He described the brilliant Leila Josefowicz, for whom he wrote this work in a commission from the New York Philharmonic, as the embodiment of his heroine as a fearless and empowered artist. Long an Adams champion, Ms Josefowicz gave a dazzling and inspired performance.”
“Josefowicz, for whom Esa-Pekka Salonen’s Violin Concerto was written, plays with confidence and fizzing energy”
“Leila Josefowicz delivered a dazzling rendition of the rugged, astoundingly difficult solo part.”































