Kent Nagano
“The whole evening is electrified, the music pulses ceaselessly, the rhythm is sharpened, everything flows …”
(Neue Zürcher Zeitung)
Honorary Conductor: Philharmonisches Staatsorchester Hamburg
Conductor Laureate: Deutsche Symphonie Orchester Berlin
Honorary Conductor: Concerto Köln
Chief Conductor and Artistic Director: Orquesta y Coro Nacionales de España (from September 2026)
Principal Artistic Partner: Filarmonica Toscanini
Kent Nagano is considered one of today’s outstanding conductors for both operatic and orchestral repertoire. Since the season 2026/27, he is the Chief conductor and Artistic Director of the Orquesta y Coro Nacionales de España (OCNE) in Madrid and was appointed as the Principal Artistic Partner of Filarmonica Toscanini in the season 2025/26. He has been Honorary Conductor of the Deutsches Symphonie-Orchester Berlin since 2006, Concerto Köln since 2019, the Orchestre symphonique de Montréal since 2021 and the Philharmonisches Staatsorchester Hamburg since 2023 and is as patron of the Herrenchiemsee Festival.
Kent Nagano, together with Jan Vogler, is the artistic director of »The Wagner Cycles«, a Ring project developed between 2023 and 2026 by the Dresden Music Festival with the Dresden Festival Orchestra and Concerto Köln. Every year one of the four parts of Wagner’s »Der Ring des Nibelungen« was staged according to historically informed performance practice. From 2027 on, Kent Nagano will conduct the Dresden Festival Orchestra in several complete performances of »The Ring of the Nibelungen«, including a performance at the Konzerthaus Wien.
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From 2015 to 2025 Kent Nagano was General Music Director of the Hamburg Philharmonic State Orchestra and State Opera, where his tenure included major productions such as Boris Godunov, Salome, Peter Grimes, Les Troyens and Lulu. Previously, he was Music Director of the Orchestre symphonique de Montréal (2006 – 2020), General Music Director of the Bavarian State Opera (2006 – 2013) and Artistic Director and Chief Conductor of the Deutsches Symphonie-Orchester Berlin.
As a much sought-after guest conductor, Kent Nagano regularly works with leading international orchestras worldwide. 2026/27 season highlights include projects with the Deutsches Symphonie-Orchester Berlin, the Orchestre Symphonique de Montréal, the Hamburg Philharmonic State Orchestra, the NHK Symphony Orchestra, the Boston Symphony Orchestra, the Gothenburg Symphony Orchestra and the WDR Symphony Orchestra amongst others. In addition, Kent Nagano will conduct the premiere of Jacques Offenbach’s Les contes d’Hoffmann at the Teatro del Maggio Musicale Fiorentino, as well as the production of John Adams’ Nixon in China at the Teatro alla Scala.
Born in California, Kent Nagano maintains close ties to his home state, serving as Music Director of the Berkeley Symphony Orchestra from 1978 to 2009. His first major international success came in 1984 with the Boston Symphony Orchestra, when Olivier Messiaen appointed him assistant to Seiji Ozawa for the premiere of Saint François d’Assise. This success in the United States led to a series of prominent European appointments, including Music Director of the Opéra National de Lyon (1988 – 1998) and of the Hallé Orchestra (1991 – 2000). In 2003, Nagano became the first Music Director of Los Angeles Opera, having previously served as its Principal Conductor for two years.
Kent Nagano has received Grammy Awards for recordings of Busoni’s Doktor Faust, Prokofiev’s Peter and the Wolf, and Saariaho’s L’amour de loin. His extensive discography includes recordings for BIS, Decca, Sony Classical Deutsche Grammophon, Analekta and Harmonia Mundi.
He has also received numerous honors, including the Order of Canada, the Order of Merit of the Federal Republic of Germany, the »Ordre des arts et des lettres« of Québec and of France, and the Brahms Prize 2024.
Season 2026/27
Not to be altered or shortened without permission of PR² classic.
Contacts
Anna Wetherell Associate Director, Composers & Artists Jasper Parrott Executive Chairman HP Group & Associated Companies Irene Comesaña Aguilar Administrator, Artist Relations
worldwide general management
Jasper Parrott Executive Chairman HP Group & Associated Companies Irene Comesaña Aguilar Administrator, Artist Relations
worldwide general management
Irene Comesaña Aguilar Administrator, Artist Relations
Irene Comesaña Aguilar Administrator, Artist Relations
worldwide general management
Season Highlights
Opéra National de Paris
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Prague State Opera
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Philharmonie de Paris
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Kölner Philharmonie
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Elbphilharmonie Hamburg
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Hamburgische Staatsoper
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Dresdner Musikfestspiele
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Konzerthaus Blaibach
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Elbphilharmonie Hamburg
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Philharmonisches Staatsorchester Hamburg China Tour
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Herrenchiemsee Festspiele
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Mari Kodama
“Georges Delnon and Kent Nagano have thus accepted the greatest challenge in the last year of their aegis at the Hamburg State Opera. […] The orchestra was brilliantly prepared for the immense challenges of the score. The special characteristic of the spatial sound, the previously often criticised selectivity, ensured excellent audibility even this time.“
“A transparency that’s rare in Wagner performance. (…) this ‘Walküre’ was an enlightening glimpse for the future of Wagner performances.”
“The greatest achievement of the Dresden Walküre was that of conductor Kent Nagano. Speeds were fast, another aspect of performative accuracy, but not to the detriment to the overall drama. Nagano’s baton technique is superb, and when he wanted maximal clarity, he certainly achieved it – the razor-sharp opening of the second act a case in point. This was an orchestra of power but also of great subtlety.“
“Nagano, deeply mindful of shape and phrasing, coaxed the strings into producing a warm glow that seemed lit from within.”
“In the conductor Kent Nagano, the production has the world’s finest champion of A Quiet Place, who several years ago recorded Sunderland’s version and again led it to a brilliant and illuminating effect.”
“Kent Nagano led a burnished reading of the exquisite score”
“… but the new Decca recording of a reduced chamber version, with Kent Nagano conducting, makes a strong case for the piece as a raw, honest, almost seismographic record of the fractures at the heart of the American dream.”
“The performance by the Orchestre Symphonique de Montréal, Krakow Philharmonic Chorus and Warsaw Boys Choir under the direction of Kent Nagano, a Japanese-American star conductor, met with a nine-minute standing ovation and critical accolades.”
“The point is that the various materials should make a fluid and dramatic whole, as they did under Nagano’s exacting baton, both in the modern ICE Congress Centre in Kraków on July 18 and in the Felsenreitschule in Salzburg.”
“This chamber adaptation, a tidy 90 minutes long, was unveiled in 2013, and has recently been released as part of the celebrations of the centennial of Bernstein’s
birth — with Kent Nagano conducting the Orchestre Symphonique de Montréal — in a recording that renders the opera newly vivid, direct and moving..”
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