Home > Artists > Behzod Abduraimov

Biography

An exclusive Decca artist, Behzod Abduraimov’s debut recital CD will be released later this season. Still only 21, debuts in 2011/12 include dates with the Tokyo Symphony (Tchaikovsky's Piano Concerto No.1), Atlanta Symphony (Mendelssohn's Piano Concerto No.1) and NAC Ottawa orchestras (Prokofiev's Piano Concerto No. 3) as well as the Orchestre Philharmonique de Monte Carlo (Saint-Saëns' Piano Concerto No. 2) and the Lausanne Chamber Orchestra at Zurich's Tonhalle (Mozart's Piano Concerto K466). He will also embark on a major recital and concerto tour of Australia including performances with the Sydney Symphony. Further ahead he will give recitals at London’s International Piano Series, Milan’s La Societa dei Concerti and at the Gilmore Rising Star and Vancouver Recital series.

As a result of his sensational win at the London International Piano Competition he has performed with London Philharmonic Orchestra and was immediately re-invited following his debut with the Royal Philharmonic Orchestra. He has the major support of Vladimir Ashkenazy; other conductor collaborations include Charles Dutoit, Pinchas Zuckerman, Michael Christie, Krzysztof Urbański, Michael Stern and Alexander Lazarev.

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Reviews

“Abduraimov’s artistry conferred its own magic, with each phrase exquisitely shaped… With Yan Pascal Tortelier and the London Philharmonic keeping well-judged pace, he took the concluding Tarantella [of Saint-Saëns Piano Concerto No. 2] at hurtling speed, covering the keyboard – and encompassing the divided trills and the scampering staccato octaves – with seemingly effortless grace.” (The Independent, October 2010)

“The 18-year-old Uzbek pianist Behzod Abduraimov powered his way through last year's London International Piano Competition as though plugged into some mystical mains. His delivery of Prokofiev's Third Piano Concerto was electrifyingly physical, combining liberated exuberance with astonishing technical control. This Wigmore recital was one of the spoils of victory, and much was riding on it.

Opening with Chopin's 24 Preludes, he demonstrated from the start a rare capacity to characterise these variegated tone-poems, each of which is a world in itself. His sound was big and firm, but wonderfully yielding when the occasion demanded; each piece was fastidiously shaped, segueing without pause into the next...Everything reflected crystal-clear intention, everything felt fresh.

Next came a piece which most pianists won't risk their necks with: Vladimir Horowitz's pyrotechnical embellishments on Liszt's elaboration of Saint-Saens's satanic 'Danse macabre'. Yet the way Abduraimov hurled these fistfuls of notes around, he might have been taking a stroll in the park. And a thought arose: could this fresh-faced child be a new Horowitz?

Finally he let rip with a stunning performance of Prokofiev's Piano Sonata No 6, and we were reminded why he won that competition: with the music of this fundamentally heartless composer, he convinces his audience through sheer artistry.” (The Independent, May 2010)

“…young Abduraimov’s playing was so unbelievably magnificent that it left me speechless” (musicweb-international.com, March 2010)

“the highly gifted Tashkent born 20 year old pianist Behzod Abduraimov… dazzled the audience with what, I feel, was an exceptional performance” (www.bucksfreepress.co.uk, March 2010)