Lawrence Renes
Conductor

“In Shostakovich’s massive Eighth Symphony Renes galvanised the BBC Symphony Orchestra into playing with palpable passion, flamboyance and driving energy. Let’s see more of him!" (The Times)

Contacts

Linda Marks +44 (0)20 7229 9166
Iarlaith Carter +44 (0)20 3725 9162
Tom Philpott +44 (0)20 3725 9139

Biography

Chief Conductor and Music Director: Royal Swedish Opera

Having conducted many of the world’s greatest orchestras and opera companies in recent seasons, Dutch conductor Lawrence Renes took up the post of Music Director and Chief Conductor of the Royal Swedish Opera in August 2012. Guest engagements have included San Francisco Opera, De Nederlandse Opera, Theatre Royal de la Monnaie, Teatro Nacional São Carlos, English National Opera and Den Norske Opera, in works as diverse as Das RheingoldElektra, The Rake’s ProgressCarmenDoctor Atomic and the world premiere of Nuño Corte Real’s Banksters. He has also conducted Eugene

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Chief Conductor and Music Director: Royal Swedish Opera

Having conducted many of the world’s greatest orchestras and opera companies in recent seasons, Dutch conductor Lawrence Renes took up the post of Music Director and Chief Conductor of the Royal Swedish Opera in August 2012. Guest engagements have included San Francisco Opera, De Nederlandse Opera, Theatre Royal de la Monnaie, Teatro Nacional São Carlos, English National Opera and Den Norske Opera, in works as diverse as Das RheingoldElektra, The Rake’s ProgressCarmenDoctor Atomic and the world premiere of Nuño Corte Real’s Banksters. He has also conducted Eugene Onegin at the Hamburgische Staatsoper and The Cunning Little Vixen at De Nederlandse Opera, and made his debut at San Francisco Opera in the 2011/12 season conducting Nixon in China.

Recent and upcoming orchestral engagements include the London Philharmonic Orchestra, Sinfonieorchester des Bayerischen Rundfunks and Staatskapelle Dresden; Royal Stockholm, Oslo and Bergen Philharmonic orchestras; Orquestra Sinfônica do Estado de São Paulo, Swedish Chamber Orchestra, Residentie Orkest, BBC Scottish and BBC Symphony orchestras; and Mahler Chamber Orchestra, Orchestre Philharmonique de Radio France and the Hong Kong Philharmonic.

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Contacts

Linda Marks +44 (0)20 7229 9166
Iarlaith Carter +44 (0)20 3725 9162
Tom Philpott +44 (0)20 3725 9139

Reviews

"In the Shostakovich symphony, where feverish tension plays so major a role, [Renes' beat] fired a brutish, trenchant response." (Ken Walton, The Scotsman, May 2014)

“Lawrence Renes draws a lustre and responsiveness as to confirm his rapport with musicians whose Chief Conductor he has been since 2012. One hopes he will be heard on disc with this orchestra again before long.” (Richard Whitehouse, International Record Review, February 2014)

“Under Lawrence Renes’ baton, the orchestra played as if possessed. Heroic, enduring strings and woodwinds made a convincing case for the music. Renes, in his local debut, conveyed power and authority” (San Francisco Examiner, June 2012)

"This

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"In the Shostakovich symphony, where feverish tension plays so major a role, [Renes' beat] fired a brutish, trenchant response." (Ken Walton, The Scotsman, May 2014)

“Lawrence Renes draws a lustre and responsiveness as to confirm his rapport with musicians whose Chief Conductor he has been since 2012. One hopes he will be heard on disc with this orchestra again before long.” (Richard Whitehouse, International Record Review, February 2014)

“Under Lawrence Renes’ baton, the orchestra played as if possessed. Heroic, enduring strings and woodwinds made a convincing case for the music. Renes, in his local debut, conveyed power and authority” (San Francisco Examiner, June 2012)

"This second programme in the Philharmonic's new season saw conductor Lawrence Renes again in place of Edo de Waart - and standing tall following his direction of Rachmaninov's Second Symphony."

"There were several reasons for logging this performance in the memory bank, mainly the impression it gave of hearing the work for the first time. Coming in, unusually, at well under an hour, Renes wasn't for hanging about with indulgent speeds or living for each goose pimple, his solid overview of each of the four substantial movements requiring a melodic flow that was urgent but never manic." (South China Morning Post, September 2011)

"The Mahler…came off brilliantly. Sitting down to conduct, Renes was a chamber musician among colleagues, and the collective vigour and stylishness of the performance was like a superior account of, say, the Schubert Octet, but much more moving…The symphony, with its extraordinary ending, seemed freshly miraculous." (The Sunday Times, June 2011)

“It was an intelligently crafted and thought-provoking piece — given a fine performance here under the young Dutch conductor Lawrence Renes. And let’s see more of him! In Shostakovich’s massive Eighth Symphony he galvanised the BBC Symphony Orchestra into playing with palpable passion, flamboyance and driving energy." (The Times, April 2010)

“Playing the composer's 1890 revision of [Bruckner’s Eighth] symphony, Renes gave a performance of the monumental piece that brought energy and excitement not only to big, full orchestra moments, but small, delicate passages as well… This is a piece of stark contrasts, in which the soaring sound of the full orchestra often drops quickly to just a few instruments. Renes and the orchestra made those contrasts work with intense, interesting music-making in the piece's smallest moments, as well as in the grandest. Crescendos, often stretched over repeated phrases, and artful pauses, just the right length to let the previous chord decay in the hall while maintaining energy, were both part of this fascinating interpretation.” (Journal Sentinel, November 2009)

“No praise can be too high for the chorus work, still more that of the orchestra which, under Lawrence Renes, is forever powering towards, in Oppenheimer’s words “a brilliant luminescence”, trumpet-topped and grimly magnificent.” (The Independent, February 2009)

“Chris Alexander and Lawrence Renes, then, had much going in their favour. But they must still be warmly congratulated for welding their constituent elements into one of the most comprehensively moving and beautiful opera productions that I can remember experiencing.” (Seattle Times, October 2008)

Discography

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