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Biography

Twenty-two year old German-Japanese pianist, Alice Sara Ott, has astounded audiences and critics alike at major concert halls worldwide. Forthcoming orchestral debuts include concerts with the MDR Sinfonieorchester, Bamberger Symphoniker, Wiener Symphoniker, as well as the San Francisco Symphony, Tokyo Symphony, Rotterdam Philharmonic, Royal Scottish National and Philharmonia orchestras, plus return visits to the Royal Stockholm Philharmonic and Malaysian Philharmonic orchestras. Recitals highlights during the 2010/11 season include appearances at the Lucerne Festival, Festspielhaus Baden-Baden the Festival van Vlaanderen in Brussels, and a substantial tour of all the major Japanese cities. In 2008 Alice Sara Ott signed an exclusive recording contract with Deutsche Grammophon. Her highly successful debut recording featuring Liszt’s 12 Études d’exécution transcendante was quickly followed by a second album encompassing the complete waltzes of Frédéric Chopin – an album which entered both the German and US Classical iTunes charts at No.1. Alice’s eagerly awaited debut orchestral recording featuring the First Piano Concertos of Tchaikovsky and Liszt (with the Münchner Philharmoniker and Thomas Hengelbrock) will be released in autumn 2010.

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Sample discography

Chopin: Waltzes
Liszt: Etudes
Tchaikovsky, Liszt: Piano Concertos
Tchaikovsky, Liszt: Piano Concertos

Reviews

"Alice Sara Ott is a remarkable talent and her account is a significant achievement full of interest."  (Gramophone Magazine, March 2010)

"Her technique is dazzling, her tone wonderfully varied, from crystalline purity to powerfully raw, and the energy propelling her playing seems unstoppable.”  (The Guardian, February 2010)

"Only out of her teens, she leaves you to marvel at her instinct for Chopin’s poetic ambiguity, his alternating melancholy and exuberance, his ultra-Slavonic hope and despair, her playing backed by the sheen of an immaculate technique and pianism. You will go a long way to hear the A minor Waltz confided with a greater sense of its intimacy or the following F major Waltz given with such contrasting brio and expressive freedom.”  (Gramophone, February 2010)

"Even at her young age, Ott is able to convey the sadness that lurks beneath the glitter (Chopin’s life was blighted by ill health and unrequited love). Her phrasing of the more light-hearted passages is also spot-on. Perhaps it takes one child prodigy to faithfully interpret another.”  (www.thenational.ae, February 2010)

“Ott tore into the piano with a kind of controlled abandon.  Her long fingers travelled nimbly over the keys, and even when applying the softest touch at the lowest dynamic level, she achieved wonderful clarity and projection.”  (MusicinCincinnati.com, January 2010)