BIOGRAPHY
Interest in the Korean soprano Kathleen Kim has constantly grown since her Metropolitan Opera debut in 2007.
The current season brings several role debuts including the title role in Donizetti’s Lucia di Lammermoor at Sarasota Opera, La Fée in Massenet’s Cendrillon at Opéra de Lille, and the roles of Fire, Princess and the Nightingale in Ravel’s L’enfant et les sortilèges at the Glyndebourne Festival. In concert she will sing Mozart’s Mass in C minor with the Oslo Philharmonic, conducted by Manfred Honeck.
In the past few seasons, she has sung several high-coloratura roles at the Metropolitan Opera, most recently as Chiang Ch’ing in Nixon in China, directed by Peter Sellars and conducted by John Adams himself, and as Zerbinetta in Ariadne auf Naxos, conducted by Fabio Luisi. Also very well versed in the baroque style, Kim has performed for Central City Opera in Händel’s Rinaldo and Amadigi di Gaula, as well as Agrippina for Boston Lyric Opera.
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REVIEWS
"Kathleen Kim as Madame Mao stole the show with her coloratura flights in the bravura number that concludes Act II, and was amusing in her down-and-dirty duet with the Chairman." (Opera Today, February 2011)
“The coloratura soprano Kathleen Kim delivered the skittish, shrieking vocal lines of the malevolent Madame Mao with maniacal intensity." (The New York Times, February 2011)
“Kathleen Kim’s Olympia was distinguished not just by the brilliance of her acuti but by the charm and sparkle of her voice throughout its range" (Opera News, March 2010)






